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A Death on the Somme
A Death on the Somme is a story of love and hate and of friendship and betrayal, set against the violent background of World War One and the Battle of the Somme.
Being Interrupted
Beginning with a ‘Street Nativity Play’ that didn’t end as planned, and finishing with an open-ended conversation in the midst of the COVID-19 pandemic, "Being Interrupted" locates an institutionally-anxious Church of England within the wider contexts of divisions of race and class in ‘the ruins of empire’, alongside ongoing gender inequalities, the marginalization of children, and catastrophic ecological breakdown. In the midst of this bleak picture, Al Barrett and Ruth Harley open a door to a creative disruption of the status quo, ‘from the outside, in’: the in-breaking of the wild reality of the ‘Kin-dom’ of God. Through careful and unsettling readings in Mark’s gospel, alongside stories from a multicultural outer estate in east Birmingham, they paint a vivid picture of an 'alternative economy' for the Church's life and mission, which begins with transformative encounters with neighbours and strangers at the edges of our churches, our neighbourhoods and our imaginations, and offers new possibilities for repentance and resurrection.
The Reader Over Your Shoulder
“The best book on writing ever published” (Patricia T. O’Conner, author of Woe Is I). When Robert Graves and Alan Hodge decided to collaborate on this manual for writers, the world was in total upheaval. Graves had fled Majorca three years earlier at the start of the Spanish Civil War, and as they labored over their new project, they witnessed the fall of France and the evacuation of Allied forces at Dunkirk. Soon the horror of World War II would reach British soil as well, as the Luftwaffe began bombing London in an effort to destroy the resolve of the English people. Graves and Hodge believed that at a time when their whole world was falling apart, the survival of English prose sente...
QNotes for the MRCP with CD-ROM, Part 1
Notes and CD examination aids, for the Part 1 MCQ papers from the Royal College of Physicians examinations.
Stalking the Goddess
In 1948 Robert Graves published The White Goddess. His study of poetic mysticism and goddess worship has since become a founding text of Western paganism. As Wicca emerged from what Graves called, a few hopeful young people in California, to over two million strong, The White Goddess has achieved near liturgical status. This rising appreciation brings all the problems of liturgical texts. Many pagans consider Graves’ work like the goddess herself; awe inspiring but impenetrable. Stalking The Goddess is the first extensive examination of this enigmatic text to come from the pagan community and guides readers through bewildering forests of historical sources, poems, and Graves’ biography to reveal his unorthodox claims and entrancing creative process. Relentlessly perusing each path, it explores the uncharted woods and reveals the hidden signposts Graves has posted. The hunt for the goddess spans battlefields, ancient manuscripts, the British museum, and Stonehenge. En route we encounter not only the goddess herself but her three sacred animals; dog, roebuck, and lapwing. Perhaps the muse cannot be captured on her own grounds, but now at least there is a map. ,
Graves and the Goddess
Examines the language of ancient Celtic and Mediterranean poetic myths, probing the role of the all-encompassing female figure, the White Goddess, in the earliest forms of poetry.
Bite the Hand That Feeds You
Henry Fairlie was one of the most colorful and trenchant journalists of the twentieth century. The British-born writer made his name on Fleet Street, where he coined the term “The Establishment,” sparred in print with the likes of Kenneth Tynan, and caroused with Kingsley Amis, among many others. In America his writing found a home in the pages of the New Yorker and other top magazines and newspapers. When he died, he was remembered as “quite simply the best political journalist, writing in English, in the last fifty years.” Remarkable for their prescience and relevance, Fairlie’s essays celebrate Winston Churchill, old-fashioned bathtubs, and American empire; they ridicule Republicans who think they are conservatives and yuppies who want to live forever. Fairlie is caustic, controversial, and unwavering—especially when attacking his employers. With an introduction by Jeremy McCarter, Bite the Hand That Feeds You restores a compelling voice that, among its many virtues, helps Americans appreciate their country anew.
Winston S. Churchill: Never Despair, 1945–1965
The final volume of the acclaimed official biography: “A meticulously detailed and annotated account of Churchill’s declining years . . . A contemporary classic” (Foreign Affairs). The eighth and final volume of Winston S. Churchill’s official biography begins with the defeat of Germany in 1945 and chronicles the period up to his death nearly twenty years later. It sees him first at the pinnacle of his power, leader of a victorious Britain. In July 1945 at Potsdam, Churchill, Stalin, and Truman aimed to shape postwar Europe. But upon returning home, was thrown out of office in the general election. Though out of office, Churchill worked to restore the fortunes of Britain’s Conserva...
