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Death of the Snake Catcher
This book features people from one of the most closed countries of today's world, where the passage of time resembles the passage of a caravan through the waterless desert. This world has been recreated by a true-born son of that mysterious country, a Turkmen who, at the will of fate, has now been living for a quarter of a century in snowy Scandinavia. Is that not why two different worlds come together in Ryazan horseradish and Tula gingerbread, to come apart in Love in Lilac, in which a student from the non-free world falls in love with a girl from the West? In the story Death of the Snake Catcher, an old snake catcher meets one on one with a giant cobra in the heart of the desert. In the d...
The Tale of Aypi
The Tale of Aypi follows the fate of a group of Turkmen fishermen dwelling on the coast of the Caspian Sea. The fear of losing their ancestral home looms over the entire village. This injustice is being made to look like a voluntary initiative on the part of the fishermen themselves, whilst the ruling powers cynically attempt to confiscate their land. One brave fisherman from the village rises up to confront them and fights for his native shore, as a response to an act of cruelty inflicted on a defenceless young woman centuries ago. This unjustly executed soul returns as a ghost during this troubled time to exact a terrible revenge on the men of the village. The relationships among the characters mirror the eternal opposition between the forces of nature, with the intervention of mystical forces ratcheting up the tension. This title has been realised by a team of the following dedicated professionals: Translated by W.M. Coulson, Maxim Hodak - Максим Ходак (Publisher), Max Mendor - Макс Мендор (Director), Ksenia Papazova.
The Revenge of the Foxes
Moscow, during the collapse of the Soviet system: In a hospital, young people awaiting heart operations and possible death, live just for today with mischief-making and even love affairs, under the stringent gaze of the old matron, Baba Nastya. Here one of the patients, a young Turkmen, meets a Greek Comsomol boy, a Russian Stalinist with a ‘robotic’ heart, and the lovely but tragic Mary. To whom does the future belong – to the soulless robots or the poetical souls?
Death of the Snake Catcher
This book features people from one of the most closed countries of today's world, where the passage of time resembles the passage of a caravan through the waterless desert. This world has been recreated by a true-born son of that mysterious country, a Turkmen who, at the will of fate, has now been living for a quarter of a century in snowy Scandinavia. Is that not why two different worlds come together in Ryazan horseradish and Tula gingerbread, to come apart in Love in Lilac, in which a student from the non-free world falls in love with a girl from the West? In the story Death of the Snake Catcher, an old snake catcher meets one on one with a giant cobra in the heart of the desert. In the d...
Reading the World
'A brilliant, unlikely book' Spectator How can we celebrate, challenge and change our remarkable world? In 2012, the world arrived in London for the Olympics...and Ann Morgan went out to meet it. She read her way around all the globe's 196 independent countries (plus one extra), sampling one book from every nation. It wasn't easy. Many languages have next to nothing translated into English; there are tiny, tucked-away places where very little is written down; some governments don't like to let works of art escape their borders. Using Morgan's own quest as a starting point, Reading the World explores the vital questions of our time and how reading across borders might just help us answer them. 'Revelatory... While Morgan's research has a daunting range...there is a simple message: reading is a social activity, and we ought to share books across boundaries' Financial Times
Kepjebaş
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Goodbye, Bird
For a twenty-eight-year-old young man who returned from the army several years ago but has yet to reacclimatize to ordinary life, every step, gesture, word, and vision is a revelation, which takes him back to the beginning, to a time when reality had lost its shape, and turned into a new and imperceptible world. In his imagination, he embodies a number of different characters, he feels the presence of his girlfriend again, and remembers friends from his childhood and from the army, who are now gone. This is a book of questions, and the answers to these questions are to be found by the reader. The novel is like a puzzle which needs to be pieced together, and the picture is not complete until the last piece is in place, until the last word of the book has been read. Translated from the Armenian by Nairi Hakhverdi.
A Flame Out at Sea
The characters in Novikov’s work are predominantly people of the Russian North: Pomors, Karelians and Komi. In 2013 Novikov, along with other Karelian writers, proclaimed the Manifesto on a New Northern Prose, the mission of which Novikov described as: “Though these are trying times for Russian literature, there is light, there is hope that it will retain its key underlying principles of honesty, faith, beauty. How great it is that these principles fully fit with and correspond to the old and new, living, and strong direction of Russia’s Northern Prose!” *** The protagonist of A Flame Out at Sea heads to the stores of the northern lakes and the White Sea in search of its present, whi...
How to Start Writing (and When to Stop): Advice for Writers
At once kind and hilarious, this compilation of the Nobel Prize-winning poet’s advice to writers is illustrated with her own marvelous collages In this witty “how-to” guide, Wislawa Szymborska has nothing but sympathy for the labors of would-be writers generally: “I myself started out with rotten poetry and stories,” she confesses in this collection of pieces culled from the advice she gave—anonymously—for many years in the well-known Polish journal Literary Life. She returns time and again to the mundane business of writing poetry properly, that is to say, painstakingly and sparingly. “I sigh to be a poet,” Miss A. P. from Bialogard exclaims. “I groan to be an editor,” Szymborska responds. Szymborska stubbornly insists on poetry’s “prosaic side”: “Let’s take the wings off and try writing on foot, shall we?” This delightful compilation, translated by the peerless Clare Cavanagh, will delight readers and writers alike. Perhaps you could learn to love in prose.
Migrants and Literature in Finland and Sweden
Migrants and Literature in Finland and Sweden presents new comparative perspectives on transnational literary studies. This collection provides a contribution to the production of new narratives of the nation. The focus of the contributions is contemporary fiction relating to experiences of migration. The volume discusses multicultural writing, emerging modes of writing and generic innovations. When people are in motion, it changes nations, cultures and peoples. The volume explores the ways in which transcultural connections have affected the national self-understanding in the Swedish and Finnish context. It also presents comparative aspects on the reception of literary works and explores th...
