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Bible Missals are manuscripts that integrate liturgical prayers for the Mass with the scriptural texts of the Latin Vulgate. Long overlooked by scholars, Bible Missals offer important evidence for the development of the medieval liturgy and the liturgical use of scripture by medieval Christians. This monograph is the first comprehensive analysis of the codicology and contents of Bible Missals. Mostly produced in the first half of the 13th century by professional book makers in centers like Paris and Oxford, these hybrid manuscripts were customized for secular, monastic, and mendicant patrons. This monograph focuses on Dominican Bible Missals, the largest group within the repertoire, providing detailed codicological descriptions of each manuscript and analyzing their texts for the Order of Mass and selected liturgical formularies, including prayers for the feast of St. Dominic. For medieval Christians, the words and events of scripture were continually called to mind and reenacted in the sacramental rites of the Mass. Bible Missals provide important material evidence for this interplay between word and sacrament.
Learning to read in medieval Germany meant learning to read and understand Latin as well as the pupils' own language. The teaching methods used in the medieval Abbey of St Gall survive in the translations and commentaries of the monk, scholar and teacher Notker Labeo (c.950–1022). Notker's pedagogic method, although deeply rooted in classical and monastic traditions, demonstrates revolutionary innovations that include providing translations in the pupils' native German, supplying structural commentary in the form of simplified word order and punctuation, and furnishing special markers that helped readers to perform texts out loud. Anna Grotans examines this unique interplay between orality and literacy in Latin and Old High German, and illustrates her study with many examples from Notker's manuscripts. This study has much to contribute to our knowledge of medieval reading, and of the relationship between Latin and the vernacular in a variety of formal and informal contexts.
By means of compositional devices and a masterful use of Greek language that the author adapts to the contents, Galen achieves an accurate and didactic exposition, which presents the vivacity of oral speech. Dealing with a humoral unbalance that is on the basis of many local and general affections inflammation and fevers among them , this small treatise also includes key notions of Anatomy and Physiology. On those grounds it became a bestseller in the Middle Ages and the Renaissance (translations into Syrian, Arabic, Latin 8 versions and Hebrew; 14 commentaries from 1290 to 1567). This first critical edition presents a continuous text no chapters and points to the internal structure created by the author in order to make his text readily accessible and unforgettable. A thorough Introduction the textual transmission, the fundamental topics , is coupled by an ample Commentary that deals with alteration and pain, qualities and humours, no less than with scribal errors and grammatical explanations.
An interdisciplinary approach, wit hits comparative study of sources, helps to highlight the intellectual preoccupations of many religious thinkers who grappled with the overwhelming prospect of Universal destruction.
Renowned in her day for her scholarship and eloquence, Isotta Nogarola (1418-66) remained one of the most famous women of the Italian Renaissance for centuries after her death. And because she was one of the first women to carve out a place for herself in the male-dominated republic of letters, Nogarola served as a crucial role model for generations of aspiring female artists and writers. This volume presents English translations of all of Nogarola's extant works and highlights just how daring and original her convictions were. In her letters and orations, Nogarola elegantly synthesized Greco-Roman thought with biblical teachings. And striding across the stage in public, she lectured the Ver...
Penitential practice in the Holy Roman Empire 900-1050, examined through records in church law, the liturgy, monastic and other sources. This study examines all forms of penitential practice in the Holy Roman Empire under the Ottonian and Salian Reich, c.900 - c.1050. This crucial period in the history of penance, falling between the Carolingians' codification of public and private penance, and the promotion of the practice of confession in the thirteenth century, has largely been ignored by historians. Tracing the varieties of penitential practice recorded in church law, the liturgy, monastic practice, narrative and documentary sources, Dr Hamilton's book argues that many of the changes pre...
Bridging Traditions explores the connections between apparently different zones of comprehension and experience—magic and experiment, alchemy and mechanics, practical mathematics and geometrical mysticism, things earthy and heavenly, and especially science and medicine—by focusing on points of intersection among alchemy, chemistry, and Paracelsian medical philosophy. In exploring the varieties of natural knowledge in the early modern era, the authors pay tribute to the work of Allen Debus, whose own endeavors cleared the way for scholars to examine subjects that were once snubbed as suitable only to the refuse heap of the history of science.
Claudio Monteverdi’s Venetian Operas features chapters by a group of scholars and performers of varied backgrounds and specialties, who confront the various questions raised by Monteverdi’s late operas from an interdisciplinary perspective. The premise of the volume is the idea that constructive dialogue between musicologists and musicians, stage directors and theater historians, as well as philologists and literary critics can shed new light on Monteverdi’s two Venetian operas (and their respective librettos, by Badoaro and Busenello), not only at the levels of textual criticism, historical exegesis, and dramaturgy, but also with regard to concrete choices of performance, staging, and...
An edition of two Old English versions of the colourful legend of St Margaret of Antioch.