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Young love, meddling aunts, heart-to-hearts with friends real and imagined, Philistia's world is that of an ordinary student. Except in Palestine, and with your father in jail, nothing is ordinary.
A coffee seller waits all day for one of his customers to ask him how he is, until eventually he just tells the city itself... A teenager is ordered off a bus at a checkpoint and told he must kiss a complete stranger if he wants the bus to be let through... A woman pilgrimages to the Cave of the Prophets, to pray for rain for her tiny patch of land, knowing it will take more than water to save it... Unlike most other Palestinian cities, Ramallah is a relatively new town, a de facto capital of the West Bank allowed to thrive after the Oslo Peace Accords, but just as quickly hemmed in and suffocated by the Occupation as the Accords have failed. Perched along the top of a mountainous ridge, it ...
'A deft, satisfying and poignant collection of stories . . . I loved it' Pandora Sykes 'Huma Qureshi is a writer I know I'll be reading for years and years and years' Natasha Lunn, author of Conversations on Love A breathtaking collection of stories about our most intimate relationships, and the secrets, misunderstandings and silences that haunt them. A daughter asks her mother to shut up, only to shut her up for good; an exhausted wife walks away from the husband who doesn't understand her; on holiday, lovers no longer make sense to each other away from home. Set across the blossoming English countryside, the stifling Mediterranean and the bustling cities of London and Lahore, Things We Do Not Tell The People We Love illuminates the parts of ourselves we rarely reveal. *Longlisted for the Jhalak Prize* *Longlisted for the Edge Hill Prize* 'These are stories of fierce clarity and tenderness - I loved them' Lucy Caldwell, author of Intimacies
A gripping and taut Icelandic historical thriller by debut author Samuel M. Sargeant. False God. At the dawn of the 11th Century in a small Icelandic settlement, these words, daubed in blood, herald the arrival of a killer. Soon, a spate of murders threatens the fragile peace between pagans and a growing Christian minority. Arinbjorn, a young pagan farmer resolves to track down the killer before the community is permanently torn apart. His investigations will draw in Freya, an isolated housewife whose secrets could either condemn or free her. Meanwhile in Norway, King Olaf Tryggvason has his own designs upon Iceland and its people. War is rife in Scandinavia, and a Christian Iceland would bolster his control over the region. Only one thing is certain: these murders will change Icelandic society forever. Perfect for fans of Ken Follett and Michael Punke.
This book contains an Open Access chapter. The second of two volumes, the chapters offer a compelling exploration of how children and youth endure conflict and how their stories are told and retold in the public sphere, influencing advocacy, policymaking, and community responses worldwide.
A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. Palestinian writing imagines the nation, not as a nation-in-waiting but as a living, changing structure that joins people, place, and time into a distinct set of formations. Novel Palestine examines these imaginative structures so that we might move beyond the idea of an incomplete or fragmented reality and speak frankly about the nation that exists and the freedom it seeks. Engaging the writings of Ibrahim Nasrallah, Nora E. H. Parr traces a vocabulary through which Palestine can be discussed as a changing and flexible national network linking people across and within space, time, and community. Through an exploration of the Palestinian literary scene subsequent to its canonical writers, Parr makes the life and work of Nasrallah available to an English-language audience for the first time, offering an intervention in geography while bringing literary theory into conversation with politics and history.
What if the truth means losing everything? Kate Sullivan has a beautiful home, a job she loves and a handsome fiancé: all she'd ever dreamed of since painstakingly piecing her life back together. But a chance encounter with her old best friend Becky threatens Kate's newfound and fragile happiness. Kate remembers nothing of their last drunken night out, the night Becky broke off their friendship without warning or explanation. With Becky back in her life, Kate is desperate to make amends for the past. For the closure she craves, Kate needs to know what she did that ruined everything. But what if the truth is worse than Kate could have imagined? Praise for My Best Friend's Secret 'Had me grip...
Cultural Identity in Arabic Novels of Immigration: A Poetics of Return offers a new perspective of migration studies that views the concept of migration in Arabic as inherently embracing the notion of return. Starting the study with the significance of the Islamic hijra as the quintessential migrant narrative in Arabic culture, Elmeligi offers readings of Arabic narratives as early as Ibn Tufayl’s Hayy ibn Yaqzan and as recent asMiral Al-Tahawy’s 2010 Brooklyn Heights, and asvaried as Egyptian novelist Naguib Mahfouz’s short story adaptation of the ancient Egyptian Tale of Sinuhe and Yemeni novelist Mohammed Abdl Wali’s They Die Strangers, includingnovels that have not been translate...
Fifteen generations of Hassanakis's family have been Cretan. After WW1, amidst rumours that Cretan Muslims will be sent to Turkey, Hassanakis worries he will have to leave behind his great love, the Greek widow Marigo, and his beloved homeland. He can't believe he will be sent to a country whose language he barely knows and where he knows no-one.
A tale that asks readers to take comfort in questions versus easy answers.