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An innovative new analysis of the Odyssey's most influential female character
In Aboriginal and Māori literature, the circle and the spiral are the symbolic metaphors for a never-ending journey of discovery and rediscovery. The journey itself, with its indigenous perspectives and sense of orientation, is the most significant act of cultural recuperation. The present study outlines the fields of indigenous writing in Australia and New Zealand in the crucial period between the mid-1980s and the early 1990s – particularly eventful years in which postcolonial theory attempted to ‘centre the margins’ and indigenous writers were keen to escape the particular centering offered in search of other positions more in tune with their creative sensibilities. Indigenous writ...
This study brings together three closely related aspects of Maori literature - myth, memory and identity. It examines selected novels by Witi Ihimaera and Patricia Grace in order to trace an ever-developing Maori identity that has changed considerably over three decades of the Maori novel. This book demonstrates that an investigation of the construction of identity in literature benefits from a close look at the importance of Maori mythology as well as associated cultural and individual memories. Indicating that Maori fiction has become what Homi Bhabha terms a third space, this book verifies the links between novel, myth and memory with the help of existing research in these areas in order ...
Out Here Down Under is a collection of documents and papers illuminating the development and character of ancient history as a discipline in the Antipodes. It considers especially the distinctive and extraordinarily popular program, championed by E. A. Judge, of studying classical and biblical corpora together under one discipline, with an emphasis on the interpretation of documentary sources. In twenty chapters, this volume considers such issues as the relationship between British and Antipodean scholarship, the story and legacy of Antipodean scholars of the ancient world, the nature and ideology of ancient history programs at schools and universities (especially in NSW and at Macquarie), the interaction between biblical and classical disciplines, and the function of history in contemporary Australia. These texts, mostly written by Judge himself throughout his career, appear here with new introductory notes outlining their historical significance for the discipline and Judge’s own practice.
La 4e de couverture indique : "the first written history of the pioneering women born between the Renaissance and 1913 who played significant roles in the history of classical scholarship."
The first comprehensive history of how Maori have emerged from the silence of depictions by European writers to claim their own literary voice, with a focus on Patricia Grace and Witi Ihimaera
Plautus' Bacchides is one of the best and most typical of his plays which in its treatment of character, theme and dialogue provides an excellent introduction to Plautus.
In this extended meditation on the language of the self within contemporary social politics, the author ponders the question: What does it matter what you say about yourself? She studies why the requirement to be a something-or-other should be so hard to satisfy in a manner that rings true in the ears of its own subject.
Liberal Education and the Canon is not written for the specialist; it is intended to be both informative to scholars and accessible to persons with no prior familiarity with the five texts discussed. Written in lucid, jargon-free prose, it is a unique blending of the timeless with the timely. Drawing from sources as long ago as Homer and as recent as current headlines, this book makes the continuity of the human experience evident.
Disguise and Recognition in the Odyssey reveals the significance of the Odyssey's plot, in particular the many scenes of recognition that make up the hero's homecoming and dramatize the cardinal values of Homeric society, an aristocratic culture organized around recognition in the broader senses of honor, privilege, status, and fame. Odysseus' identity is seen to be rooted in his family relations, geographical origins, control of property, participation in the social institutions of hospitality and marriage, past actions, and ongoing reputation. At the same time, Odysseus' dependence on the acknowledgement of others ensures attention to multiple viewpoints, which makes the Odyssey more than ...