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Men of the time
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The New Bonapartist Generals in the Crimean War
This book is based on published correspondence. Thus it stands in debt to the scores of persons who have edited and selected the material referred to in the notes as well as to the authors of the letters themselves. Literal translation from the French has been this writer's responsibility. The research was done in library collections at the University of Wisconsin, Yale University, and Harvard University. Personal thanks are due to Professor Emeritus Chester Penn Higby at Wisconsin who encouraged my early interest in the Crimean War and to Professor Chester V. Easum, also of Wisconsin, for under standing and assistance at a time when both were sorely needed. The typing of various stages of the manuscript was done by the secretarial staff of the Humanities Department at the Massa chusetts Institute of Technology, and also by my wife, Dorothy, whose patient efforts in this project have been considerable. While this book has something to say to the professional historian, I hope that the general reader may also find interest in these ambitious officers and their emperor.
The Pride of Place
Nineteenth-century France grew fascinated with the local past. Thousands of citizens embraced local archaeology, penned historical vignettes and monographs, staged historical pageants, and created museums and pantheons of celebrities. Stéphane Gerson's rich, elegantly written, and timely book provides the first cultural and political history of what contemporaries called the "cult of local memories," an unprecedented effort to resuscitate the past, instill affection for one's locality, and hence create a sense of place. A wide range of archival and printed sources (some of them untapped until now) inform the author's engaging portrait of a little-known realm of Parisian entrepreneurs and mi...
Four French Travelers in Nineteenth-century Cuba
The nineteenth century marks the apex of the travel genre. This book focuses on the representation of Cuba by four French travelers to the island from 1810 to 1866. The travelogues of these voyagers allow their first-hand experience to be considered under the mutual gaze involved in cross-cultural encounters. Four French Travelers in Nineteenth-Century Cuba argues that politics and science, as well as romanticism and commerce, coalesce in the travelers' representations of Cuban culture and institutions. The travel accounts constitute exercises in how knowledge spreads and gathers as travelers attempt to entice other visitors to emulate them and forge identities for the Cuban «Others» they have encountered.
Men of the Time
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The Old Dominion
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Broken Tablets
In this first study of art, law, and the legislator, Jonathan Ribner provides a revealing look at French art from 1789 to 1848, the period in which constitutional law was established in France. Drawing on several disciplines, he discusses how each of the early constitutional regimes in France used imagery suggesting the divine origin and sacred character of its laws. Primarily a study of art and politics, Broken Tablets discusses painting, sculpture, prints, and medals (many reproduced here for the first time), as well as contemporary literature, including the poetry of Alfred de Vigny, Alphonse de Lamartine, and Victor Hugo. Ribner assesses the ways in which legislation imagery became an instrument of political propaganda, and he clearly illuminates the cult of the law as it became personalized under Napoleon, monarchist under the Restoration, and defensive under Louis-Phillipe.
Fictions of the Press in Nineteenth-Century France
This book explores how writers responded to the rise of the newspaper over the course of the nineteenth century. Taking as its subject the ceaseless intertwining of fiction and journalism at this time, it tracks the representation of newspapers and journalists in works by Honoré de Balzac, Edmond and Jules de Goncourt, and Guy de Maupassant. This was an era in which novels were published in newspapers and novelists worked as journalists. In France, fiction was to prove an utterly crucial presence at the newspaper’s heart, with a gilded array of predominant literary figures active in journalism. Today, few in search of a novel would turn to the pages of a daily newspaper. But what are usually cast as discrete realms – fiction and journalism – came, in the nineteenth century, to occupy the same space, a point which complicates our sense of the cultural history of French literature.
