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Written with the flair of a master storyteller, Alan Price’s Ready to Lead? tells the tale of Mark Gibson, a young executive who is searching for inspiration and leadership skills as he experiences the inevitable growing pains in his career. Ready to Lead? spins a compelling insider’s tale that shows what it takes to develop from the role of a successful manager to become an authentic leader.
An illuminating investigation into the interdisciplinary impact of the beloved modern classical composer. Few composers have enjoyed such critical acclaim—or longevity—as Jean Sibelius, who died in 1957 aged ninety-one. Always more than simply a Finnish national figure, an “apparition from the woods” as he ironically described himself, Sibelius’s life spanned turbulent and tumultuous events, and his work is central to the story of late-nineteenth- and early-twentieth-century music. This book situates Sibelius within a rich interdisciplinary environment, paying attention to his relationship with architecture, literature, politics, and the visual arts. Drawing on the latest developments in Sibelius research, it is intended as an accessible and rewarding introduction for the general reader, and it also offers a fresh and provocative interpretation for those more familiar with his music.
This text presents a comprehensive and up-to-date reference work on popular music, from the early 20th century to the present day.
Combining the personal memories and critical analysis of a self-confessed pop addict with a wealth of contemporary documentary evidence, Gathered From Coincidence reconstructs a truly momentous era to tell the story of the music of the Sixties year by year. By tracing in parallel the origins and development of the recording careers of major talents on both sides of the Atlantic - the Beatles, the Rolling Stones, the Beach Boys, Bob Dylan, Dusty Springfield and many more besides - this account shows how they traded creativity with one another. All the great Sixties' hits - as well as a host of less well-known gems - are described in the context of the charts of the day, tracking the ups and d...
A collection of true anecdotes, most with hilarious outcomes, some naming and shaming the famous, all grouped together under the headings of Shave, S**t, and Shower. A whimsical, occasionally sarcastic, though usually just downright funny, round-up of novelties, mishaps, and unfortunate events involving the author, Roy Dainty, which have helped shape the world during the past sixty years. How Led Zeppelin nearly didnt happen, the hidden joys of 1960s passenger flight, the phantom cra**er of BEA, surviving crucifixion, the hidden delights of the Marrakesh Express, and attempted suicide on the Orient Express all feature in this eclectic compendium. Written from other recollections that came to mind when he was editing S**T, this collection evolved as its pan-side companion. Just make sure that you are sitting comfortably before opening its pages.
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Chasing the Rising Sun is the story of an American musical journey told by a prize-winning writer who traced one song in its many incarnations as it was carried across the world by some of the most famous singers of the twentieth century. Most people know the song "House of the Rising Sun" as 1960s rock by the British Invasion group the Animals, a ballad about a place in New Orleans -- a whorehouse or a prison or gambling joint that's been the ruin of many poor girls or boys. Bob Dylan did a version and Frijid Pink cut a hard-rocking rendition. But that barely scratches the surface; few songs have traveled a journey as intricate as "House of the Rising Sun." The rise of the song in this coun...
What was it like to play music in a teenage rock and roll band in the era of 45-RPM records, dances in the school cafeteria, and the Beatles on AM radio? Band Boys reveals the inner workings of the lives of the Blue Beats - six teenage boys mastering music in a thriving town that embraced them and the music they loved. Sporting Silvertone amplifiers, a pack of electric guitars, a used set of drums, a screaming Farfisa organ, and unbridled enthusiasm, the Blue Beats plunge headlong into the teenage band craze of the 1960s. Find the band boys dancing as Order of the Arrow braves, working in fast food restaurants, inspired by school music teachers, encouraged by an optimistic Boy Scout leader, and supported by wise council from families. Uncovering the secret behind forming a band and keeping it alive, Band Boys tells more than a story of boys, bands, and music but portrays a legacy created from human relationships and built on events that bind lives together. To round out Band Boys, concise biographies of popular musicians and musical instrument developers, plus a unique glossary are provided.
The Rockin' '60s is a comprehensive guide through the decade that produced the greatest music of all time: The Beatles, The Rolling Stones, Bob Dylan, Jimi Hendrix, Led Zeppelin, Phil Spector, The Beach Boys, Aretha Frankin and hundreds more emerged from this era. Delve into a narrative history of each group and examine the people behind the music, along with an analysis of key recordings, discography, and archival photos throughout.
Alan Price's latest collection, The Trio Confessions, demonstrates once again his remarkably sensitive ear for the musicality of language. This time, he produces profoundly moving versions from the work of a supremely eclectic selection of poets, separated both in time and space, yet resonating with fascinating echoes across the centuries. Price's versions of three Chinese Tang dynasty poets are exquisite. The limpid simplicity of his marvellous rendering of Li Po's' 'Grievance on the Steps' is haunted by the same subtle meaning as a Vermeer interior. Du Fu's 'Picknicking' is more urgent and earthy, while in his gorgeous 'On a Height', the lament over the passage of time is leavened by the humour of the final line. And the gentle hint of satire colouring the bucolic scene in Wang Wei's 'Three Notes for Lady Pan' reminded me curiously of the great Nicaraguan 'modernista', Rubén Darío - even though the two poets were writing 1,200 years apart. Adam Feinstein