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The Celtic Monthly
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A Cultural Symbiosis
The history of the Florentine patriciate did not end with the establishment of the Medici Duchy and Grand Duchy of Tuscany. Proud and self-confident, these patricians were not subservient courtiers; on the contrary, they continued to exert a considerable influence on Florentine culture and politics for centuries. The patrician class in sixteenth-century Florence were the descendants of wealthy, sophisticated and politically savvy families who, while acquiring noble titles, estates, and villas, retained their long-standing urban identity. The mark they left on the city’s cultural and artistic life was embraced by the Medici, who used their political and diplomatic knowhow, eleborate artistic commissions, and European networks to enhance their power and prestige. A Cultural Symbiosis highlights the contributions to Florentine art and culture of eight patricians, focusing on the Valori, Pucci, Ridolfi, Vecchietti, del Nero, Salviati, Guicciardini, and Niccolini families.
A Companion to Cosimo I de’ Medici
Mining the rich documentary sources housed in Tuscan archives and taking advantage of the breadth and depth of scholarship produced in recent years, the seventeen essays in this Companion to Cosimo I de' Medici provide a fresh and systematic overview of the life and career of the first Grand Duke of Tuscany, with special emphasis on Cosimo I's education and intellectual interests, cultural policies, political vision, institutional reforms, diplomatic relations, religious beliefs, military entrepreneurship, and dynastic concerns. Contributors: Maurizio Arfaioli, Alessio Assonitis, Nicholas Scott Baker, Sheila Barker, Stefano Calonaci, Brendan Dooley, Daniele Edigati, Sheila ffolliott, Catherine Fletcher, Andrea Gáldy, Fernando Loffredo, Piergabriele Mancuso, Jessica Maratsos, Carmen Menchini, Oscar Schiavone, Marcello Simonetta, and Henk Th. van Veen.
Brigh an ñrain - A Story in Every Song
Few published collections of Gaelic song place the songs or their singers and communities in context. This book corrects this, showing how the inherited art of a fourth-generation Canadian Gael fits within biographical, social, historical contexts.
Mac-Alasdair Clan
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God Wrote a Book
Amends the doubts and misconceptions held by many regarding the infallibility, reliability, and historicity of the Bible as the inspired Word of God.
The Fatal Land
"Matthew P. Dziennik has written a compelling account of the Scottish Highland soldier and his service in Great Britain's American colonies during the French and Indian War and America's Revolutionary War. In the middle to the late decades of the eighteenth century, the British state recruited more than twelve thousand soldiers from the Highlands of Scotland for the purpose of expanding and defending Britain's American empire, thereby transforming the most maligned region of the British Isles into a key sustainer of British imperialism. Dziennik's fascinating history corrects the mythologized image of the Highland soldier as a noble savage, a primitive if courageous relic of clanship, revealing instead how the Gaels used their military service to further their own interests in terms of material security and social status. Using both English and Gaelic sources, the author re-creates the experiences and the mindset of the Highland soldier in the New World and demonstrates in the process how a periphery of the British Isles became a center of the British Empire." -- [Tiré de la jaquette].
No Great Mischief
In 1779, driven out of his home, Calum MacDonald sets sail from the Scottish Highlands with his extensive family. After a long, terrible journey he settles his family in 'the land of trees', and eventually they become a separate Nova Scotian clan: red-haired and black-eyed, with its own identity, its own history. It is the 1980s by the time our narrator, Alexander MacDonald, tells the story of his family, a thrilling and passionate story that intersects with history: with Culloden, where the clans died, and with the 1759 battle at Quebec that was won when General Wolfe sent in the fierce Highlanders because it was 'no great mischief if they fall'.
Princes and Princely Culture 1450-1650, Volume 1
This book contains thirteen essays on European princes and princely culture between 1450 and 1650. Many products of medieval and renaissance culture – literature, music, political ideology, social and governmental structures, the fine arts, and even forms of devotional practice – found their best expression in the context of the courts of greater and lesser princes. This volume, the first of two concentrating on the late Middle Ages and the Early Modern Era, has essays on selected courts north of the Alps and the Pyrenees: the court of Burgundy under the Valois dukes, that of France under Catherine de Médicis and of Henry IV, that of Scotland under Jameses III, IV, V, VI and of Mary, Queen of Scots, that of Margaret of Austria at Mechelen, of Scandinavia, of Heidelberg under Frederick the Victorious and Philip the Upright, and that of Maximilian I. Contributors include: Gayle K. Brunelle, Dagmar Eichberger, Annette Finley-Croswhite, Martin Gosman, Margriet Hoogvliet, Michael Lynch, Alasdair A. MacDonald, Olaf Mörke, Jan-Dirk Müller, Rita Schlusemann, Alan Swanson, Arjo Vanderjagt, and Janet Hadley Williams.
