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Disaster Falls
A haunting chronicle of what endures when the world we know is swept away On a day like any other, on a rafting trip down Utah’s Green River, Stéphane Gerson’s eight-year-old son, Owen, drowned in a spot known as Disaster Falls. That night, as darkness fell, Stéphane huddled in a tent with his wife, Alison, and their older son, Julian, trying to understand what seemed inconceivable. “It’s just the three of us now,” Alison said over the sounds of a light rain and, nearby, the rushing river. “We cannot do it alone. We have to stick together.” Disaster Falls chronicles the aftermath of that day and their shared determination to stay true to Alison’s resolution. At the heart of...
Scholars and Their Kin
"Stéphane Gerson's edited collection spotlights historians who have embraced the methodological, practical, and ethical challenges of writing about that most slippery and opaque of subjects, their own families-a practice that many historians have long felt has been discouraged professionally. In a remarkable number of ways, the diverse lineup of contributors here bring into the open the difficulties and complexities-personal, professional, and historiographic-that ensue from not distancing themselves from their subjects but stressing their closeness. Gerson suggests that historians overall might write better histories if they felt free to acknowledge that what speaks to them professionally might also be what moves them personally"--
The Pride of Place
Nineteenth-century France grew fascinated with the local past. Thousands of citizens embraced local archaeology, penned historical vignettes and monographs, staged historical pageants, and created museums and pantheons of celebrities. Stéphane Gerson's rich, elegantly written, and timely book provides the first cultural and political history of what contemporaries called the "cult of local memories," an unprecedented effort to resuscitate the past, instill affection for one's locality, and hence create a sense of place. A wide range of archival and printed sources (some of them untapped until now) inform the author's engaging portrait of a little-known realm of Parisian entrepreneurs and mi...
France in the World
A fresh, provocative history that renews our understanding of France in the world through short, incisive essays ranging from prehistoric frescoes to Coco Chanel to the terrorist attacks of 2015. Bringing together an impressive group of established and up-and-coming historians, this bestselling history conceives of France not as a fixed, rooted entity, but instead as a place and an idea in flux, moving beyond all borders and frontiers, shaped by exchanges and mixtures. Presented in chronological order from 34,000 BC to 2015, each chapter covers a significant year from its own particular angle – the marriage of a Viking leader to a Carolingian princess proposed by Charles the Fat in 882, the Persian embassy's reception at the court of Louis XIV in 1715, the Chilean coup d'état against President Salvador Allende in 1973 that mobilised a generation of French left-wing activists. France in the World combines the intellectual rigour of an academic work with the liveliness and readability of popular history. With a brand-new preface aimed at an international audience, this English-language edition will inspire Francophiles and scholars alike.
Why France?
A diverse array of historians provide autobiographical essays in which they explore their intellectual, political, and personal engagements with France and its past.
Disaster Falls
A haunting chronicle of what endures when the world we know is swept away On a day like any other, on a rafting trip down Utah’s Green River, Stéphane Gerson’s eight-year-old son, Owen, drowned in a spot known as Disaster Falls. That night, as darkness fell, Stéphane huddled in a tent with his wife, Alison, and their older son, Julian, trying to understand what seemed inconceivable. “It’s just the three of us now,” Alison said over the sounds of a light rain and, nearby, the rushing river. “We cannot do it alone. We have to stick together.” Disaster Falls chronicles the aftermath of that day and their shared determination to stay true to Alison’s resolution. At the heart of...
Nostradamus
We all know the name Nostradamus, but who was he really? Why did his predictions become so influential in Renaissance Europe and then keep resurfacing for nearly five centuries? And what does Nostradamus's endurance in the West say about us and our own world? In Nostradamus: How an Obscure Renaissance Astrologer Became the Modern Prophet of Doom, historian Stéphane Gerson takes readers on a journey back in time to explore the life and afterlife of Michel de Nostredame, the astrologer whose Prophecies have been interpreted, adopted by successive media, and eventually transformed into the Gospel of Doom for the modern age. Whenever we seem to enter a new era, whenever the premises of our worl...
The Pride of Place
Nineteenth-century France grew fascinated with the local past and thousands of citizens embraced local archaeology, staged historical pageants and created museums. The author provides a cultural and political history of this 'cult of local memories'.
The Prophecies
The first major literary presentation of Nostradamus's Prophecies, newly translated and edited by prizewinning scholars The mysterious quatrains of the sixteenth-century French astrologer Nostradamus have long proved captivating for their predictions. Nostradamus has been credited with anticipating the Great Fire of London, the rise of Adolf Hitler, and the September 11 terrorist attacks. Today, as the world grapples with financial meltdowns, global terrorism, and environmental disasters—as well as the Mayan prediction of the apocalypse on December 21, 2012—his prophecies of doom have assumed heightened relevance. How has The Prophecies outlasted most books from the Renaissance? This edition considers its legacy in terms of the poetics of the quatrains, published here in a brilliant new translation and with introductory material and notes mapping the cultural, political, and historical forces that resonate throughout Nostradamus's epic, giving it its visionary power.
History, Historians, and Autobiography
Though history and autobiography both claim to tell true stories about the past, historians have traditionally rejected first-person accounts as subjective and therefore unreliable. What then, asks Jeremy D. Popkin in History, Historians, and Autobiography, are we to make of the ever-increasing number of professional historians who are publishing stories of their own lives? And how is this recent development changing the nature of history-writing, the historical profession, and the genre of autobiography? Drawing on the theoretical work of contemporary critics of autobiography and the philosophy of Paul Ricoeur, Popkin reads the autobiographical classics of Edward Gibbon and Henry Adams and ...
