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Chinese Musical Instruments
The Chinese instrumentarium is unquestionably the largest and most diverse of any civilization, ancient or modern. Inscriptions on tortoise shells and cow bones from more than 3000 years ago recorded various instruments including drums, stone chimes, and panpipes. In this volume, Alan R. Thrasher discusses the evolution of Chinese musical instruments, detailing their construction, regional variations, and role in musical accompaniment.
Qupai in Chinese Music
Presenting the latest research in the area, this volume explores the fundamental concept of qupai 曲牌, melodic models upon which most traditional Chinese instrumental music (and some vocal music) is based. The greater part of the traditional instrumental repertoire has emerged from qupai models by way of well-established 'variation' techniques. These melodies and techniques are alive today and still performed in 'silk-bamboo' types of ensemble music, zheng 箏, pipa 琵琶 and other solo traditions, all opera types, narrative songs, and Buddhist and Daoist ritual music. With a view toward explaining qupai as a musical system, contributors explore the concept from multiple directions, nota...
Sizhu Instrumental Music of South China
According to a reader's report, this is "one of the finest studies on (any kind of) Chinese music to emerge in recent years." Based on extensive fieldwork and a thorough knowledge of the scholarly literature, the author examines the theoretical underpinnings of the 'silk and bamboo' instrumental ensemble traditions of the Chaozhou, Hakka and Cantonese peoples of South China. Stepping back far into history, the book opens with a penetrating examination of Confucian theory, the ancient corpus of behavioral doctrine which promoted music as a means of achieving social harmony and which, together with Daoist belief, exercised unusually strong influence over common-practice music and aesthetics. This is followed by a rigorous analysis of the music itself, focusing upon linear and modal structures and performance styles which reflect a fascinating mix of ancient ideologies and more recent influences.
La-li-luo Dance-songs of the Chuxiong Yi, Yunnan Province, China
Recordings of dage dance songs from Yunnan Province, China; recorded during festivals & typical community dance sessions. Companion tape to book by same name. Book includes in-depth information on the history, cultural context, musical instruments, performance style & dance steps of this group of lively dance songs from the Chuxiong Yi.
School Music Education and Social Change in Mainland China, Hong Kong and Taiwan
This book compares, from a historical and sociopolitical perspective, the respective systems and contents of music education in mainland China, Hong Kong and Taiwan in response to globalization, localization and Sinificiation, with particular reference to Shanghai, Hong Kong and Taipei.
Imperfectionist Aesthetics in Art and Everyday Life
This book presents interdisciplinary research on the aesthetics of perfection and imperfection. Broadening this growing field, it connects the aesthetics of imperfection with issues in areas including philosophy, music, literature, urban environment, architecture, art theory, and cultural studies. The contributors to this volume argue that imperfection has value in being open and inclusive. The aesthetics of imperfection is typified by organic, unpolished production and the avoidance of perfect finish, instead representing living and natural change, and opposing the consumerist concern with the flawless and pristine. The chapters are divided into seven thematic sections. After the first sect...
Global Hakka
In Global Hakka: Hakka Identity in the Remaking Jessieca Leo offers a needed update on Hakka history and a reassessment on Hakka identity in the global and transnational contexts, and views the concept of ‘being Hakka’ in the 21st century as Hakkaness – a quality determined by lifestyle and personal choice.
