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Great Ideas Teacher's Manual
Great Ideas is a unique collection of absorbing and enjoyable fluency practice activities designed to improve listening and speaking abilities. The Teacher's Manual contains detailed notes on the activities, as well as vocabulary suggestions, glossaries, answer keys (where appropriate), listening scripts, and suggestions for follow-up activities.
新英语教程
本书共有16个单元、2个听力测验和附录。每个单元分三个部分:第一部分由引导练习、听力练习和口语练习组成;第二部分是第一部分的延伸,为学生提供更多的同一功能和话题的听说技能训练;第三部分是听力微技能训练或听力应试训练.
Latin American History at the Movies
Movies are meant to be entertaining, but they can also be educational. People are naturally curious to know how much of what they see on their screens might be historically true. In Latin American History at the Movies, experts on Latin America focus on five centuries of history as portrayed in feature films. An introduction on the visual presentation of the past in movies sets the stage for essays that explore sixteen of the best feature films on Latin America made from the 1980s to the present.
The Experiences of a Care-Giver
Experiences of a Caregiver is a true story about mental health patients, not from the perspective of a psychiatrist but from a mental health worker who cared and interacted with these patients on a daily basis. It is moving and enlightening.
Based on a True Story
Combining history with discussions of dramatic cinema, Based on a True Story: Latin American History at the Movies examines how film has portrayed Latin America from the late fifteenth century to the present. The book opens with an introduction on the visual presentation of the past in the movies, while the rest of the book consists of essays that explore the best feature films on Latin America from the professional historian's perspective.
Movies 365: A Good Movie for Every Day of the Year
Whether you are an Off Beat Cinema fan or you are simply off beat, 365 Movies: A Good Movie for Every Day of the Year will become your bible for those moments when you just want someone else to pick out a movie for your viewing entertainment. Greg Sterlace gives you a droll glimpse at movies you may have never considered or classics that deserve a second look. Sure, you may have seen Midnight Cowboy when you snuck into the theater when you were 15, but did you really catch all the nuances of depravity at that tender age? Give it another look now that you are sullied by life.
The Film Industry in Argentina
Argentina fell in love with movies as soon as they were first exhibited in 1896. Even before World War I, Argentina was one of the biggest film markets in the world and continues to be a major film market today. This history of the Argentine film industry--starting with the earliest film exhibitions in 1897--covers film music, broadcasting, the introduction of film with sound, the impact of the American film industry on the Argentine, the industrialization of Argentine film, Hollywood films in Spanish, the tango in film and local stars. Reference material includes filmographic information and reviews from numerous publications. Photographs offer a look at film stills, promotions, and the people involved in the industry, and an index provides quick access to names and titles.
Celluloid Nationalism and Other Melodramas
Celluloid Nationalism and Other Melodramas looks at representation and rebellion in times of national uncertainty. Moving from mid-century Mexican cinema to recent films staged in Los Angeles and Mexico City, Susan Dever analyzes melodrama's double function as a genre and as a sensibility, revealing coincidences between movie morals and political pieties in the civic-minded films of Emilio Fernández, Matilde Landeta, Allison Anders, and Marcela Fernández Violante. These filmmakers' rationally and emotionally engaged cinema—offering representations of indigenous peoples and poor urban women who alternately endorsed "civilizing" projects and voiced resistance to such totalization—both interrupts and sustains fictions of national coherence in an increasingly transnational world.
Eliseo Subiela in Life and Cinema
Audiences never have a lukewarm opinion of a Subiela film. They either love it passionately or hate it profoundly. That Eliseo Subiela (Buenos Aires, 1944-2016), an original and sensitive thinker, survived, and indeed throve in economically challenged Argentina while garnering more accolades abroad than in his own country, is a tribute to his grit, intelligence, imagination and persistence of vision. With an astounding list of prizes and honors, he was a world-class auteur. Even when he was making a TV commercial, his surreal style and poetic sensibility were unmistakable. This book represents the culmination of 20 years of research and personal correspondence with Eliseo Subiela. Through ten scholarly studies and five interviews, it sheds light on his life, esthetics, obsessions, struggles with madness, and, of course, his films. It addresses his earlier career in advertising, lifelong artistic influences, screenwriting techniques, critical reactions to his films, and what Subiela's example has to offer aspiring filmmakers, especially those in Latin America.
The Classical Mexican Cinema
From the mid-1930s to the late 1950s, Mexican cinema became the most successful Latin American cinema and the leading Spanish-language film industry in the world. Many Cine de Oro (Golden Age cinema) films adhered to the dominant Hollywood model, but a small yet formidable filmmaking faction rejected Hollywood’s paradigm outright. Directors Fernando de Fuentes, Emilio Fernández, Luis Buñuel, Juan Bustillo Oro, Adolfo Best Maugard, and Julio Bracho sought to create a unique national cinema that, through the stories it told and the ways it told them, was wholly Mexican. The Classical Mexican Cinema traces the emergence and evolution of this Mexican cinematic aesthetic, a distinctive film f...
