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Speaking the Unspeakable
Adham Hamed explores how a metaphoric understanding of the Middle East as an open space full of resonating sound bodies can be applied to the Middle East Conflict. Through inquiring into the experienced truths of large-scale political violence, the author suggests that music carries a potential for speaking ‘unspeakable’ truths. He explores hidden layers by applying the transrational approach to peace studies and proposes a non-territorial understanding of conflict. Hamed argues that security and justice discourses make up the dominant primary themes in this context. The Jerusalem Youth Chorus and the Egyptian band Eskenderella are examined as case studies. This book uncovers where their truths meet within and beyond the restrictions of formalized language. The author concludes that in moments of experienced resonance there is potential for change in the dynamics of rigid conflicts.
Revolution as a Process
As Egyptian society stands at a point of extreme polarization, this book about the Egyptian Revolution makes an important contribution to current debates about the Arab uprisings by bringing together theoretical and practitioner’s perspectives. The clear aim of this edited volume of the series Contemporary Studies on the MENA Region is not to construct a singular narrative about the revolution but rather to highlight the multiplicity and complexity of perspectives and theoretical lenses. Consequently, this book brings together authors from diverse academic and cultural backgrounds, from the Middle East and the Global North, to raise their voices. This publication addresses scholars of the ...
Politics of Violence and Fear in MENA
‘Politics of Violence and Fear in MENA: The Case of Egypt’ explores the state-orchestrated violence in Egypt, Syria, and Turkey justified by vaguely defined terrorist threats. It analyses the “wars on terror” as cases of lengthy securitisation processes that reinforced and legitimised autocratic practices of oppression in each country. Paying particular attention to Egypt’s “war on terror” that began 1981, the book looks into how and with what implications such securitisation processes are upheld throughout lengthy periods of time. Reworking the traditional securitisation theory, this book offers a novel securitisation model (the TER-model) that addresses the questions of securitisation durability and is applicable in non-liberal empirical contexts. The monograph is ideal for graduate students, researchers and policy makers in the fields of political science, International Relations, and Middle Eastern Studies.
Transrational Resonances
This book comprehensively gathers the current academic literature, field expertise and artistic developments on Wolfgang Dietrich’s Many Peaces theory, in the ways it has been conceptualized and practiced by peace and conflict workers around the world. Both scholars and practitioners challenge and creatively explore the field of transrational peace philosophy, contributing their insights on elicitive methods and conflict mapping. The book is further enriched by artistic perspectives on integrative approaches to theatre for living and intercultural soundscapes. The articles collected here respond with innovative strength and vigor to the worldwide need for further research on peace and for practical approaches to conflict transformation. This book therefore equally appeals to scholars, peacebuilders and practitioners as well as artists engaged in conflict transformation.
Film and Counterculture in the 2011 Egyptian Uprising
This book examines how film articulates countercultural flows in the context of the Egyptian Revolution. The book interrogates the gap between radical politics and radical aesthetics by analyzing counterculture as a form, drawing upon Egyptian films produced between 2010 and 2016. The work offers a definition of counterculture which liberates the term from its Western frame and establishes a theoretical concept of counterculture which is more globally redolent. The book opens a door for further research of the Arab Uprising, arguing for a new and topical model of rebellion and struggle, and sheds light on the interaction between cinema and the street as well as between cultural narratives and politics in the context of the 2011 Egyptian uprising. What is counterculture in the twenty-first century? What role does cinema play in this new notion of counterculture?
Transrational Peace Research and Elicitive Facilitation
This book sheds new light on transrational approaches to peace research and highlights elicitive approaches to facilitation. Rather than encouraging researchers, teachers and practitioners to control and suppress their own positionality, the book argues that they can see themselves as a potential (re)source that can be creatively tapped for their work. Using dance as a central metaphor, it seeks to reposition research and facilitation as a truly experiential process where the entirety of human experiences and epistemologies can be brought into interplay, opening up new sources of knowledge. Providing a cutting-edge theoretical framework and based on his practical experience, the author demonstrates that facilitation and research are not just cognitive, but can also be(come) embodied, emotional, intuitive, relational and spiritual. By proposing a systematic, methodological framework for research and facilitation, the book offers practical guidance for peace practitioners, facilitators and researchers interested in working through all dimensions of their being and engaging with conflict transformation in a holistic way.
Antisocial Media
The pleasure machine -- The surveillance machine -- The attention machine -- The benevolence machine -- The protest machine -- The politics machine -- The disinformation machine
The Intellectual and the People in Egyptian Literature and Culture
The Intellectual and the People in Egyptian Literature and Culture uses the notion of am?ra – the Egyptian concept of collective and connective agency – to explore the relationship between the Egyptian intellectual and 'the people' in contemporary Egyptian literature and culture.
Doing Tolerance
How is tolerance reflected in urban space? Which urban actors are involved in the practices and narratives of tolerance? What are the limits of tolerance? The edited volume answers these questions by considering different forms of urban in/exclusion and participatory citizenship. By drawing together disparate yet critical writings, Doing Tolerance examines the production of space, urban struggles and tactics of power from an interdisciplinary perspective. Illustrating the paradoxes within diverse interactions, the authors focus on the conflict between heterogeneous groups of the governed, on the one hand, and the governing in urban spaces, on the other. Above all, the volume explores the divergences and convergences of participatory citizenship, as they are revealed in urban space through political, socio-economic and cultural conditions and the entanglements of social mobilities.
