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Cardboard Citizens presents the story of an entire nation made homeless, starting in the age of Cold War secrets and ending in the era of global warming. A Few Man Fridays unearths an inglorious episode of British history. Between 1967 and 1973, the population of the Chagos Islands was evicted to make way for a US military base. For forty years they have fought for justice in an epic struggle that is unlikely to end even when the European Court of Justice delivers a ruling later this year. A Few Man Fridays traces the displacement of these 'unpeople' and the successive denial of their right to nationhood. Cardboard Citizens has worked with homeless people and the marginalised for 20 years, marrying personal stories and historical subjects into an epic theatre that challenges public perceptions of social exclusion. This new play explores the fantasies of the powerful, set against the dreams of the powerless.
I was murdered once. True stories (and wild speculations) about the lives and deaths of homeless people, uncovered by the UK's leading homelessness theatre company Cardboard Citizens. A Jamaican boxer known as The Entertainer, a Spanish stag party celebrating with human calligraphy, a woman who said it with flowers, a Pole not called Sam, Russian tourists, a Greek called Pericles. And death.
An illustrated photo book featuring an interview with the "King of Pop."
What is theatre? What is performance? What connects them and how are they different? What events, people, practices and ideas have shaped theatre and performance in the twentieth and twenty-first century? The Routledge Companion to Theatre and Performance offers some answers to these big questions. It provides an analytical, informative and engaging introduction to important people, companies, events, concepts and practices that have defined the complementary fields of theatre and performance studies. This fully updated second edition contains three easy to use alphabetized sections including over 120 revised entries on topics and people ranging from performance artist Ron Athey, to directors Vsevold Meyerhold and Robert Wilson, megamusicals , postdramatic theatre and documentation. Each entry includes crucial historical and contextual information, extensive cross-referencing, detailed analysis and an annotated bibliography. The Routledge Companion to Theatre and Performance is a perfect reference guide for the keen student.
Art As Witness is an invitation for professors, researchers, clergy, educators, students, and activists to creatively integrate the arts in theology and religious studies for a practical theology of arts-based research that prioritizes public witness. This methodology challenges the traditional written word as being the privileged norm, arguing that this emerging research genre is an excellent, viable, and necessary option for research that supports, promotes, and publicizes liberating theology for the marginalized, victimized, and oppressed. It includes a detailed case study of “Art Inside Karnes,” the all-volunteer arts-based ministry of presence the author facilitated inside a for-pro...
This study of Egyptian theatre and its narrative construction explores the ways representations of Egypt are created of and within theatrical means, from the 19th century to the present day. Essays address the narratives that structure theatrical, textual, and performative representations and the ways the rewriting process has varied in different contexts and at different times. Drawing on concepts from Theatre and Performance Studies, Translation Studies, Cultural Studies, Postcolonial Studies, and Diaspora Studies, scholars and practitioners from Egypt and the West enter into dialogue with one another, expanding understanding of the different fields. The articles focus on the ways theatre ...