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Leading Ladies
Contains photographs and profiles that examine the lives and careers of fifty actresses of the studio era who empowered women, each with an annotated list of films, style notes, behind-the-scene facts, trivia, and a list of awards and nominations.
Women in Russian Theatre
Women in Russian Theatre is a fascinating feminist counterpoint to the established area of Russian theatre populated by male artists such as Stanislavsky, Chekov and Meyerhold. With unprecedented access to newly-opened files in Russia, Catherine Schuler brings to light the actresses who had an impact upon Russian modernist theatre. Schuler brings to light the extradordinary lives and work of eight Russian actresses who flourished on the stage between the late nineteenth and early twentieth century.
London's West End Actresses and the Origins of Celebrity Charity, 1880-1920
Chapter 6. "Killing Kruger with Your Mouth" | The Actress, Charity Recitations, and the Second Anglo Boer War -- Chapter 7. The "Comforteers" | Actresses and Charity Activity during the First World War -- Conclusion | "Get an Actress First. If You Can't Get an Actress Then Get a Duchess."--Notes -- Bibliography -- Index
The Actresses
Sometimes successful, often not, the life of an actress is never dull but what happens when you reach fifty? If you're an actor, the work pours in; if you're an actress, suddenly the wrinkles start showing, the boobs sag, that young sprite who's just left college last year is the tops. So it seems, anyhow, to this group of thespians, now all in their fifties, meeting for a drama school reunion. There's Juliet, beautiful, brittle star of the stage, all out for her big screen break; lovely Pauline, a good actress in her own right but often overshadowed by her ebullient actor husband Anthony; blowsy, breezy, sexy soap star Molly; the three wise monkeys Emmy Lou, Franny and dear old Harry; sweet Izzy and gorgeous Terence Blue, Hollywood superstar, heart throb extraordinaire. But age doesn't wipe out desire, ambition or memory. So when the celebrations culminate in an accusation of rape, the past comes flooding back and the present takes extraordinary and unexpected turns.
Treading the Bawds
"[This book] challenges the traditional boundaries that have separated the histories of the first actresses and the early female playwright. It brings the approaches of new histories and historiography to bear on old stories to make alternative connections between women working in the business of theatre. Drawing from feminist cultural materialist theories and historiographies, Bush-Bailey analyses the collaboration between the actresses Elizabeth Barry and Anne Bracegirdle and women playwrights such as Aphra Behn Mary Pix, tracing a line of influence from the time of the first Theatres Royal to the rebellion that resulted in the creation of a players' co-operative. This is a story about public and private identity fuelling profit at the box office and gossip on the streets and investigating how women's on- and off-stage personae feed each other in the emerging commercial world of the business of theatre."--Jacket.
A Star is Born
Marlene Dietrich, Marilyn Monroe, Catherine Deneuve... Feted, adored and desired, successful movie actresses are icons of modern culture. But what was it that made them true stars? Was it looks, talent, drive, personality – or just plain luck? What was the first captivating image or unforgettable line that etched them indelibly on our collective memory – and transformed the screen actress of the passing movie credit into the screen goddess of eternal legend? In a sequence of elegant pen-portraits, George Tiffin takes a microscope to the movies and the moments that established 75 female icons of cinema. These penportraits are supplemented by quotes, notes and anecdotes, including script excerpts from key scenes. From Oscar-winners to ingénues, and from grande dames to femmes fatales, A STAR IS BORN is a seductive celebration of the eternal feminine at the heart of the movie business – and an informal and engaging history of cinema itself.
Actresses of a Certain Character
"Information presented regarding birth, death, film credits and analyzes each player's unique talents, signature roles and career development. Representative range of backgrounds, character types and career experiences including actresses such as Agnes Moorehead, Thelma Ritter, Beulah Bondi, Sara Allgood, and Jessie Ralph, among others. A fascinating tour through Hollywood's big studio era and the lives of its characters"--Provided by publisher.
The First English Actresses
Before the Restoration of Charles II there were no professional actresses on the English stage, and female roles had almost always been played by men. This book describes how and why women were permitted to act on the public stage after 1660, and the consequences of their arrival. Elizabeth Howe opens up a fascinating subject to nonspecialists. Beginning with a general account of the workings of Restoration theater, she explains the treatment received by the actresses and how their sexuality was exploited. The book addresses questions that are relevant to women's issues in every period: how far did the advent of women players alter dramatic portrayals of women? Did this encourage more or less equality between the sexes? Although in one sense merely playthings for a small male elite, the pioneering actresses also represent a new female voice in society and a new place in discourse.
