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An International Annotated Bibliography of Strindberg Studies 1870-2005: Autobiographies, novels, poetry, letters, historical works, natural history and science, lingiustics, painting and the other arts, politics, psychopathology, biography, miscellaneous, dissertations
This copiously annotated bibliography documents and examines the whole range of commentary on Strindberg's works and activity in many fields besides the plays for which he is internationally best known. These include his prose fiction and poetry, his work as an historian and natural historian, and his relationship to the other arts, most notably his painting. It is concerned with both lasting works of literary and dramatic criticism, as well as reviews of his books and plays in the theatre, and some more ephemeral material, all of this in several languages. Organised generically and by subject and individual work, the bibliography enables the reader to trace the changing impact of Strindberg...
Strindberg
Om den svenske forfatter August Strindberg (1849-1912) som maler og fotograf
Out of Inferno (p)
In 1897 August Strindberg, almost fifty years old, embarked on one of the great comebacks in the history of literature. For six years he had lived as an exile in Germany, Austria, and France. Though more than twenty years earlier he had earned a place in Scandinavian literature, the general view in Sweden was that he was finished, his career over. Then, with the publication of Inferno, the novel that described some of the most harrowing experiences of his exile years, he returned swiftly to the center of Swedish literary life. In Out of Inferno Harry G. Carlson analyzes the reasons for Strindberg’s collapse and subsequent reemergence as an influential modern writer. Strindberg’s early su...
An International Annotated Bibliography of Strindberg Studies 1870-2005: General studies
This copiously annotated bibliography documents and examines the whole range of commentary on Strindberg's works and activity in many fields besides the plays for which he is internationally best known. These include his prose fiction and poetry, his work as an historian and natural historian, and his relationship to the other arts, most notably his painting. It is concerned with both lasting works of literary and dramatic criticism, as well as reviews of his books and plays in the theatre, and some more ephemeral material, all of this in several languages. Organised generically and by subject and individual work, the bibliography enables the reader to trace the changing impact of Strindberg...
Edvard Munch
The biography of the artist who created the most haunting icon of the twentieth century
Art, Vision, and Nineteenth-Century Realist Drama
Realism in theatre is traditionally defined as a mere seed of modernism, a crude attempt to reproduce an exact copy of reality on stage. Art, Vision & Nineteenth-Century Realist Drama redefines realism as a complex and under-examined form of visual modernism, one that positioned theatre at the crux of the encounter between consciousness and the visible world. Tracing a historical continuum of "acts of seeing" on the realist stage, Holzapfel demonstrates how theatre participated in modernity’s aggressive interrogation of vision’s residence in the human body. New findings by scientists and philosophers—such as Diderot, Goethe, Müller, Helmholtz, and Galton—exposed how the visible worl...
Cruel Banquet
Frida Strindberg, briefly the wife of August Strindberg, "helped define the avant-garde movement in Europe from the 1890s to the 1920s."--dust jacket.
Border Crossings
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Stage and Screen
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