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The Tale of Aypi
The Tale of Aypi follows the fate of a group of Turkmen fishermen dwelling on the coast of the Caspian Sea. The fear of losing their ancestral home looms over the entire village. This injustice is being made to look like a voluntary initiative on the part of the fishermen themselves, whilst the ruling powers cynically attempt to confiscate their land. One brave fisherman from the village rises up to confront them and fights for his native shore, as a response to an act of cruelty inflicted on a defenceless young woman centuries ago. This unjustly executed soul returns as a ghost during this troubled time to exact a terrible revenge on the men of the village. The relationships among the characters mirror the eternal opposition between the forces of nature, with the intervention of mystical forces ratcheting up the tension. This title has been realised by a team of the following dedicated professionals: Translated by W.M. Coulson, Maxim Hodak - Максим Ходак (Publisher), Max Mendor - Макс Мендор (Director), Ksenia Papazova.
Death of the Snake Catcher
This book features people from one of the most closed countries of today's world, where the passage of time resembles the passage of a caravan through the waterless desert. This world has been recreated by a true-born son of that mysterious country, a Turkmen who, at the will of fate, has now been living for a quarter of a century in snowy Scandinavia. Is that not why two different worlds come together in Ryazan horseradish and Tula gingerbread, to come apart in Love in Lilac, in which a student from the non-free world falls in love with a girl from the West? In the story Death of the Snake Catcher, an old snake catcher meets one on one with a giant cobra in the heart of the desert. In the d...
The Revenge of the Foxes
Moscow, during the collapse of the Soviet system: In a hospital, young people awaiting heart operations and possible death, live just for today with mischief-making and even love affairs, under the stringent gaze of the old matron, Baba Nastya. Here one of the patients, a young Turkmen, meets a Greek Comsomol boy, a Russian Stalinist with a 'robotic' heart, and the lovely but tragic Mary. To whom does the future belong - to the soulless robots or the poetical souls?
Dream Psychology
This classic work by the Father of Psychoanalysis, is essential reading for any serious student of psychology. Dr. Freud covers the hidden meanings within our dreams, especially repressed sexual desires, the purpose of our conscious and unconscious minds, and the importance of dreams to our wellbeing. This title is, in essence, a comprehensive analysis of Freud's psychoanalytical studies, research and empirical observations. Freud begins by explaining the meaning of dreams through presentations of varied real examples. He then proceeds to explain the causes of dreams and their relation to past and on-going events in our lives, he analyses dream elements, and then explores specified topics such as sexual thoughts in dreams and humans desires and wishes.
How to Start Writing (and When to Stop): Advice for Writers
At once kind and hilarious, this compilation of the Nobel Prize-winning poet’s advice to writers is illustrated with her own marvelous collages In this witty “how-to” guide, Wislawa Szymborska has nothing but sympathy for the labors of would-be writers generally: “I myself started out with rotten poetry and stories,” she confesses in this collection of pieces culled from the advice she gave—anonymously—for many years in the well-known Polish journal Literary Life. She returns time and again to the mundane business of writing poetry properly, that is to say, painstakingly and sparingly. “I sigh to be a poet,” Miss A. P. from Bialogard exclaims. “I groan to be an editor,” Szymborska responds. Szymborska stubbornly insists on poetry’s “prosaic side”: “Let’s take the wings off and try writing on foot, shall we?” This delightful compilation, translated by the peerless Clare Cavanagh, will delight readers and writers alike. Perhaps you could learn to love in prose.
Reading the World
'A brilliant, unlikely book' Spectator How can we celebrate, challenge and change our remarkable world? In 2012, the world arrived in London for the Olympics...and Ann Morgan went out to meet it. She read her way around all the globe's 196 independent countries (plus one extra), sampling one book from every nation. It wasn't easy. Many languages have next to nothing translated into English; there are tiny, tucked-away places where very little is written down; some governments don't like to let works of art escape their borders. Using Morgan's own quest as a starting point, Reading the World explores the vital questions of our time and how reading across borders might just help us answer them. 'Revelatory... While Morgan's research has a daunting range...there is a simple message: reading is a social activity, and we ought to share books across boundaries' Financial Times
Self Portrait in Green
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
The Vow
Can something that exists merely as a literary text, say a story, come about in real life? Can reality, to put it another way, steal something from literature, the same way literature steals from reality? Such is the question that Libor Hrach, the author of The Adventures of the Wise Badger, fields one evening over a hedonistic supper in a tony Brno restaurant from Kamil Modráček, himself a burrowing animal of sorts, in Jiří Kratochvil’s novel The Vow. ‘Quite simply, I said, everything that has been written either has already happened, or is about to. You write a story, and you can never be sure if what you’re writing isn’t actually taking place two streets away from where you si...
The View on the Way Down
'Brilliant' - Stylist 'Unforgettable' - Easy Living Emma used to have two brothers, but five years ago Kit died and on the day of his funeral Jamie left home and never came back. Their parents never talk about what drove their son away. But now Emma is older she is beginning to ask questions - and she's never given up hope that she will see Jamie again. Told with honesty and warmth, The View on the Way Down is the story of a devastating act of brotherly love that will open your eyes even as it breaks your heart. From the acclaimed author of I'm Sorry You Feel That Way. 'So compassionate, so heartbreaking . . . the story wouldn't let me go' - Shelley Harris 'It lingers with you, and for those who have suffered similar things, it echoes truth.' - Guardian
Migrants and Literature in Finland and Sweden
Migrants and Literature in Finland and Sweden presents new comparative perspectives on transnational literary studies. This collection provides a contribution to the production of new narratives of the nation. The focus of the contributions is contemporary fiction relating to experiences of migration. When people are in motion, it changes nations, cultures and peoples. The volume explores the ways in which transcultural connections have affected the national self-understanding in the Swedish and Finnish context. It also presents comparative aspects on the reception of literary works and explores the intersectional perspectives of identities including class, gender, ethnicity, "race" and disability. This volume discusses multicultural writing, emerging modes of writing and generic innovations. Further, it also demonstrates the complexity of grouping literatures according to nation and ethnicity. This collection is of particular interest to students and scholars in literary and Nordic studies as well as transnational and migration studies.
