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The Los Angeles Tapes
In 1969 curator, critic and former Jewish Museum director Alan Solomon interviewed Craig Kauffman, Larry Bell, James Turrell and Robert Irwin in conjunction with an exhibition he was organizing. They are the earliest in-depth interviews with each artist. Because of his untimely death they have remained in his archives and are published here for the first time. The interviews provide a rare glimpse into the early careers of these seminal artists, documenting their critical, aesthetic and intellectual concerns at a pivotal moment, allowing readers new insight into an important era of American postwar art. Solomon rose to prominence in the 1960s as a curator at the Jewish Museum in New York, wh...
The New York Tapes: Alan Solomon's Interviews for Television, 1965-66
Previously unpublished interviews with some of America's leading postwar artists--including Frankenthaler, Johns, Oldenburg, Rauschenberg, Stella and Warhol--originally made for TV in the mid-'60s by famed curator Alan Solomon This substantial volume publishes for the first time a series of interviews conducted with seminal East Coast artists and their associates, including Kenneth Noland, Jim Dine, Roy Lichtenstein, Marcella Brenner, Helen Jacobson, Clement Greenberg, Helen Frankenthaler, Larry Poons, Frank Stella, Robert Rauschenberg, Jasper Johns, Claes Oldenburg, Barnett Newman, Leo Castelli, Andy Warhol, Gerard Malanga and Edie Sedgwick. These were produced in late 1965 and early 1966 f...
Building the Getty
Provides an history of the planning, design, and construction of the six-building Getty Center in Los Angeles, one of the great cultural complexes. This book takes us behind the scenes of the thirteen-year-long, one-billion-dollar project.
Too Jewish or Not Jewish Enough
Displays of Jewish ritual objects in public, non-Jewish settings by Jews are a comparatively recent phenomenon. So too is the establishment of Jewish museums. This volume explores the origins of the Jewish Museum of New York and its evolution from collecting and displaying Jewish ritual objects, to Jewish art, to exhibiting avant-garde art devoid of Jewish content, created by non-Jews. Established within a rabbinic seminary, the museum’s formation and development reflect changes in Jewish society over the twentieth century as it grappled with choices between religion and secularism, particularism and universalism, and ethnic pride and assimilation.
Reclaimed Wood
The first handbook on reclaimed wood, combining useful information, rich history, and home design ideas. Reclaimed wood is a gift from ancient forests and a versatile material. Our ancestors built their homes and barns, warehouses, and factories with white pine and oak from the Northeast and the Midwest, longleaf pine and cypress from the South, and Douglas fir and redwood from the Northwest. When we salvage these and other woods for new projects, we are strengthening our own roots. Reclaimed Wood: A Field Guide is the first complete visual survey of this valuable resource, with chapters on history, sources, and types of wood, reclamation, and practical information, and its use in modern architecture and design.
A Golden Thread
This is a story of greed. A young lawyer in a public housing authority tries to solve a mystery. A major public works project is underway. In the course of his usual attention to task the awarding of contracts, the dealing with various complaints he discovers an anomaly. It appears a leak has developed, and funds otherwise unaccounted for are slipping away. As he explores the issue further, however tentative, groping, uncertain he finds that more and more obstacles have subtly been placed in his way. The last of these, as he persists, are not so subtle the implication that he is somehow responsible for the disappearance of the funds and the attempt to kill him. He has, in short, become the object of his own investigation or some other's. Injured and alienated, he must find the way with the help of a few unlikely allies to exonerate himself and place blame where it belongs.
The Great Migrator
Unlike other writers, who have viewed the export of American art during the 1950s and 1960s as another form of Cold War propagandizing (and famous American artists as cultural imperialists), Ikegami sees the global rise of American art as a cross-cultural phenomenon in which each art community Rauschenberg visited was searching in different ways for cultural and artistic identity in the midst of Americanization. Rauschenberg's travels and collaborations established a new kind of transnational network for the postwar art world---prefiguring the globalization of art before the era of globalization. --
Jewish American Identity and Erasure in Pop Art
This volume focuses on Jewish American identity within the context of Pop art in New York City during the sixties to reveal the multivalent identities and selves often ignored in Pop scholarship. Melissa L. Mednicov establishes her study within the context of prominent Jewish artists, dealers, institutions, and collectors in New York City in the Pop sixties. Mednicov incorporates the historiography of Jewish identity in Pop art—the ways by which identity is named or silenced—to better understand how Pop art made, or marked, different modes of identity in the sixties. By looking at a nexus of the art world in this period and the ways in which Jewish identity was registered or negated, Mednicov is able to further consider questions about the ways mass culture influenced Pop art and its participants—and, to a larger extent, formed further modes of identity. The book will be of interest to scholars working in art history, Jewish studies, and American studies.
Random Order
An examination of the artistic development of Robert Rauschenberg, focusing on his relationship with John Cage and his role in the making of the American neo-avant-garde.
Amyloidosis
From a process that from the days of Vir chow and Rokitansky, primarily stimulated the relatively narrow interest of pathologists, amyloidosis has risen full-blown as one of the most important of disease complexes. Its presence dominat:es the lesions of Alzheimer's disease, a disease affecting an estimated 2. 5 million people in the U. S. A. and thereby closely rivaling stroke as the third most common cause of death. If, as it has been de scribed, Alzheimer's disease is the "Disease of the Century," then amy loidosis is the Disease Complex of the Ages. It affects in one or more of its manifestations every organ of the body, and is at least as old as the afflicted Egyptian mummies of the pyra...
