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Dutch Printer's Devices 15th-17th Century, Volume III
An indispensable source of information for bibliographers and historians of mentality and visual culture. Contains inter alia a massive index of iconography, systematically arranged according to ICONCLASS classification schedules, offering some 20,000 references. In 3 volumes. The print edition is available as a set of three volumes (9789060044407).
Translation and Transfer of Knowledge in Encyclopedic Compilations, 1680–1830
With a focus on the economic, social, and political impetus for producing monuments to knowledge, this volume recognizes the encyclopedic compilation as the quintessential tool of enlightenment knowledge transfer.
Dutch Paintings in the Metropolitan Museum of Art
Presents a catalog that surveys the Dutch paintings found in the Metropolitan Museum of Art.
What Does it Mean to be an Empiricist?
This book begins with an observation: At the time when empiricism arose and slowly established itself, the word itself had not yet been coined. Hence the central question of this volume: What does it mean to conduct empirical science in early modern Europe? How can we catch the elusive figure of the empiricist? Our answer focuses on the practices established by representative scholars. This approach allows us to demonstrate two things. First, that empiricism is not a monolith but exists in a plurality of forms. Today’s understanding of the empirical sciences was gradually shaped by the exchanges among scholars combining different traditions, world views and experimental settings. Second, t...
The Microscope in the Dutch Republic
Focusing on the two seventeenth-century pioneers of microscopic dicovery, the Dutchmen Jan Swammerdam and Antoni van Leewenhoek, Ruestow demonstrates that their uneasiness with their social circumstances spurred their discoveries. Though arguing that aspects of Dutch culture impeded serious research with the microscope, Ruestow also shows, however, that the culture of the period shaped how Swammerdam and Leewenhoek responded to what they saw through the lens. He concludes by emphasising how their early microscopic efforts differed from the institutionalised microscopic research that began in the nineteenth century.
A history of surgery
Surgery as a medical discipline has from its beginnings appealed to the imagination of many. It is therefore not surprising to find that its colourful past has induced quite a few authors to take up their pens. The truth of this in the Netherlands is witnessed by a number of dissertations and monographs and especially by the numerous articles related to the history of surgery which have appeared in the medical weekly Nederlands Tijdschrift voor Geneeskunde, particularly during the two decades preceding the Second World War. The memorial volume, published in 1977 by the 'Nederlandse Vereniging voor Heelkunde' (Association of Surgeons of the Netherlands) has thoroughly covered the history of D...
Navigating History: Economy, Society, Knowledge, and Nature
In Navigating History: Economy, Society, Knowledge, and Nature the contributors present new research that touches on the core themes developed in Karel Davids’s work. The book reflects Davids’s omnivorous character as a scholar. Nevertheless, there are common strands that run throughout the introduction and fourteen chapters gathered here. Major themes include resources of knowledge, cultures of learning, and humans and their natural environment. Together, these fourteen essays provide a fascinating panorama of social, economic, and environmental history of the past millennium. The book seeks to bring back the different levels of geographical scope, fusing the local, the national and the global. Contributors are: Ulbe Bosma, Pepijn Brandon, Jaap Bruijn, Petra van Dam, Victor Enthoven, Sabine Go, Marjolein ’t Hart, Raoul De Kerf, Jan Lucassen, Karin Lurvink, Joel Mokyr, Marijn Molema, Bert de Munck, Pál Nyiri, Harm Pieters, Matthias van Rossum, Joost Schokkenbroek, Jeroen Touwen, Wybren Verstegen, and Jan Luiten van Zanden.
Dutch Art
An illustrated feast for the eye and intellect Dutch Art explores developments in art, art history, art criticism, and cultural history of the Netherlands from the artists' workshops for the Utrecht Dom in 1475 to the latest movements of the 1990s. it is lavishly illustrated with 147 black-and-white photographs and 16 pages in full color. More than 100 internationally recognized scholars, museum professionals, artists, and art critics contributed signed essays to this monumental work, including historians, sociologists, and literary historians.
