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Military Ethos and Visual Culture in Post-conquest Mexico
Bringing to bear her extensive knowledge of the cultures of Renaissance Europe and sixteenth-century Mexico, Mónica Domínguez Torres here investigates the significance of military images and symbols in post-Conquest Mexico. She shows how the 'conquest' in fact involved dynamic exchanges between cultures; and that certain interconnections between martial, social and religious elements resonated with similar intensity among Mesoamericans and Europeans, creating indeed cultural bridges between these diverse communities. Multidisciplinary in approach, this study builds on scholarship in the fields of visual, literary and cultural studies to analyse the European and Mesoamerican content of the martial imagery fostered within the indigenous settlements of central Mexico, as well as the ways in which local communities and leaders appropriated, manipulated, modified and reinterpreted foreign visual codes. Military Ethos and Visual Culture in Post-Conquest Mexico draws on post-structuralist and post-colonial approaches to analyse the complex dynamics of identity formation in colonial communities.
Bible as Notepad
The present volume provides a comparative look at the contents and layout features of secondary annotations in biblical manuscripts across linguistic traditions. Due to the privileged focus on the text in the columns, these annotations and the practices that produced them have not received the scholarly attention they deserve. The vast richness of extant verbal and figurative notes accompanying the biblical texts in the intercolumns and margins of the manuscript pages have thus been largely overlooked. The case studies gathered in this volume explore Jewish and Christian biblical manuscripts through the lens of their annotations, addressing the various relationships between the primary layer...
Festive Funerals in Early Modern Italy
Celebrated at the heart of a notoriously unstable period, the Vacant See, papal funerals in early modern Rome easily fell prey to ceremonial chaos and disorder. Charged with maintaining decorum, papal Masters of Ceremonies supervised all aspects of the funeral, from the correct handling of the papal body to the construction of the funeral apparato: the temporary decorations used during the funeral masses in St Peter?s. The visual and liturgical centre of this apparato was the chapelle ardente or castrum doloris: a baldachin-like structure standing over the body of the deceased, decorated with coats of arms, precious textiles and hundreds of burning candles. Drawing from printed festival book...
The Transatlantic Hispanic Baroque
Gathering a group of internationally renowned scholars, this volume presents cutting-edge research on the complex processes of identity formation in the transatlantic world of the Hispanic Baroque. Identities in the Hispanic world are deeply intertwined with sociological concepts such as class and estate, with geography and religion (i.e. the mixing of Spanish Catholics with converted Jews, Muslims, Dutch and German Protestants), and with issues related to the ethnic diversity of the world’s first transatlantic empire and its various miscegenations. Contributors to this volume offer the reader diverse vantage points on the challenging problem of how identities in the Hispanic world may be analyzed and interpreted. A number of contributors relate earlier processes and formations to Neo-Baroque and postmodern conceptualisations of identity. Given the strong interest in identity and identity-formation within contemporary cultural studies, the book will be of interest to a broad group of readers from the fields of law, geography, history, anthropology and literature.
Princely Funerals in Europe, 1400-1700
Funerals were among the most extravagant princely ceremonies in Europe. At the end of the Middle Ages, they were grandiose affairs, carefully recorded, bringing together the emotions of both Court and People. The Renaissance heightened their effect, adding surprising elements borrowed from an Antiquity which was largely re-invented. The seventeenth century introduced ephemeral displays, elaborately constructed castrum doloris, dressed up with lavish facades and interior designs which transformed these sanctuaries into theatrical funeral pyres. Historians, anthropologists, and political scientists have long been interested in this subject, as can be seen from Ralph Giesey's celebrated work Le...
Tod und Begräbnisse Ferdinands I. und seiner Söhne
Im Fokus dieses Buches stehen Krankheiten, letzte Lebensstunden und Tod von vier habsburgischen Herrschern – Ferdinand I. und seinen Söhnen Maximilian II., Karl von Steiermark und Ferdinand von Tirol – sowie die für sie ausgerichteten Trauerfeierlichkeiten in der zweiten Hälfte des 16. Jahrhunderts. Ungeachtet der unterschiedlichen Herrschaftswürden der Verstorbenen stimmten die in Innsbruck, Prag, Graz und Wien stattfindenden Leichenbegängnisse hinsichtlich der darin verwendeten Symbole persönlicher wie dynastischer Repräsentation im Wesentlichen überein. Die öffentliche Aufbahrung der sterblichen Überreste, der Leichenkondukt und die Totenmesse können als verbindliche Schrit...
