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The God Debaters
This book examines the post-9/11 God debate in the West. Through a close study of prominent English God debaters Richard Dawkins, Karen Armstrong, Christopher Hitchens, and Terry Eagleton, Adrian Rosenfeldt demonstrates that New Atheist and religious apologist ideas and arguments about God, science, and identity are driven by mythic autobiographical narratives and Protestant or Catholic cultural heritage. This study is informed by criticism of the New Atheist polemic as being positivistic, and the religious apologists as propagating “sophisticated theology.” In both cases, the God debaters are perceived as disassociating themselves from human lived experience. It is through reconnecting the God debaters’ intellectual ideas to their cultural and social background that the God debate can be grounded in a recognisable human reality that eludes reductive distinctions and disembodied abstractions.
The God Debaters
This book examines the post-9/11 God debate in the West. Through a close study of prominent English God debaters Richard Dawkins, Karen Armstrong, Christopher Hitchens, and Terry Eagleton, Adrian Rosenfeldt demonstrates that New Atheist and religious apologist ideas and arguments about God, science, and identity are driven by mythic autobiographical narratives and Protestant or Catholic cultural heritage. This study is informed by criticism of the New Atheist polemic as being positivistic, and the religious apologists as propagating “sophisticated theology.” In both cases, the God debaters are perceived as disassociating themselves from human lived experience. It is through reconnecting the God debaters’ intellectual ideas to their cultural and social background that the God debate can be grounded in a recognisable human reality that eludes reductive distinctions and disembodied abstractions.
Breaking Down Joker
Breaking Down Joker offers a compelling, multi-disciplinary examination of a landmark film and media event that was simultaneously both celebrated and derided, and which arrived at a time of unprecedented social malaise. The collection breaks down Joker to explore its aesthetic and ideological representations within the social and cultural context in which it was released. An international team of authors explore Joker’s sightlines and subtexts, the affective relationships, corrosive ideologies, and damning, if ambivalent, messages of this film. The chapters address such themes as white masculinity, identity and perversion, social class and mobility, urban loneliness, movement and music, and questions of reception and activism. With contributions from scholars from screen studies, theatre and performance studies, psychology and psychoanalysis, geography, cultural studies, and sociology, this fully interdisciplinary collection offers a uniquely multiple operational cross-examination of this pivotal film text and will be of great importance to scholars, students, and researchers in these areas.
The Anxiety of Ascent
This intriguing book re-evaluates a narrative of cultural decline that developed in the wake of Max Weber’s The Protestant Ethic and the Spirit of Capitalism. For Weber, and a group of influential sociologists that followed, Western modernity is marked by growing disenchantment with the beliefs and values that had previously given a sense of structure and meaning to life. Despite its unparalleled material achievements, the modern West in this reading is suffering from a crisis of meaning and is no longer able to provide authoritative answers to the only really important question: ‘What shall we do and how shall we live?’ This book examines two influential responses to this question: th...
Off Key
In Off Key, Kay Dickinson offers a compelling study of how certain alliances of music and film are judged aesthetic failures. Based on a fascinating and wide-ranging body of film-music mismatches, and using contemporary reviews and histories of the turn to post-industrialization, the book expands the ways in which the union of the film and music businesses can be understood. Moving beyond the typical understanding of film music that privileges the score, Off Key also incorporates analyses of rock 'n' roll movies, composer biopics, and pop singers crossing over into acting. By doing this, it provides a fuller picture of how two successful entertainment sectors have sought out synergistic strategies, ones whose alleged "failures" have much to tell about the labor practices of the creative industries, as well as our own relationship to them and to work itself. A provocative and politically-conscious look at music-image relations, Off Key will appeal to students and scholars of film music, cinema studies, media studies, cultural studies, and labor history.
Historical Dictionary of British Cinema
British cinema has been around from the very birth of motion pictures, from black-and-white to color, from talkies to sound, and now 3D, it has been making a major contribution to world cinema. Many of its actors and directors have stayed at home but others ventured abroad, like Charlie Chaplin and Alfred Hitchcock. Today it is still going strong, the only real competition to Hollywood, turning out films which appeal not only to Brits, just think of Bridget Jones, while busily adding to franchises like James Bond and Harry Potter. So this Historical Dictionary of British Cinema has a lot of ground to cover. This it does with over 300 dictionary entries informing us about significant actors, producers and directors, outstanding films and serials, organizations and studios, different films genres from comedy to horror, and memorable films, among other things. Two appendixes provide lists of award-winners. Meanwhile, the chronology covers over a century of history. These parts provide the details, countless details, while the introduction offers the big story. And the extensive bibliography points toward other sources of information.
