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Spell of Intrigue
Spell of Intrigue The Dance of Gods #2 by Mayer Alan Brenner Notice: This Book is published by Historical Books Limited (www.publicdomain.org.uk) as a Public Domain Book, if you have any inquiries, requests or need any help you can just send an email to publications@publicdomain.org.uk This book is found as a public domain and free book based on various online catalogs, if you think there are any problems regard copyright issues please contact us immediately via DMCA@publicdomain.org.uk
Frontiers of Supercomputing II
This uniquely comprehensive book brings together the vast amount of technical, economic, and political information and the analyses of supercomputing that have hitherto been buried in the frequently inaccessible "gray literature." Seventy-nine distinguished participants in the second Frontiers of Supercomputing conference offer perceptive and often controversial views on the emerging computing environment in the United States. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994.
Spell of Apocalypse
Will Maximillian the Vaguely Disreputable give magic to the masses? Will the Creeping Sword find out who he really is? Will the warring factions of the gods come to their senses before all is lost? Mayer Alan Brenner masterfully pulls all the loose ends together in this fireworks-loaded finale, fourth in The Dance of Gods series. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a si...
Spell of Apocalypse
In the zany conclusion of The Dance of Gods tetrology, the various warring factions of good and evil come together to resolve their separate destinies. Original.
Spell of Apocalypse
“Plenty of adventure and a dollop of humor” spark the final fantasy in this “intriguing and delightfully funny series” by the author of Spell of Fate (Locus). When the Great Karlini’s laboratory catches on fire, Maximillian the Vaguely Disreputable knows it’s a sign of bad things to come. The last battle between gods and mortals is looming; before it does, certain answers must come to light. Just who is the Creeping Sword? Will Shaa free himself from the curse his brother inflicted upon him? And most important of all, who will be left standing? The Dance of Gods concludes in a fast-paced final movement. “This is a charming, lighthearted fantasy. The gods are so klutzy and the m...
Spell of Intrigue
Fantasy takes a “zany and very, very clever” turn in the second Dance of Gods adventure from the author of Spell of Catastrophe (Kliatt). The port town of Oolsmouth used to be a quiet, peaceful trading city. But with Maximillian the Vaguely Disreputable, Shaa, the Great Karlini, and the Creeping Sword all about to converge there, it seems unlikely to stay that way. The usual power struggles—gods vs. mortals vs. gods-know-who in the everlasting Dance of Gods—are brewing in Oolsmouth, and tension is building. But the ship carrying Shaa and the Great Karlini into town has been hijacked, the Creeping Sword has already missed the boat (literally), and Max has taken a detour to try to disc...
The Theatre of Richard Maxwell and the New York City Players
The Theatre of Richard Maxwell and the New York City Players uses a clear and accessible voice to situate Maxwell's work within the context of contemporary American culture and international theatre practice. Through a close reading of theatre productions and plays, the author identifies how Maxwell renders the conventions of both realist theatre and everyday American culture strange.
