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Who will remember 'Our Gracie' waving goodbye; Jack Buchanan constantly bumping into Elsie Randolph; Bobby Howes celebrating the invention of the Belisha Beacon, doing a cat duet with Wylie Watson and giving ideas to Rene Ray about ham sandwiches; John Wood and Claire Luce climbing the steps of the lighthouse and breathing on windows in Over She Goes, these accompanied by some of the most deft British and American composers of their time, their work lighter and freer than air. We catch those airs still, breathing on windows and wondering what became of it all. Book jacket.
This specially priced two volume set brings together Adrian Wright's highly acclaimed two books on the Musical in Post-War Britain. A Tanner's Worth of Tune is not an encyclopaedia of the British musical in the twentieth century, but an examination of its progress as it struggled to find an identity. It shows how the British musical has reacted to social and cultural forces, suggesting that some of its leading composers such as Lionel Bart and Julian Slade contributed much more to the genre than has previously been acknowledged. West End Broadway is a history and a re-evaluation not only of the British productions of Broadway's most popular product but of the works themselves, beginning with...
A comprehensive reassessment of British musical films 1946-1972 including King's Rhapsody, Beat Girl, The Tommy Steele Story, Rock You Sinners, The Golden Disc, and Oliver! Acting as a sequel to Adrian Wright's Cheer Up! British Musical Films, 1929-1945 (Boydell, 2020), Melody in the Dark offers the first major reassessment of the British musical film from the end of Second World War up to the beginning of the 1970s. In the immediate post-war world, British studios sought to reflect fast-changing social attitudes as they struggled to create inventive diversions in an effort to rival American competition. Hollywood stars Errol Flynn, Vera-Ellen, Jayne Mansfield and Judy Garland were among tho...
Explores the 100 year history of the Norfolk and Norwich Operatic Society and celebrates the company's relationship with the Theatre Royal Norwich, one of the most successful major provincial theatres in the country. For One Week Only, published in time for the Norfolk and Norwich Operatic Society's centenary in January 2025, celebrates the company's relationship with the Theatre Royal Norwich, one of the most successful major provincial theatres in the country. The book charts the development of the Society over a hundred years of musical theatre, British and American. Each of the almost 100 productions has its own lively, informative and socially aware essay, accompanied by photographs rev...
This book is not an encyclopaedia of the British musical in the twentieth century, but an examination of its progress as it struggled to find an identity. It shows how the British musical has reacted to social and cultural forces, suggesting that some of its leading composers such as Lionel Bart and Julian Slade contributed much more to the genre than has previously been acknowledged. As the British musical veered between opera, light opera, operetta, spectacle with music, kitchen-sink musical, recherché musical, adaptations of classic novels, socially conscious musicals et al., this fresh assessment of the writers and their work offers a new understanding of the art -- publisher description.
The first book to deal exclusively with British musical flops, Must Close Saturday presents a rolling panorama of the good, the bad and the ugly, reassessing their place in theatrical history.
This is the first biography of L. P. Hartley, author of The Go-Between, The Shrimp and the Anemone, Eustace and Hilda, The Hireling, and many other well-known novels. Adrian Wright had exclusive access to Hartley’s private papers, many of which were subsequently destroyed. Much that was thought undiscoverable has been revealed: Hartley’s childhood; his relationship with his mother; his experiences in the Great War; his various lives in Venice, Bath, and London; and his struggle to come to terms with his homosexuality.
Lillian Carter is eighteen, and a month out of high school, when she finds out she is pregnant. She tells her boyfriend Jarvis Davis, a college football star, and he encourages her to have an abortion. Lillian is a not the type to run away from her problems, however in the face of adversity that is exactly what she does. She packs her car, tells her baby sister goodbye, and runs away from her grandmother’s home without looking back. She becomes Nicolette Cotter, but doesn’t realize that by running away she may have just run into her destiny...
Jade Bordeaux escaped her Southern Baptist family and moved to New York because they would never respect the choices she made or the secret she kept. The Big Apple proved to be more adventurous than her life in Baton Rouge. Excitement flowed through everything, especially in the form of handsome CEO Sean Wright. Dating him takes an unfortunate turn when his sisterÍs dance to the rhythm of revenge becomes a tune sheÍs hell-bent on sharing with her family and the people they love. In a matter of weeks, JadeÍs life takes an uncertain and dangerous turn. The former Governor of Louisiana has denied her existence since birth and now makes a life-altering request that fills Jade with resentment. Jade built her success and happiness by making hard choices, even ones that cause heartbreak. Unfortunately, she never imagined that any of those choices could lead to the death of someone she loves. Jade soon learns in the game of life, sometimes playing Double Down and Dirty is the only way to win.