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Adam Caruso is not only a member, together with Peter St John, of the London-based architecture office Caruso St John but also a prolific author who has focused his thoughts on the practice of architecture and who has taken a new look at some of the leading figures of the so-called “other tradition” in the Modern Movement. In “Sigurd Lewerentz and a material basis for form” (1997), “The Tyranny of the New” (1998), “The Feeling of Things” (1999), “The Emotional City” (2000), and “Towards an Ontology of Construction” (2002), we find a new perception of the radical approach adopted in modern and contemporary architecture.
The product of a continuous European architectural and intellectual practice that bridged the Second World War, the work of Rudolf Schwarz (1897?1961) allows a deeper understanding of post-war German architecture. This book examines nine of his religious and secular buildings sited in the Rhineland, which are presented through new survey drawings and photographs. These are accompanied by Schwarz?s project descriptions and his lecture ?Architecture of Our Times? from 1958, which contextualizes his approach. Essays by Wolfgang Pehnt and an interƯ view with Schwarz?s wife, the architect Maria Schwarz, provide further insight into this complex oeuvre.
British architects Adam Caruso and Peter St John first came to prominence in 1996 when they won an international competition to design the New Walsall Art Gallery a project which was shortlisted for the prestigious Stirling Prize in 2000. Since then, they have gone on to become one of Britain¿s leading contemporary architectural design firms with noted projects across the UK and continental Europe. This highly illustrated volume offers a privileged look at the design principles underpinning Caruso St John one that contends contemporary architects should be willing to draw on an endless variety of influences rather than rely on the established theories of abstraction and simplification. It also provides an unrivalled account of the firm¿s projects from the early 1990s up to the present day.
A transformation occurred in the work of Michael Hopkins and Partners during the 1980s and 1990s that was achieved at its highest level in the five urban buildings explored in this book. Relatively unknown outside Great Britain, Hopkins presents his perspective at that time in his lecture "Technology Comes to Town", here published and balanced by building studies from five contemporary European architects. Essays by Adam Caruso and Helen Thomas frame the British scene in which the fundamental issues of technology, style and context that run through discussions of 20th century architecture are revisited. The presence of these themes in Hopkins's architecture is revealed through survey drawings and new photographs of the buildings by Hélène Binet.
"The present publication includes the work done by the MEAM Net research group at the Politecnico di Milano in collaboration with 27 institutions Europe-wide. This work, titled "One hundred houses for one hundred European architects of the 20th century", bore fruit in a travelling exhibition and a website"
Providing a new insight into 20th-century architecture, this is the first book in English on the work of French architect Fernand Pouillon, 1912-1986. At the book's heart lie survey drawings and photographs of Pouillon's key Parisian housing projects.
Some twenty projects from this London based architectural studio are examined in detail in this monograph, including their latest built works, such as the new classrooms at Hallfield School and a private residence called the Brick House. An interview and several texts by the principals are also included, providing an interesting insight into their opinions on such themes as tradition and novelty as well as to their approach to designing buildings in general.
This is a book in English on the Italian architects Mario Asnago (1896-1981) and Claudio Vender (1904-1986). Their city was mid-twentieth century Milan in transformation, and the extraordinary Milanese architectural scene of that time is revealed in their work and through the writings of their contemporaries. Cino Zucchi and Adam Caruso provide in-depth analyses of the conceptual and material qualities of the buildings, which are illustrated in survey drawings and photographs of a selection of Asnago Vender's urban projects. The book is the second in a series on The Limits of Modernism - a Forgotten Generation of European Architects.(Quelle: gta Verlag).
In this series, designers are invited to share their vision of the challenges architecture as a discipline faces today. Using theory as well as practical examples, the author proposes an architecture grounded in the specific and in the experience of place. He is one of an emerging generation of architects who value the vernacular, the material and the haptic above the universal and the efficient.
An account of prefabricated architecture around the world, from McDonalds drive-through restaurants to Ikea's flat-pack house.