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Gardens of Earthly Delight
  • Language: en
  • Pages: 90

Gardens of Earthly Delight

  • Categories: Art

None

Caspar David Friedrich and the Age of German Romanticism
  • Language: en
  • Pages: 169

Caspar David Friedrich and the Age of German Romanticism

  • Categories: Art

None

Shakespeare's Visual Theatre
  • Language: en
  • Pages: 378

Shakespeare's Visual Theatre

In this study of Shakespeare's visual culture Frederick Kiefer looks at the personified characters created by Shakespeare in his plays, his walking, talking abstractions. These include Rumour in 2 Henry IV, Time in The Winter's Tale, Spring and Winter in Love's Labour's Lost, Revenge in Titus Andronicus, and the deities in the late plays. All these personae take physical form on the stage: the actors performing the roles wear distinctive attire and carry appropriate props. The book seeks to reconstruct the appearance of Shakespeare's personified characters; to explain the symbolism of their costumes and props; and to assess the significance of these symbolic characters for the plays in which they appear. To accomplish this reconstruction, Kiefer brings together a wealth of visual and literary evidence including engravings, woodcuts, paintings, drawings, tapestries, emblems, civic pageants, masques, poetry and plays. The book contains over forty illustrations of personified characters in Shakespeare's time.

In the Company of Shakespeare
  • Language: en
  • Pages: 372

In the Company of Shakespeare

This book is an anthology of critical essays written about English literature during the Renaissance (or the 'early-modern' period). It focuses on Shakespeare's poetry and plays, including the 'Sonnets', 'The Phoenix and the Turtle', 'The Rape of Lucrece', 'King Lear', 'Othello', 'Measure for Measure', and 'Timon of Athens'. Also examined are the publication of the plays of Beaumont and Fletcher, William Cartwright's play 'The Royal Slave', and James Halliwell-Phillips, one of the central figures in the Shakespearean textual tradition.

Studies
  • Language: en
  • Pages: 560

Studies

  • Type: Book
  • -
  • Published: 1993
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  • Publisher: Unknown

An Irish quarterly review.

The Stockholm University Collection of Paintings
  • Language: en
  • Pages: 462

The Stockholm University Collection of Paintings

  • Categories: Art
  • Type: Book
  • -
  • Published: 1978
  • -
  • Publisher: Unknown

None

From Criminal to Courtier
  • Language: en
  • Pages: 717

From Criminal to Courtier

  • Type: Book
  • -
  • Published: 2021-10-11
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  • Publisher: BRILL

The art of the Netherlands (Dutch and Flemish) is unique in Early Modern Europe in its concern for military cruelty against civilians, principally the peasantry. Decimated by time and changes in taste, this popular iconography proves varied and extensive, stretching from Bruegel to and past Rubens. 'Massacres of the Innocents' continue to be a favourite subject through the Eighty Years War, in contrast to ruling-class glorifications of war. Dutch patriotic siege prints lay claim to 'scientific' precision in landscapes free of military terror, while the idea of military conquest is presented as generous rather than cruel in the ever-popular figure of Scipio Africanus. Most of the pictorial material is unfamiliar, some of it even to specialists and never before published; new light is shed on the more familiar phenomena of the civic guard groups and Ter Borch courtier-officers, 'good soldiers' overcoming a bad image.

Artemisia Gentileschi and the Authority of Art : Critical Reading and Catalogue Raisonné
  • Language: en
  • Pages: 652
The Sarah Campbell Blaffer Gallery at the University of Houston, Dedicated March 13, 1973
  • Language: en
  • Pages: 68

The Sarah Campbell Blaffer Gallery at the University of Houston, Dedicated March 13, 1973

  • Categories: Art
  • Type: Book
  • -
  • Published: 1973
  • -
  • Publisher: Unknown

None

A Corpus of Rembrandt Paintings V
  • Language: en
  • Pages: 689

A Corpus of Rembrandt Paintings V

  • Categories: Art

This volume is the fifth volume of A Corpus of Rembrandt Paintings, a project devoted to all Rembrandt’s paintings. This is the work of ‘The Rembrandt Research Project’, consisting of a group of scholars led since 1993 by Professor Ernst van de Wetering. The project began in 1968 with the aim of separating Rembrandt’s own paintings from the vast number of Rembrandtesque paintings made by his many apprentices and followers. Having opted for a chronological approach to the cataloguing of Rembrandt’s paintings (from 1625 till 1642) in the first three volumes, it was decided in 1993 to adopt a thematic approach for further volumes. This was largely to facilitate the recognition of diff...