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Lyrical, surreal, and yet unsettlingly realistic, The Sinistra Zone swims in the totalitarian backwaters of Eastern Europe Entering a weird, remote hamlet, Andrei calls himself “a simple wayfarer,” but he is in fact highly compromised: he has no identity papers. Taken under the wing of the military zone’s commander, Andrei is first assigned to guard the blueberries that supply a nearby bear reserve. He is surrounded by human wrecks, supernatural umbrellas, birds carrying plagues, albino twins. The bears — and an affair with a married woman — occupy Andrei until his protector is replaced by a new female commander, “a slender creature, quiet,diaphanous, like a dragonfly,” and yet an iron-fisted harridan. As things grow ever more alarming, Andrei becomes a “corpse watchman,” standing guard over the dead to check for any signs of life, and then …
Because of their visibility in society and ability to shape public opinion, prominent literary figures were among the first targets of Communist repression, torture, and incarceration. Authors such as Alexsandr Solzhenitsyn famously documented the experience of internment in Soviet gulags. Little, however, has been published in the English language on the work of writers imprisoned by other countries of the Soviet bloc. For the first time, The Walls Behind the Curtain presents a collection of works from East European novelists, poets, playwrights, and essayists who wrote during or after their captivity under communism. Harold B. Segel paints a backdrop of the political culture and prison and...
Birds of Verhovina is a description of an unnamed totalitarian society in all its irrationality, absurdity, and implacability; provoking both laughter and shuddering in the reader.
The Reception of Northrup Frye takes a thorough accounting of the presence of Frye in existing works and argues against Frye's diminishing status as an important critical voice.
The first full-length study of cycling activism through the lens of social movement theory, this book demonstrates that, despite tremendous differences, bike activism can be understood as a continuous and connected activity spanning a century and a half and across continents. With examples from street protest to institutional lobbying, it emphasises cycling’s current central importance to zero carbon transport futures, while showing that cycling activism is also not always about the bike or the cyclist, as successive generations of activists have used cycling to articulate different visions of freedom and autonomy. Moving from a consideration of social movement theory as a means to understand cycling activism, the author presents a series of case studies of collective action, organisations, networks and campaigns in order to illustrate and elaborate a theoretical model through which diverse campaigns and approaches to change can be understood. As such, Cycling Activism will appeal to those with interests in mobilisation for social change, mobility and transport studies, and social movement theory, as well as cycling studies.
This study explores the relation of the Eastern European problematic to postcolonial critical practice, interrogating the extent to which postcolonialism can help illuminate instances of imperial domination in non-Third World contexts. It argues that colonisation is to be understood principally as a condition of ideological domination that has engendered similar forms of literary and cultural resistance; consequently, it offers a comparative framework which enables a reading in differential contexts of texts that ostensibly have little in common, but which, on close examination, reveal a shared imaginative space, rhetoric and narrative agency. The book consists of two interrelated parts. Par...
The Explicit Material gathers varied perspectives from the discourses of conservation, curation and humanities disciplines to focus on aspects of heritage transmission and material transitions. The authors observe and explicate the myriad transformations that works of different kinds - manuscripts, archaeological artefacts, video art, installations, performances, film, and built heritage - may undergo: changing contexts, changing matter, changing interpretations and display. Focusing on the vibrant materiality of artworks and artefacts, The Explicit Material puts an emphasis on objects as complex constructs of material relations. By so doing, it announces a shift in sensibilities and understandings of the significance of objects and the materials they are made of, and on the increasingly blurred boundaries between the practices of conservation and curation.
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