You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
When an old woman storms into the Rijks Museum demanding the return of her painting, archivist Ruth Braams cannot quell her curiosity. Ruth delves into the history of the piece of looted Nazi art and discovers an enigmatic picture with a disturbing wartime provenance. It also appears that the elderly Lydia is not the only claimant and, against strict bureau regulations, Ruth endeavours to help strengthen her case. Days later, Ruth begins to receive sinister anonymous threats, warning her to stay away from Lydia and the painting. As the threats escalate, Ruth realises that there must be far more to the painting's popularity, and she enters into a series of increasingly lethal adventures as she investigates the painting's secret symbolism . . . A brilliant evocation of Amsterdam that combines fascinating historical detail with a cast of sharply realised characters - a fast-paced, finely crafted, riveting mystery.
Newspaper columnist Oskar Gewinnler investigates the death of a man killed by a car in 2026 Vienna. The widow thinks he was murdered and sure enough the probe leads Gewinnler to a racket in genetic experiments.
Why do so many contemporary British novels revert to the Victorian tradition in order to find a new source of inspiration? What does it mean from an ideological point of view to build a modern form of art by resurrecting and recycling an art of the past? From a formal point of view what are the aesthetic priorities established by these postmodernist novels? Those are the main questions tackled by this study intended for anybody interested in the aesthetic and ideological evolution of very recent fiction. What this analysis ultimately proposes is a reevaluation and a redefinition of postmodernism such as it is illustrated by the British novels which paradoxically both praise and mock, honour and debunk, imitate and subvert their Victorian models. Unashamedly opportunistic and deliberately exploiting the spirit of the time, this late form of postmodernism cannibalizes and reshapes not only Victorianism but all the other previous aesthetic movements - including early postmodernism.
We live in the information age, a period that offers unrivalled data transfer and unlimited access to global archives. Collectors have never had it so easy. Today, at the click of a mouse, via the Internet they can exchange details about items they are looking for or send photos of things they want to sell, and communicate with dealers and like-minded enthusiasts located at opposite sides of the planet.??Online market places like eBay offer a cornucopia of accessible objects and the opportunity to, sometimes, purchase items at knock-down prices. However, being provided with unlimited access to information is only of any use if you know what you are looking for. The ever-expanding resource of...
Covers new media opportunities and targeted at both self-published and traditionally-published authors. All authors want to sell as many copies of their books as possible. They also want to raise their literary profile as high as possible. There are more new routes to publication and also for sales and marketing than ever before. But where does the author start in such a competitive market? This book sets out clearly the promotional tools available and advises which paths are likely to sell the highest number of copies and which will help to establish the writer's name as a published author. It takes careful planning and know-how, but there is nobody better to promote a book than its author. The opportunities are out there and this guide will provide the information required.
Reprint of the original, first published in 1881.
Reprint of the original, first published in 1882.