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Recovering Landscape
The past decade has been witness to a remarkable resurgence of interest in landscape. While this recovery invokes a return of past traditions and ideas, it also implies renewal, invention, and transformation. Recovering Landscape collects a number of essays that discuss why landscape is gaining increased attention today, and what new possibilities might emerge from this situation. Themes such as reclamation, urbanism, infrastructure, geometry, representation, and temporality are explored in discussions drawn from recent developments not only in the United States but also in the Netherlands, France, India, and Southeast Asia. The contributors to this collection, all leading figures in the field of landscape architecture, include Alan Balfour, Denis Cosgrove, Georges Descombes, Christophe Girot, Steen Hoyer, David Leatherbarrow, Bart Lootsma, Sebastien Marot, Anuradha Mathur, Marc Treib, and Alex Wall.
Essays in Aesthetics
Over the course of the past forty years, Gärard Genette?s work has profoundly influenced scholars of narratology, poetics, aesthetics, and literary and cultural criticism, and he continues to be one of France?s most influential theorists. The eighteen pieces in Essays in Aesthetics are of international interest because they are concerned either with universal aesthetic problems (the receiver?s relationship to an aesthetic object, abstract art, the role of repetition in aesthetics, genre theory, and the rapport between literature and music) or with specific moments in the work of a well-known writer or artist (such as Stendhal, Proust, Manet, Pissarro, and Canaletto).øEssays in Aesthetics contains a wealth of material related to the appreciation of beauty by one of the subtlest and most original minds working in aesthetics today. Genette knows the fine arts as well as he knows literature and as a result has innovative things to say to readers in that field as well as to philosophers and literary scholars.
20 Exciting Plays for Medieval History Classes
"Plays designed to involve as many student readers as possible. Over half the plays have a Greek-style chorus ... designed to fill in historical details" --p.v.
After Zero
Design disciplines are challenged by the condition of the zero point. “Zero-context,” “cities from scratch,” and “zero-carbon” developments all force designers to tackle fundamental questions regarding the strategic relevance and impact of a design intervention. As much as the zero point presents naïve innocence and embodies contradictory notions, it also creates a ground for doubt, self-critique, and rejuvenation for architecture and urbanism. As cities are built before they can even be imagined, what do these projects suggest for the design disciplines? Rather than reductive aestheticization or total rejection, what are possible critical ways to reflect on this condition? Beyo...
Medieval Allegory as Epistemology
In Medieval Allegory as Epistemology, Marco Nievergelt argues that late medieval dream-poetry was able to use the tools of allegorical fiction to explore a set of complex philosophical questions regarding the nature of human knowledge. The focus is on three of the most widely read and influential poems of the later Middle Ages: Jean de Meun's Roman de la Rose; the Pélerinages trilogy of Guillaume de Deguileville; and William Langland's vision of Piers Plowman in its various versions. All three poets grapple with a collection of shared, closely related epistemological problems that emerged in Western Europe during the thirteenth century, in the wake of the reception of the complete body of A...
Le paysage romantique et l'expérience du sublime
Dans la première moitié du XIXe siècle, le paysage sublime est le lieu commun du paysage romantique. Dans sa redéfinition du sublime comme expérience, le romantisme va davantage développer une esthétique du paysage qu'une topique de la puissance naturelle (le volcan, la cataracte, l'orage ou la tempête) ou de la représentation de l'infini (Dieu, la mer, la montagne). Cette poétique du paysage peut s'interpréter dans le sens d'une révélation du Chaos : magnifique confusion et profusion de l'existant, mais aussi radicale négativité de l'être. C'est ainsi que le paysage sublime ouvre sur une philosophie de la nature qui en révèle la fondamentale indétermination ontologique. L...
Reflective Landscapes of the Anglophone Countries
Too many landscapes have been reduced to silent commodities by being put into golden frames on top of our fireplaces. Too many landscapes have been reified by being considered as objects holding forth referents to an omnipotent looker-on, with his/her language ever ready to seize and transcribe. The articles gathered here, prolonging an international conference held at the University of Caen Basse-Normandie (France), 14-16 June 2007, set the landscapes loose again by engaging with their essentially relational quality. What makes this volume particularly stimulating and critically innovative is this initial acknowledgement of a landscape's reflectiveness - that is the fact that it contains un...
Landscape and Film
Landscape is everywhere in film, but it has been largely overlooked in theory and criticism. This volume of new work will address fundamental questions: What kind of landscape is cinematic landscape? How is cinematic landscape different from landscape painting? How is landscape deployed in the work of such filmmakers as Greenaway, Rossellini, or Antonioni, to name just three? What are differences between the use of landscape in Western filmmaking and in the work of Middle Eastern and Asian filmmakers? How is cinematic landscape related to the idea of a national cinema and questions of identity. The first collection on the idea of landscape and film, this volume will present an impressive international cast of contributors, among them Jacques Aumont, Tom Conley, David B. Clarke, Marcus A. Doel, Peter Rist, and Antonio Costa.
Paris and the Right in the Twentieth Century
Certain images of Paris have become icons for the left, but the Paris of the right has received far less attention. This groundbreaking collection of essays examines the relationship between Paris and the right in the twentieth century, exploring how political leaders and parties have depicted and controlled the streets, people and history of Paris, and how the city has been both context and inspiration for journalists and novelists of the right. The first part focuses on the relationship between the right, the street and the people, and describes some of the most contentious political movements in recent French history, from the anti-parliamentary leagues of the Belle Époque to the contemp...
