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The Sculpture of Robert Adams
This is a publication devoted to the sculpture of Robert Adams (1917-84), a leading member of the British avant-garde after the Second World War.
New Beginnings
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Constructed Abstract Art in England After the Second World War
Much admired as a realist painter, English artist Victor Pasmore surprised the art world in 1948 by suddenly directing his efforts toward the making of constructed abstract art. Pasmore was followed by Kenneth and Mary Martin, Adrian Heath, and the sculptor Robert Adams, and the group was later joined by John Ernest and Gillian Wise. This book follows the development of this major avant garde group and explores why they have received so little attention until now. Alastair Grieve draws on personal discussions with these artists over many years and on extensive archival materials, including ephemeral catalogues which are difficult to find today. He offers much new information about the group and their theories, the Continental roots of their constructed abstract art, and their links with such contemporaries as American relief artist Charles Biederman and English constructivist Stephen Gilbert. The book features over 300 illustrations, many in color, and a full chronology and bibliography.
Whistler's Venice
Planning a brief stay in Venice to create twelve commissioned etchings, Whistler became enchanted with the beauty of the city in 1879 and remained there for more than a year. He worked in all areas of the city, producing about fifty etchings, a few oils, and, most remarkably, one hundred pastels. This beautifully illustrated book is the first to follow Whistler's progress through Venice as he made his powerful and evocative portraits of the city. Alongside each of Whistler's etchings, pastels, and oils are photographs of the actual sites where he made them. Alastair Grieve's detailed comparisons of Whistler's works and their corresponding sites reveal much about the artist's methods and tech...
Victor Pasmore
Victor Pasmore was one of the most significant artists of his generation. This title explores the artist's rich and varied career through the prism of his own writings.
A Private Passion
"For the Winthrop collection's international debut exhibition, curators at the Fogg Art Museum of the Harvard University Art Museums, headed by Stephan Wolohojian, organized the selection and invited more than sixty specialists to write on artworks in their particular area of expertise. Works include such highlights in their creator's oeuvre as Jacques-Louis David's sketchbooks for The Coronation of Napoleon and the Crowning of Josephine, Theodore Gericault's Mutiny on the Raft of the Medusa, Vincent van Gogh's The Blue Cart, Jean-Auguste-Dominique Ingres's Odalisque with the Slave, William Blake's illustrations for the Divine Comedy, Dante Gabriel Rosetti's Blessed Damozel, and James Abbott McNeill Whistler's Nocturne in Blue and Silver. In addition, an essay by Wolohojian provides a fascinating and informative description of Winthrop and the growth of his collection."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
