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A bedroom in a suburban villa in one of the richest cities in England. A sea beach in a mountainous country. Too True to Be Good is a comedy written by playwright George Bernard Shaw at the age of 76. First staged at the Guild Theatre, New York, followed in the same year by a production in Malvern, Worcestershire starring Beatrice Lillie, Claude Rains, and Leo G. Carroll
In a large country house in Derbyshire in April 1809 sits Lady Thomasina Coverly, aged thirteen, and her tutor, Septimus Hodge. Through the window may be seen some of the '500 acres inclusive of lake' where Capability Brown's idealized landscape is about to give way to the 'picturesque' Gothic style: 'everything but vampires', as the garden historian Hannah Jarvis remarks to Bernard Nightingale when they stand in the same room 180 years later. Bernard has arrived to uncover the scandal which is said to have taken place when Lord Byron stayed at Sidley Park. Tom Stoppard's absorbing play takes us back and forth between the centuries and explores the nature of truth and time, the difference between the Classical and the Romantic temperament, and the disruptive influence of sex on our orbits in life - 'the attraction', as Hannah says, 'which Newton left out'.
A 3-act play about a 29-year old woman desperate to be married. Social commentary on the dependent status of women by the author of "Marriage as a Trade." Also published in novel form.
Gus Marcantonio, a retired longshoreman, summons his adult children home to the family's Brooklyn brownstone to discuss his recent decision to commit suicide. With his trademark mix of soaring intellect, searing emotion, and biting wit, legendary playwright Tony Kushner unfurls an epic tale of revolution, radicalism, family, love, sex, politics, real estate, unions and debts both unpaid and unpayable. With sweeping themes as hefty as its title, "IHo" (as it has been nicknamed) explores the dense and vexing issues that stem from the betrayal of a failed ideology and the challenges of family connectedness. This cerebral mammoth of a play asks what is left when the long-held belief systems that construct and inform one's identity prove to be empty.
The ninth play of Wilson's 10-play masterwork
Slimm, a seventeen-year-old Black boy in a hoodie suddenly finds himself in the first moments of his afterlife. He calls out for God. God does not respond. What happens next is a sacred journey through the unknown, as Slimm grapples with the truth of the life he lived and the death he didn't choose. Our Fathers, Sons, Lovers and Little Brothers is a protest for all Black life beyond headlines and hashtags, a prayer for all families left behind, and a promise to the community that all Black lives matter.
Numerous studies show that people will rise, or fall, to the level where their superiors believe them capable. As a manager, it is up to you to have high expectations for your employees, and to communicate those expectations to them. In Pygmalion in Management, J. Sterling Livingston urges you to understand the power you have over your subordinates' success, and use it to benefit everyone involved. Since 1922, Harvard Business Review has been a leading source of breakthrough ideas in management practice. The Harvard Business Review Classics series now offers you the opportunity to make these seminal pieces a part of your permanent management library. Each highly readable volume contains a groundbreaking idea that continues to shape best practices and inspire countless managers around the world.
O'Flaherty V.C., A Recruiting Pamphlet (1915) is a comic one-act play written during World War I by George Bernard Shaw. The plot is about an Irish soldier in the British army returning home after winning the Victoria Cross. The play was written at a time when the British government was attempting to promote recruitment in Ireland, while many Irish republicans expressed opposition to a war to defend the British Empire.