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Abraham Ortelius
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Mapmaker
Abraham Ortelius was a map maker in the 1500s in Antwerp. His chief claim to fame was that he made the first map book, now called an atlas. Abraham had a huge circle of family, colleagues, friends and acquaintances. He was an avid humanist who met regularly to discuss humanist issues. His friends included geographers and map makers, printers, painters, engravers, poets and clergymen who lived all over Europe; many of them were also well known figures. He travelled Europe to obtain maps and to further his many other interests. Politics, both church and state, made the Netherlands an unsafe place to live during the sixteenth century, as Spain sought to control the Netherlands and the Catholic Church and headed the Inquisition. Abraham found it necessary on several occasions to flee what was happening in Antwerp at the time. While based on fact, this is essentially a fictional story.
Ortelius Atlas Maps
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Ortelius Atlas Maps
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Abraham Ortelius and the First Atlas
With an introduction by Leon Voet, and with 20 contributions by Günter Schilder, Rodney Shirley, Dennis Reinhartz, H.A.M. van der Heijden, Marijke Spies and others.
Mirror of the Worlde
The Mirror of the Worlde is an important addition to the canon of Elizabeth Tanfield Cary. Best known for her play The Tragedy of Mariam, Cary is revealed here as a sheltered but precocious child who translated the texts accompanying the maps in an early modern atlas when she was no more than twelve. This book identifies the source text and makes widely available for the first time the full transcription of Elizabeth Cary's manuscript translation of L'Epitome du Théâtre du Monde d'Abraham Ortelius (c. 1588). Dedicated to her mother's well-connected aristocratic uncle, Sir Henry Lee, The Mirror of the Worlde - one of the first known English versions of Ortelius - is a rich source of informa...
Erudite Eyes
This book is also available in Paperback Erudite Eyes explores the network of the Antwerp cartographer Abraham Ortelius (1527-1598), a veritable trading zone of art and erudition. Populated by such luminaries as Pieter Bruegel, Joris Hoefnagel, Justus Lipsius and Benedictus Arias Montanus, among others, this vibrant antiquarian culture yielded new knowledge about local antiquities and distant civilizations, and offered a framework for articulating art and artistic practice. These fruitful exchanges, undertaken in a spirit of friendship and collaboration, are all the more astonishing when seen against the backdrop of the ongoing wars. Based on a close reading of early modern letters, alba amicorum, printed books, manuscripts and artworks, this book situates Netherlandish art and culture between Bruegel and Rubens in a European perspective.
