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In Classical Architecture Robert Adam traces the history of classical design to the present day and provides examples of virtually every one of its applications.
"This book, a visual survey of much of Adam's work, provides ample material for a critical appraisal of the development of Adam as architect and designer."--Book jacket.
One of the most celebrated books in architectural history, this volume consists of 106 illustrated plates that influenced generations of British and American architectural and furniture designs.
Here two aspects of this man and his work are for the first time integrated fully in one volume.
Providing a pictorial survey of Robert Adam's distinctive architectural style, this book looks at the architecture, furniture and interior design from some of his most notable town and country houses.
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Robert Adam is perhaps the best known of all British architects, the only one whose name denotes both a style and an era. The new decorative language he introduced at Kedleston and Syon around 1760 put him at the forefront of dynamic changes taking place in 18th-century British architecture. His later claim that his practice with his brother James had effected 'a kind of revolution' in design was no idle boast. Their style dominated the later Georgian period and their influence was widespread, not only in Western Europe but in Russia and North America. But for such a well-known figure, much of Robert Adam's art still remains poorly understood. This new study, based on papers given at a Georg...
No one contributed more to the artistic eminence of 'Age of Elegance' than Robert Adam (1728-92), the pre-eminent architect of his day whose expertise and imagination extended also to interior design, furniture and garden design. His legacy has echoed through design ever since, his name synonymous with elegance, the Enlightenment, of the best features of the eighteenth century. In this fascinating biography, Roderick Graham follows Adam's life and career from schooldays in Edinburgh through study in Italy and the establishment of his architectural practice in London. It explains his passionate ambition, not only to excel as an architect, but to be accepted as a gentleman in that most snobbish period of our history.