Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Karma
What could be harder than facing your past? Try facing all of them at once! The redoubtable, indomitable, iconoclastic and just plain unusual Guinevere MacManus is up to the task. Along her journey to self-discovery she learns the meaning of love, sacrifice and redemption in this coming-of-age story for the New Age.
A Simplified Guide to Worshiping As Lutherans
This book was prepared for lay people, congregational leaders, pastors, church musicians, worship leaders, and worship committees. It provides an answer for those who are asking the question: What does it mean to worship as a Lutheran in the twenty-first century? The goal of the book is twofold: In today's context, with so many different and confusing opinions about worship, this book provides lay people and pastors with a clear and understandable presentation of Lutheran theology for Lutheran worship. It gives positive direction and equips worship leaders with concrete practical tools to evaluate contemporary worship forms, when these forms are considered for use in the Lutheran congregation.
Spectator Politics
Spectator Politics is the first major study of metatheatre, or theatrically self-conscious performance, in Aristophanes. Using a reception-based performance criticism, Niall Slater elucidates the comic effectiveness of the earliest surviving comedies in the Western tradition. Slater demonstrates that Aristophanes employed metatheatre not simply to entertain but also to teach his audience how to read and interpret performance in other key public venues of the ancient democracy of Athens, such as performances in the political assembly and law courts. Aristophanes was, Slater contends, the first performance critic. Spectator Politics shows how Aristophanes' comedy served the Athenians by helpin...
Aristophanes
This accessible introduction to the work of one of the world's greatest comic writers tackles key questions posed by Aristophanes' plays, such as staging, humour, songs, obscene language, politics and the modern translation and performance of Aristophanic comedy. The book opens up exciting and contentious areas of Aristophanic scholarship in a way that is engaging and readily comprehensible to a non-specialist audience, never losing sight of the fact that Aristophanes' plays are vibrant literary texts, designed primarily to appeal to a classical Athenian audience as pieces of living drama. Key to the book's appeal is that James Robson conceives of the plays as dynamic texts, containing a treasure trove of information not only about how they might have been performed and received in classical Athens, but also how they might be read and understood today. Most importantly, readers are given the tools and information to make their own minds up about the debates that still rage about Aristophanic comedy in the modern world.
Brill's Companion to Sophocles
Brill's Companion to Sophocles offers 32 specially commissioned essays from leading international scholars which give critical examinations of the progress and direction of numerous wide-ranging debates about various aspects of Sophoclean drama. Each chapter offers an authoritative and state-of-the-art survey of current thinking and research in a particular subject area, as well as covering a wide variety of thematic angles. Recent advances in scholarship have raised new questions about Sophocles and Greek tragedy, and have overturned some long-standing assumptions. Besides presenting a comprehensive and authoritative guide to understanding Sophocles, this companion provides scholars and students with compelling fresh perspectives upon a broad range of issues in the field of Sophoclean studies.
Reperforming Greek Tragedy
An inexplicably understudied field of classical scholarship, tragic reperformance, has been surveyed in its true dimension only in the very recent years. Building on the latest discussions on tragic restagings, this book provides a thorough survey of reperformance of Greek tragedy in the fifth and fourth centuries BC, also addressing its theatrical, political, and cultural context. In the fifth and fourth centuries, tragic restagings were strongly tied to cultural mobility and exchange. Poets, actors, texts, vases, and vase-painters were traveling, bridging the boundaries between mainland Greece and Magna Graecia, boosting the spread of theater, facilitating theatrical literacy, and setting a new theatrical status quo, according to which popular tragic plays were restaged, by mobile actors, in numerous dramatic festivals, in and out of Attica, with or without the supervision of their composers. This book offers a holistic examination of ancient reperformances of tragedy, enhancing our perception of them as a vital theatrical practice that played a major part in the development of the tragic genre in the fifth and fourth centuries BC.
Minor Greek Tragedians
The second of two volumes presenting all the remains of tragedies produced by contemporaries and successors of Aeschylus, Sophocles and Euripides. Greek texts and sources are accompanied by English translations, historical background, detailed explanatory notes and bibliographies. Volume 2 includes amongst others Astydamas, Carcinus, Chaeremon, Theodectas, Moschion, the Alexandrian Pleiad and Ezechiel's Exagôgê.
