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The Trap
First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
The Invention of Poetry
âe~Adam Czerniawskiâe(tm)s poetry springs from a conjunction of Polish and English (or perhaps European) culture. Deeply rooted in the Polish language, he is at the same time a poet of universal themes observed from a wide perspective of the Western world. I would even claim that this poetry springs from a different basis of culture and literary tradition, that he has managed to set himself free from many complexes of contemporary Polish poetry, to grasp and see them from a global perspective. Additionally, there is his special position as a poet standing outside the émigré cultural life, which gives him the advantage of distance, of reserve and of being above the current disputes an...
Comparative Criticism: Volume 16, Revolutions and Censorship
This 1994 book addresses literary theory and criticism, comparative studies in terms of theme, genre movement and influence, and interdisciplinary perspectives.
Moved by the Spirit
None
Treny
"Renaissance artists and poets readily commemorated the lives of the great, but rarely mourned a child who could not even claim noble birth. Yet the sixteenth-century masterpiece ""Treny"" stems from the Polish poet Jan Kochanowski's intense grief over the death of his little daughter Orszula, 'a delightful, radiant, extraordinary child', who died before she was three. The laments stand as Kochanowski's crowning achievement, and the first Polish work to equal the great poems of western Europe. In a cycle by turn reflective, despairing, and finally hesitantly accepting, a father evokes the unfulfilled promise of a life tragically cut short. The work's disarming simplicity and enduring passion, supported by an intellectually impressive structure, are fully realized in translation by Adam Czerniawski, the distinguished contemporary Polish poet. The English translation is accompanied by the original Polish text, edited by Renaissance scholar Piotr Wilczek, and with a foreword by Donald Davie. This important edition will prove of value to scholars and teachers of Slavonic literature, and to all lovers of poetry."
Selected Poems
Poets' Voices is an international series of books with audio CD's which present collections of poems by significant poets whose work is not available in existing publications. Their poems appear in the original language, together with an English translation on the facing page. With each book, whenever possible, there is a CD recording of the poet reading poems in the collection in the original language and when feasible, in the English translations. Poets' Voices will also feature monographs on key poets about whose lives, works, and influence little is currently available.Czerniawski writes distinctive, challenging, and engaging poems. Since the late seventies he has been a significant presence in Polish poetry. Influenced by his remarkable international and multicultural experiences. Czerniawski debates, enacts or meditates obliquely on puzzles and questions of perception, memory, and representation. A CD featuring readings of a selection of the poems in Polish and in English accompanies this book.
The God Who Is Beauty
In the beginning was beauty, and beauty was with God, and beauty was God. If the tradition of divine names, that (in its Christian form) originates with Dionysius the Areopagite and includes among its ranks Albert the Great, Thomas Aquinas, and others, is correct in identifying God with the name beauty, then repurposing the Prologue to John's Gospel in this way seems hardly controversial. For if beauty is a divine name then not only is it fitting to say God is beautiful, but it is equally fitting to say that God is beauty itself. However, like most arguments from fittingness-that is to say, arguments whose veracity derives from the congruency, proportion, or harmony between the various elements of a proposition or idea rather than from some categoricallyhigher, or univocally determinate, logical necessity-the simplicity of its utterance stands in stark contrast to the complexity of its intelligible content. It is the aim of the present work is to explore what it means to say that beauty is a divine name.
Giving Offense
Winner of the 2003 Nobel Prize in Literature. J. M. Coetzee presents a coherent, unorthodox analysis of censorship from the perspective of one who has lived and worked under its shadow. The essays collected here attempt to understand the passion that plays itself out in acts of silencing and censoring. He argues that a destructive dynamic of belligerence and escalation tends to overtake the rivals in any field ruled by censorship. From Osip Mandelstam commanded to compose an ode in praise of Stalin, to Breyten Breytenbach writing poems under and for the eyes of his prison guards, to Aleksander Solzhenitsyn engaging in a trial of wits with the organs of the Soviet state, Giving Offense focuse...
The Survivors and Other Poems
The description for this book, The Survivors and Other Poems, will be forthcoming.
They Came to See a Poet
Poland's most popular and influential poet in Adam Czerniawski's masterly English translation.
