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Blade Runner
Ridley Scott’s 1982 film Blade Runner is now widely recognized as an undisputed masterwork of science fiction cinema and one of the most influential films released in the last forty years. Yet on its original release it was both a critical and commercial failure, criticized for its perceived prioritizing of style over content and a narrative that did not deliver the anticipated high octane action that its star casting and large budget normally promise. How did a film that was removed from circulation within a month of its premiere come to mean so much to modern audiences and provide such a rich seam of material for film and media studies? Sean Redmond excavates the many significances of the film – its breakthrough use of special effects as a narrative tool; its revolutionary representation of the future city; its treatment of racial and sexual politics; and its unique status as a text whose meaning was fundamentally altered in its re-released Director’s Cut form, then further revised in a Final Cut in 2007, and what this means in an institutional context. This volume was previously published as Studying Blade Runner in 2008.
Celebrity
Celebrity introduces the key terms and concepts, dilemmas and issues that are central to the study and critical understanding of celebrity. Drawing on two dynamic models from two different modes of enquiry – the circuit of celebrity culture and the circuit of celebrity affect – this book explores the multi-layered, multi-faceted contexts and concepts that sit within and surround the study of celebrity. Through building a critical story about celebrity, Sean Redmond discusses key topics such as identity and representation; the celebrity body; the consumption of celebrity and celebrity culture; and the sensory connection between fans and celebrities, gender, activism, gossip and toxicity. Including case studies on Miley Cyrus, David Bowie, Scarlett Johansson and Kate Winslet, Celebrity is a dynamic and topical volume ideal for students and academics in celebrity and cultural studies.
Celebrity and the Media
An engaging introduction to the key terms, concepts, dilemmas and issues that are central to the study and critical understanding of celebrity, exploring the impacts of celebrity culture on the modern media and examining the influence that celebrity has on the way people place themselves in the modern world.
Liquid Space
Science fiction is perhaps the most effective genre to explore the concerns of the present whilst reflecting on the possibilities of the future. But what precisely can it tell us about present and future by setting these two timeframes in the same critical space?
The War Body on Screen
This collection of essays examines the war body on screen by drawing upon multiple and diverging view points, differing academic backgrounds and methodological approaches.
Starring Tom Cruise
Interdisciplinary star study of one of the most iconic Hollywood celebrities of the last thirty-five years.
Breaking Down Joker
"Breaking Down Joker offers a compelling, multi-disciplinary examination of a landmark film and media event that was simultaneously both celebrated and derided, and which arrived at a time of unprecedented social malaise. The collection breaks down Joker to explore its aesthetic and ideological representations within the social and cultural context in which it was released. An international team of authors explore Joker's sightlines and subtexts, the affective relationships, corrosive ideologies and damning if ambivalent messages of this film. The chapters address such themes as white masculinity, identity and perversion, social class and mobility, urban loneliness, movement and music, and questions of reception and activism. With contributions from scholars from screen studies, theatre and performance studies, psychology and psychoanalysis, geography, cultural studies, and sociology, this fully interdisciplinary collection offers a uniquely multiple operational cross-examination of this pivotal film text, and will be of great importance to scholars, students and researchers in these areas"--
Studying Blade Runner
Ridley Scott's Blade Runner is now widely recognised as a masterwork of science fiction cinema, and one of the most influential of any films released in the last twenty-five years. In Studying Blade Runner, Sean Redmond uses the key concepts of media and film studies--film language, representation, institutions, and audiences--to explore the significance of the film: its breakthrough use of special effects as a narrative tool; the film's revolutionary representation of the future city; its treatment of racial and sexual politics; its unique status as a text whose meaning was fundamentally altered in its rereleased "Director's Cut" form--and what this means in an institutional context.
The New Media
In the Teacher's Guide, Sean Redmond discusses exactly what is meant by the phrase "new media" and examines their impact. He goes on to explore their effects on such "old media" as film, TV and music; then examines some of the most significant "new media", using the Internet, game-playing and surveillance cameras as primary case studies. The accompanying Resources draw upon many of the examples featured in the Guide, providing the teacher with a useful 'classroom ready' scheme of work.
Stardom and Celebrity
'...an often engaging and often insightful book... Among the best pieces in the 29 chapter collection are those by Australian academics Graeme Turner, whose clear and concise chapter "The Economy of Celebrity" illustrates the industrial imperatives of stardom, and Catherine Lumby, who brings the experience of contemporary teen girl fandom to life in "Doing It For Themselves? Teenage Girls, Sexuality and Fame". And Richard de Cordova's chapter on the emergence of the American star system delivers a fascinating analysis of the construction of the celebrity system in movies' - Media International Australia This book brings together some of the seminal interventions which have structured the development of star/celebrity studies, while crucially combining and situating these within the context of new essays which address the contemporary, cross-media and international landscape of today's fame culture. At the core of the collection is a desire to map out a unique historical trajectory - both in terms of the development of fame, as well as the historical development of star/celebrity studies.
