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Argues that the awkwardness of our age is a key to understanding human experience.
The secular world may have thought it was done with theology, but theology was not done with it. Recent decades have seen a resurgence of religion on the social and political scene, which have driven thinkers across many disciplines to grapple with the Christian theological inheritance of the modern world. Adam Kotsko provides a unique guide to this fraught terrain. The title essay establishes a fresh and unexpected redefinition of theology and its complex and often polemical relationship with its sister discipline of philosophy. Subsequent essays build on this framework from three different perspectives. In the first part, Kotsko demonstrates the continued vibrancy of Christian theology as ...
“Adam Kotsko’s premise—that the devil and the neoliberal subject can only ever choose their own damnation—is as original as it is breathtaking.” —James Martel, author of Anarchist Prophets By both its supporters and detractors, neoliberalism is usually considered an economic policy agenda. Neoliberalism’s Demons argues that it is much more than that: a complete worldview, neoliberalism presents the competitive marketplace as the model for true human flourishing. And it has enjoyed great success: from the struggle for “global competitiveness” on the world stage down to our individual practices of self-branding and social networking, neoliberalism has transformed every aspect...
Giorgio Agamben has emerged as one of the most perceptive and even prophetic political thinkers of his era. Now that he has completed his career-defining work - the multivolume Homo Sacer series - Adam Kotsko, one of his leading translators, shows how his political concerns emerged and evolved as Agamben responded to contemporary events and new intellectual influences while striving to remain true to his deepest intuitions. Kotsko reveals the trajectory of Agamben's work and shows us what it means to practice philosophy as a living, responsive discipline.
“Kotsko goes beyond the biography of an icon to a provocative investigation of the devil’s many lives and effects in cultural and political ideologies.” —Laurel C. Schneider, author of Beyond Monotheism The most enduring challenge to traditional monotheism is the problem of evil, which attempts to reconcile three incompatible propositions: God is all-good, God is all-powerful, and evil happens. The Prince of This World traces the story of one of the most influential attempts to square this circle: the offloading of responsibility for evil onto one of God’s rebellious creatures. In this striking reexamination, the devil’s story is bitterly ironic, full of tragic reversals. He emer...
A specter is haunting contemporary television—the specter of creepiness. In our everyday lives, we try to avoid creepiness at every cost, shunning creepy people and recoiling in horror at the idea that we ourselves might be creeps. And yet when we sit down to watch TV, we are increasingly entranced by creepy characters. In this follow-up to Awkwardness and Why We Love Sociopaths, Adam Kotsko tries to account for the strange fascination of creepiness. In addition to surveying a wide range of contemporary examples—from Peep Show to Girls, from Orange is the New Black to Breaking Bad—Kotsko mines the television of his 90s childhood, marveling at the creepiness that seemed to be hiding in plain sight in shows like Full House and Family Matters. Using Freud as his guide through the treacherous territory of creepiness, Kotsko argues that we are fascinated by the creepy because in our own ways, we are all creeps.
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The garden of earthly delights -- The sin of nature -- Man has never yet been in paradise -- The divine forest -- Paradise and human nature -- The kingdom and the garden.
One of the many challenges for readers of Agamben’s sprawling and heterogeneous body of work is what to make of his increasingly insistent focus on theology. Agamben’s Coming Philosophy brings together Colby Dickinson, the author of Agamben and Theology, and Adam Kotsko, the translator of several of Agamben’s more recent theologically-oriented books, to discuss Agamben’s unique approach to theology—and its profound implications for understanding Agamben’s philosophical project and the deepest political and ethical problems of our time. The book covers the whole range of Agamben’s work, from his earliest reflections to his forthcoming magnum opus, The Use of Bodies. Along the way, the authors provide an overview of Agamben’s project as a whole, as well as incisive reflections on individual works and isolated themes. This volume is essential reading for anyone grappling with Agamben’s work. The theological starting point leads to a thorough examination of Agamben’s methodology, his relationship with his primary sources (most notably Walter Benjamin), and his relevance for questions of politics, ethics, and philosophy.