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Reprint of the original, first published in 1881.
Praise for Berlioz, Volume I "We now have a biography that not only takes in the immense documentation of Berlioz's early life but goes far beyond it in piecing together an incomparably rich portrait of the man and his milieu. . . . The picture is so vivid and the prose so magnetic that not a word seems wasted. . . . Cairns's biography of Berlioz must take its place with the handful of great lives of composers, such as Thayer's Beethoven, Newman's Wagner, and Walker's Wolf."--Hugh MacDonald, The Listener "Even at this halfway stage, [Cairns's] Berlioz stands as one of the great biographies of our day, and also one of the great feats of literary sympathy with an artistic genius, filled with a love, knowledge, and understanding of his subject that flame up on every page."--Max Loppert, Financial Times "This biography is kindled by sympathy and enthusiasm for its subject, and is written with a lifelong professional experience of Berlioz behind it. It is also beautifully and interestingly written. The chapters flow together like Berlioz's own harmonic changes, and with equal resonance."--Roger Norrington, Independent
POLITICIANS AND SCIENTISTS HAVE DEBATED CLIMATE CHANGE FOR CENTURIES IN TIMES OF RAPID CHANGE Nothing could seem more contemporary than climate change. Yet, in Chaos in the Heavens, Jean-Baptiste Fressoz and Fabien Locher show that we have been thinking about and debating the consequences of our actions upon the environment for centuries. The subject was raised wherever history accelerated: by the conquistadors in the New World, by the French revolutionaries of 1789, by the scientists and politicians of the nineteenth century, by the European imperialists in Asia and Africa until the Second World War. Climate change was at the heart of fundamental debates about colonisation, God, the state, nature, and capitalism. From these intellectual and political battles emerged key concepts of contemporary environmental science and policy. For a brief interlude, science and industry instilled in us the reassuring illusion of an impassive climate. But, in the age of global warming, we must, once again, confront the chaos in the heavens.
Nineteenth-century France grew fascinated with the local past. Thousands of citizens embraced local archaeology, penned historical vignettes and monographs, staged historical pageants, and created museums and pantheons of celebrities. Stéphane Gerson's rich, elegantly written, and timely book provides the first cultural and political history of what contemporaries called the "cult of local memories," an unprecedented effort to resuscitate the past, instill affection for one's locality, and hence create a sense of place. A wide range of archival and printed sources (some of them untapped until now) inform the author's engaging portrait of a little-known realm of Parisian entrepreneurs and mi...
The anti-slavery movement, which followed in the wake of the European slave trade, has attracted much less attention than the latter. This is particularly true for the abolition movement in the French colonies.
A captivating and sumptuously illustrated biography, Berlioz is not only a complete account of the Romantic era composer, but also an acute analysis of his compositions and a description of his work as a conductor and critic. 139 halftones, 3 maps, 160 musical examples.
The Mettray Penal Colony was a private reformatory without walls, established in France in 1840 for the rehabilitation of young male delinquents. Foucault linked its opening to the most significant change in the modern status of prisons and now, at last, Stephen Toth takes us behind the gates to show how the institution legitimized France's repression of criminal youth and added a unique layer to the nation's carceral system. Drawing on insights from sociology, criminology, critical theory, and social history, Stephen Toth dissects Mettray's social anatomy, exploring inmates' experiences. More than 17,000 young men passed through the reformatory before its closure, and Toth situates their st...