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The Gothic Peckinpah
This book argues for the importance of Gothic in understanding one of the key elements within the films of Sam Peckinpah (1925-1984). Although occasionally noted in the past, the Gothic has been generally overlooked when most critics consider the work of Sam Peckinpah with the exception of the Freudian based Crucified Heroes (1979) by Terence Butler. This work not only examines the films made after that date, especially the often dismissed The Osterman Weekend (1983) and the two music videos he made for Julian Lennon, but also places the director within the context of the developing work on Gothic that has since appeared. Peckinpah has been identified as the director of one undisputed masterpiece, The Wild Bunch (1969). By focussing on the key role Gothic plays in most of the director’s work, this book offers a way to see Peckinpah beyond The Wild Bunch and the Western, viewing him as a director who had the potential of evolving further, had circumstances permitted, to continue his critique of American life within the developing lens of the Gothic.
The Law Times
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Marriage Material
A London graphic designer is suddenly forced to take over his South Asian family’s convenience store in this “hugely enjoyable” novel (The Sunday Express). “Sathnam Sanghera’s witty first novel chronicles three generations of a Punjabi Indian family in England. After his father dies, Arjan Banga, a graphic designer in London, returns to the dreary West Midlands to help run the family convenience store. The move causes tension with his white fiancée, Freya, whom his mother regards with passive-aggressive disapproval. Arjan must explain to customers that ‘as a Sikh I was not expected to marry my cousin or join Al Qaeda’ and smile politely at their interpretations of his name (...
