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When Michael Ward's Planet Narnia emerged a decade ago, myriad things were pulled into its orbit: The immense gravitational force altered the field of C.S. Lewis studies, to be sure, but the discovery's scope stretched far into the worlds of literary criticism, Christian apologetics, and the arts. Only now, after ten years under its influence, have we begun to consider the magnitude of Planet Narnia's effects, and perhaps it is best to begin such an index by cultivating a jovial atmosphere of appreciation. Thus we curated this issue to celebrate both Dr. Ward and his stellar work. Photography: Lancia E. Smith Illustrations: Virginia de la Lastra Artwork: Ryan Grube. Contributors: Adam L. Bra...
Robert Geraci argues that virtual worlds and video games have become a locus for the satisfaction of religious needs, providing many users with communities, a meaningful experience of history and human activity, and a sense of transcendence.
The Power of Imagination Our imaginations are often treated as relics of our childhood. We are told to grow up and leave that sense of awe and wonder behind. What if these modernistic tendencies were entirely wrong? What if we were meant to live enchanted lives, seeing the world with the joy and amazement? This collection of essays, stories, and poems is meant to explore the power of the imagination and its unique connection to our human nature. Contributors "Imagination and Its Role in Faith" by C.M. Alvarez. An essay on how imagination open the mind to faith. "We Have Sinned and Grown Old: A Reflection on Imagination and Motherhood" by Nicole Howe. An essay on the innocence of youthful won...
Dragons: History, Myths, and Legends Greedy, wicked, vengeful, powerful. Dragons occupy a powerful position in cultural imaginations across the world and across the years. From C.S. Lewis's boy who almost deserved to be named Eustace Clarence Scrubb to the Hydra of Greek mythology, these creatures Contributors: "Dragonish Thoughts in Our Hearts: Dragons as Mirrors of the Human": Junius Johnson on Our Internal Tension "Desolation": Donald Catchings on Joining the Fight and "Violence of Fire," a short story on a coming conflict. Excerpt from The Chaos Spiral: Adam Brackin on Dragons in the Bible "Wangerin and Wyrm": Christine Norvell on a Great and Cosmic Evil "A Tale of Two Dragons: Reflectio...
Since its official release in 2011, Minecraft has sold over 48 million copies across all gaming platforms. The premise of Minecraft is simple: destroy, collect, build and interact in a world made entirely of colored cubes. Unlike Lego blocks or other construction toys, Minecraft's digital play space allows for virtually limitless creation without the cost and limitations of physical building materials. Developer Mojang's generous policies toward modification and other uses of their intellectual property also engender enthusiasm and creativity from fans who make music, art and animation inspired by the software. The first essays in this collection cover Minecraft's origins, describing its relationship to other video games and toys and examining the learning models implicit in its design. Later essays describe and theorize the various ways players interact with the software, which simultaneously presents them with structural constraints and limitless possibilities. NOT OFFICIAL MINECRAFT PRODUCT. NOT APPROVED BY OR ASSOCIATED WITH MOJANG.
This anthology provides a variety of critical insights to examine the impact of media culture on the heterogeneous processes of building digital memories through different cultural practices.
Understanding that video games are a fundamentally human creation, in this volume international scholars, designers, developers, and most importantly gamers, share with us their common connection though video game culture.
Video games are a global phenomenon, international in their scope and democratic in their appeal. This is the first volume dedicated to the subject of apocalyptic video games. Its two dozen papers engage the subject comprehensively, from game design to player experience, and from the perspectives of content, theme, sound, ludic textures, and social function. The volume offers scholars, students, and general readers a thorough overview of this unique expression of the apocalyptic imagination in popular culture, and novel insights into an important facet of contemporary digital society.
Over the course of the past two decades, horror cinema around the globe has become increasingly preoccupied with the concept of loss. Grief in Contemporary Horror Cinema: Screening Loss examines the theme of grief as it is represented in both indie and mainstream films, including works such as Jennifer Kent's watershed film The Babadook, Juan Antonio Bayona's award-sweeping El orfanato, Ari Aster's genre-straddling Midsommar, and Lars von Trier's visually stunning Melancholia. Analyzing depictions of grief ranging from the intimate grief of a small family to the collective grief of an entire nation, the essays illustrate how these works serve to provide unity, catharsis, and—sometimes—healing.
This volume was first published by Inter-Disciplinary Press in 2014. Engaging with Videogames focuses on the multiplicity of lenses through which the digital game can be understood, particularly as a cultural artefact, economic product, educational tool, and narrative experience. Game studies remains a highly interdisciplinary field, and as such tends to bring together scholars and researchers from a wide variety of fields and analytical practices. As such, this volume includes explorations of videogames from the fields of literature, visual art, history, classics, film studies, new media studies, phenomenology, education, philosophy, psychology, and the social sciences, as well as game stud...