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The classic autobiography from the bestselling author of The Savage God and Poker.
An intelligent and sympathetic analysis of one of the true taboos of modern life. Using the untimely death of the poet and friend, Sylvia Plath, as a point of departure, Al Alvarez confronts the controversial and often taboo area of human behaviour: suicide. The Savage God explores the cultural attitudes, theories, truths and fallacies surrounding suicide and refracts them through the windows of philosophy, art and literature: following the black thread leading from Dante, through Donne, Chatterton and the Romantic Agony, to Dada and Pavese. Entwined within this sensitive study is the author's deeply personal account of his own unsuccessful suicide attempt, and together they form the most fa...
From the author of The Savage God, a unique memoir of growing old, and a lesson in not going gently into that good night The ponds of Hampstead Heath are small oases; fragments of wild nature nestled in the heart of north-west London. For the best part of his life Al Alvarez – poet, critic, novelist, rock-climber and poker player – has swum in them almost daily. An athlete in his youth, Alvarez chronicles what it is to grow old with humour and fierce honesty – from his relentlessly nagging ankle which makes daily life a struggle, to infuriating bureaucratic battles with the council to keep his disabled person's Blue Badge, the devastating effects of a stroke, and the salvation he finds...
Since its first publication twenty years ago, The Biggest Game in Town has become a sought-after cult classic. Acclaimed writer and critic Al Alvarez delves into the murky and compelling world of high-stakes Vegas poker, where 'the next best thing to playing and winning is playing and losing'. Uncovering an exotic underground rich in ambiance and eccentricity, The Biggest Game in Town is a real one of a kind, deftly capturing the skewed psyches and peculiar rites of professional poker players who descend every year for the World Series of Poker. It's a world that seems almost too surprising and bizarre to be true. 'A cool, precise, sharply witty, vivid evocation of a place and people, their ...
'Should not be neglected by anybody with a serious interest in modern literature and literary criticism.' Frank Kermode 'Is there a more charming literary companion than Al Alvarez? To read this book is to feel the shutters of the mind being slowly jemmied apart, an agonising delight' Spectator _____________________ 'For a writer, voice is a problem that never lets you go, and I have thought about it for as long as I can remember - if for no other reason than that a writer doesn't properly begin until he has a voice of his own.' What makes good writing good? In his brilliant new book, Al Alvarez argues that it is the development of the voice - voice as distinct from style - that makes a writer great. A poet as well as a critic, Al Alvarez approaches his subject both as an informed observer and an insider. Here are - among others - Sylvia Plath, John Donne, Jean Rhys, Shakespeare, TS Eliot, Coleridge and W.B. Yeats, dissected with clarity, depth and a profound understanding of the mechanics of writing. Like the best literary criticism, The Writer's Voice makes writing come vividly alive. Written with passion and insight, it is the ideal gift for anyone who loves to read.
With the growth of the global economy over the past two decades, foreign direct investment (FDI) laws, at both the national and international levels, have undergone rapid development in order to strengthen the protection standards for foreign investors. In terms of international investment law, a network of international investment agreements has arisen as a way to address FDI growth. FDI backlash, reflective of more restrictive regulation, has also emerged. The Evolving International Investment Regime analyzes the existing challenges to the international investment regime, and addresses these challenges going forward. It also examines the dynamics of the international regime, as well as a broader view of the changing global economic reality both in the United States and in other countries. The content for the book is a compendium of articles by leading thinkers, originating from the International Investment Conference "What's New in International Investment Law and Policy?"
A biography of the American poet Sylvia Plath which presents a different view of her life and death by shifting any blame away from Plath's husband, Ted Hughes, and suggesting the problems lay in her personality difficulties.
At the centre of this collection, which includes groups of elegies and love poems, there is a short sonnet sequence which concentrates themes apparent elsewhere in the book: the individual's responsibility for his own choices, the artist's commitment to his vocation, the vulnerability of all in the face of circumstance and death.'Throughout the volume Heaney's outstanding gifts, his eye, his ear, his understanding of the poetic language are on display - this is a book we cannot do without.' Martin Dodsworth, Guardian
Mystic and poet Abū al-Hasan al-Shushtarī (1212-1269) remains a towering figure in North African Sufism. His verses are still well loved and often recited, and his songs are arguably the most vibrant element of Islamic Spain's cultural legacy. He is crucial to an understanding of the history of mysticism in Islamic Spain and North Africa. Yet, he is overlooked by Western scholars and few of his poems have been translated. This book seeks to correct this deficit by (1) setting Shushtarī and his work in the political and intellectual contexts of his time; (2) introducing his thought to an English-speaking audience through a presentation of his poetry. Each of the chapters that presents the poetry starts with a thematic introduction that explores the symbolic, poetic, and doctrinal import of the material that follows. Sensuous and spiritual, erotic and ethereal, this selection of works will delight everyone, whether or not they are devotees of Islamic literature. +
Foreword by Lucy Mitchell-Innes. Text by Al Alvarez.