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Shortlisted for the NATIONAL BOOK CRITICS CIRCLE AWARDS 2017 2017 PULITZER PRIZE Finalist for Fiction TIME Top Ten Novels of 2016 'It might be the best American novel about a middle-class family since Jonathan Franzen's The Corrections' Independent 'Exceptional, haunting, distinctive... [It] resembles the work of Anne Tyler, intertwining grief and love... Intimate and panoramic' The Sunday Times 'Dreadfully sad and hilariously funny. Literature of the highest order' Peter Carey Universal and essential, the heart-breaking story of an ordinary American family shaped by tragedy Michael's father walked into the woods one day, and out of his family's life for ever. Yet he and his brother and sister see it less as a tragedy in their past and more as a forewarning of the future. For Michael - smart, brilliant, so alive and vital - feels the darkness that drew their father away and how, given the chance, it might take the whole family. He wants to save them - but can he save himself?
In one of the most acclaimed fiction debuts in years, Adam Haslett explores the lives that appear shuttered by loss and discovers entire worlds hidden inside them. An ageing inventor, burning with manic creativity, tries to reconcile with his estranged gay son. An orphaned boy draws a thuggish classmate into a relationship of escalating guilt and violence. A genteel middle-aged woman, a long-time resident of a rest home, becomes the confidante of a lovelorn, teenage volunteer. With Checkovian restraint and compassion, conveying both the sorrow of life and the courage with which people rise to meet it, You Are Not A Stranger Here is a triumph.
From the acclaimed author of Imagine Me Gone and the Pulitzer Prize finalist You Are Not A Stranger Here, a stunning, masterful portrait of our modern gilded age. At the heart of Union Atlantic lies a test of wills between a retired history teacher, Charlotte Graves—who has suddenly begun to hear her two dogs speaking to her in the voices of Cotton Mather and Malcolm X—and an ambitious young banker, Doug Fanning, who is building an ostentatious mansion on what was once Charlotte’s family land. Drawn into the conflict is Nate Fuller, a troubled high-school student who stirs powerful emotions in both of them. What emerges is a riveting story of financial power, the defense of tradition, and the distortions of desire these forces create. With remarkable scope and precision, Union Atlantic delivers a striking vision of the violent, anxious world we’ve come to inhabit.
A New York Times bestseller—“Part ode, part how-to guide to the art of the well-constructed sentence” (NPR). Some appreciate fine art; others appreciate fine wines. Stanley Fish appreciates fine sentences. The New York Times columnist and world-class professor has long been an aficionado of language. Like a seasoned sportscaster, Fish marvels at the adeptness of finely crafted sentences and breaks them down into digestible morsels, giving readers an instant play-by-play. In this entertaining and erudite gem, Fish offers both sentence craft and sentence pleasure, skills invaluable to any writer (or reader). How to Write a Sentence is both a spirited love letter to the written word and a key to understanding how great writing works; it is a book that will stand the test of time. “Both deeper and more democratic than The Elements of Style” —Adam Haslett, Financial Times “A guided tour through some of the most beautiful, arresting sentences in the English language.” —Slate
A re-discovered masterpiece of reporting by a literary icon and a celebrated photographer In 1941, James Agee and Walker Evans published Let Us Now Praise Famous Men, a 400-page prose symphony about three tenant farming families in Hale County, Alabama, at the height of the Great Depression. The book shattered journalistic and literary conventions. Critic Lionel Trilling called it the “most realistic and most important moral effort of our American generation.” The origins of Agee and Evans’s famous collaboration date back to an assignment for Fortune magazine, which sent them to Alabama in the summer of 1936 to report a story that was never published. Some have assumed that Fortune’s...
A Kirkus Reviews Best Fiction Book of 2021 A searing story about memory and betrayal from the acclaimed and bestselling Russell Banks In his late seventies and dying of cancer, famed Canadian-American documentary filmmaker Leonard Fife, one of sixty thousand draft evaders who fled to Canada to avoid Vietnam, has agreed to one final interview, determined to bare all his secrets and demythologize his mythologized life. But the story that unspools in front of the camera and an intimate chorus of observers, including Fife’s wife, his nurse, and his acolyte and former star student Malcolm Macleod, is confoundingly unexpected, the dark and affecting account of a man entirely unknown to all. A searing novel about memory, betrayal, love, and the faint grace note of redemption, Russell Banks’s Foregone is a daring and resonant work about the scope of one man’s mysterious life, revealed through the fragments of his recovered past.
The definitive source of information, insight, and advice for creative writers, from the nation’s largest and most trusted organization for writers, Poets & Writers. For half a century, writers at every stage of their careers have turned to the literary nonprofit organization Poets & Writers and its award-winning magazine for resources to foster their professional development, from writing prompts and tips on technique to informative interviews with published authors, literary agents, and editors. But never before has Poets & Writers marshaled its fifty years’ worth of knowledge to create an authoritative guide for writers that answers every imaginable question about craft and career—u...
A mother and son, estranged for years, must grapple with the shared secret that drove their lives apart in this enthralling story about family, forgiveness, and how a fleeting act of violence can change a life forever, by "one of the country's most talented writers" (Wall Street Journal) At forty, Peter, an asylum lawyer in New York City, is overworked and isolated. He spends his days immersed in the struggles of immigrants only to return to an empty apartment and occasional hook-ups with a man who wants more than Peter can give. But when the asylum case of a young gay man pierces Peter's numbness, the event that he has avoided for twenty years returns to haunt him. Ann, his mother, who runs...
Offering a philosophical meditation on the problem of evil, this book uses the Genesis story of the Fall as the starting point for an articulation of the human condition, and shows us that evil expresses the rage of a subject who knows both that he is an image of an infinite God and that he must die.