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The recent demise of the independent television companies and the expansion of satellite and cable networks has led to an explosion in small, independent production facilities. In parallel with this development has been a steady increase in media training and a major expansion in corporate video facilities. The Video Studio is written for everyone contemplating setting-up a professional installation, whether studio or location based. The Video Studio shows how to estimate the scale of investment required and, depending on the nature and frequency of use of the facility, the layout of technical areas and the function of the main items of equipment is described in easy to understand language. In short this is a nuts and bolts approach to planning and operating a studio of 150 square metres or less. Completely updated to take account of all the recent technological advances which have taken place, the book now covers: DAT, timecode, digital compression, non-linear editing and all current digital video formats.
The first book of its kind to introduce the problems of location lighting for single camera operators and provide an insight into the technology and techniques required to solve those problems. The approach is of a basic and introductory nature, geared toward the student and trainee cameraman. Professionals needing a refresher course on the subject will also find this an invaluable reference packed with key information, theory and practical approaches to different lighting situations.
The Continuity Supervisor is a practical guide to the basics of continuity, designed to be of use both to the newcomer and those more experienced. Formerly titled 'The Continuity Handbook: a guide for single-camera shooting, this new edition covers the latest technological changes which affect the Continuity Supervisor. Avril Rowlands worked at the BBC for any years as a PA. She has been involved in specialised training for the television industry and major film and television colleges. Her highly acclaimed residential courses attract students from major television companies worldwide. She is also a writer and independent television producer.
Creating Special Effects for TV and Video is a concise and practical introduction to the techniques used in television production. Now completely updated, this third edition covers a wide range of special effects in a simple and practical form, with clear illustrations and photographs that support the text. Creating Special Effects for TV and Video is a concise and practical introduction to the techniques used in television production. Now completely updated, this third edition covers a wide range of special effects in a simple and practical form, with clear illustrations and photographs that support the text. Bernard Wilkie now a freelance consultant, director and writer, spent 25 years creating special effects for BBC TV where he became manager of one of the largest and most specialised visual FX units in the world.
This manual introduces digital camerawork techniques used in television and video production. Written as a practical guide, the author's step-by-step instructions take you through everything you need to know, from camera controls, to editing, lighting and sound. This text provides a solid foundation to build upon in the area of digital video production. In a period of transition between analogue and digital acquisition/recording formats Digital Video Camerawork provides up-to-date information familiarizing you with the different production styles and requirements. Diagrams are used to illustrate the technology and techniques explained. Digital Video Camerawork combines clear, technical explanations with practical advice. It is ideal for the less experienced broadcast camera operator and for students on media and television production courses.
Now fully updated by Des Lyver to reflect the latest advances, the second edition of Basics of Video Production is a primer for anyone wishing to learn about video production. It describes the principles and processes involved in obtaining professional results in educational, training and corporate environments. Assuming little prior knowledge, this book takes the reader on a guided tour around a studio or location production, examining the production process from conceptualisation to the final screening. It features: · the latest advances in low cost non-linear editing and digital video · coverage of studio and location work · descriptions of the role of each crew member · full explanat...
Video Camera Techniques is an ideal starter guide for anyone owning a camcorder, newcomers to the field of broadcast or corporate video-making, or students who all wish to make videos to professional standards. Written in Gerald Millserson's easy to understand style, this step by step guide will help you to master the operation of your camera and quickly develop your own style and imaginative skills. This new edition now covers the latest types of video camera and gives guidance on camera handling and picture making form basics to advanced techniques. Gerald Millerson's books on video and television have long been acknowledged as among the best ever published. For more in-depth coverage of all aspects of video production his highly acclaimed Video Production Handbook is the definitive work on the subject. He is the author of two other titles in the Media Manuals series - Lighting for Video and Effective TV Production. His other books published by Focal Press are The Technique of TV Production (now in its 12th edition), The Techniques of Lighting for TV and Film and TV Scenic Design Handbook.
Now fully updated by Des Lyver to reflect the latest advances, the second edition of Basics of Video Lighting is a primer for anyone wishing to learn about lighting a video production. It describes the principles and processes involved in obtaining professional results in educational, training and corporate environments. Assuming little prior knowledge, this book covers everything from the different types of lights and their control, to basic studio and location settings. It features: · the latest technology, including the use of location and grip gear and changes in lamp and reflector technology · coverage of studio and location work · descriptions of the role of each crew member · full...
This collection of 51 essays contains rich memories of Singapore’s broadcasting pioneers based in their station atop Caldecott Hill. ON AIR captures the breadth and depth of their experiences over 82 years on the Hill; from the founding in 1936 of the British Malayan Broadcasting Corporation, to Radio and Television Singapore (RTS), to Singapore Broadcasting Corporation (SBC), and finally to what is today, Mediacorp. In this book, the writrers have recorded eight decades worth of work experiences and have shared untold stories from the Japanese Occupation of Caldecott Hill, to the fascinating behind-the-scenes happenings that cast light and well known and well loved shows. Illustrated with rare, archival photographs, many not seen before, this publication is the first of its kind that gives an insight into the development of broadcasting in Singapore.
Basic Betacam Camerawork offers a complete introduction to both the analogue and digital beta camera formats: Betacam, Digital Beta, Betacam SX and DV & DVCAM. Step-by-step instructions are given covering everything from pre-recording checklists, to technical camera specifications, instruction on exposure and lighting, composition, editing and sound and techniques for different programme styles. Aimed at TV camera operators just starting out and film cameramen and women converting to video this book will also appeal to students on film and television production courses. Peter Ward is a freelance cameraman and trainer working with the International Television Training Consultancy and ex-Chair...