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Longlisted for the 2020 Andrew Carnegie Medals for Excellence A provocative, exuberant novel about time, memory, desire, and the imagination from the internationally bestselling and prizewinning author of The Blazing World, Memories of the Future tells the story of a young Midwestern woman’s first year in New York City in the late 1970s and her obsession with her mysterious neighbor, Lucy Brite. As she listens to Lucy through the thin walls of her dilapidated building, S.H., aka “Minnesota,” transcribes her neighbor’s bizarre and increasingly ominous monologues in a notebook, along with sundry other adventures, until one frightening night when Lucy bursts into her apartment on a resc...
According to Roger Caillois, play is an occasion of pure waste. In spite of this - or because of it - play constitutes an essential element of human social and spiritual development. In this study, the author defines play as a free and voluntary activity that occurs in a pure space, isolated and protected from the rest of life.
FROM THE INTERNATIONALLY BESTSELLING AUTHOR OF WHAT I LOVED 'An astoundingly joyful read . . . a book that shines with intellectual curiosity and emotional integrity' Guardian 'By turns funny, moving and erudite, playfully reminding us of a contemporary Jane Austen' Daily Mail After Mia Fredricksen's husband of thirty years asks for a pause - so he can indulge his infatuation with a young French colleague - she cracks up (briefly), rages (deeply), then decamps to her prairie childhood home. There, gradually, she is drawn into the lives of those around her: her mother's circle of feisty widows; the young woman next door; and the diabolical teenage girls in her poetry class. By the end of the ...
Sharing stories of myths, legends and ancient bogs, a deaf child and her grandmother experiment with the lyrical beauty of sign language. Learning to communicate through their shared love of trees they find solace in the shapes and susurrations of leaves in the wind. A poignant tale of family bonding and the quiet acceptance of change. What Willow Says was the winner of the Barbellion Prize 2021
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
Saber y saber enseñar no siempre son cualidades concomitantes. Por eso los atributos para ser profesor se perfeccionan en la relación con el saber, la experiencia de enseñar y la reflexión sobre su propia práctica. No obstante, muchas veces los eslóganes y consignas de las pedagogías de moda pasan por alto los elementos constitutivos de la enseñanza, puesto que se centran en aprendizajes que deben estar al gusto y acomodo del estudiante. Es decir, invisibilizan el hecho de que la formación del sujeto implica a menudo incomodidad y esfuerzo: alcanzar el conocimiento es trastocar esquemas que hacen ver la realidad como consabida. Ser profesor es mucho más que ser un facilitador o un acompañante. Más allá del uso de una tecnología o de una actividad lúdica, las condiciones para que el otro se forme deben pasar por una interpelación que lo disponga a convertirse en estudiante: saber que no sabe y querer saber. Justamente, enseñanza universitaria. Formación, evaluación y reflexión didáctica brinda claves para entender que la enseñanza universitaria no es una práctica centrada en el aprendizaje, sino que es una práctica de formación.
*WINNER OF THE GOLDSMITHS PRIZE 2017* *SHORTLISTED FOR THE GORDON BURN PRIZE 2018* *LONGLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2018* A GUARDIAN BOOK OF THE YEAR A TELEGRAPH BOOK OF THE YEAR AN INDEPENDENT BOOK OF THE YEAR From the internationally acclaimed, Man Booker-shortlisted Nicola Barker comes a new novel, a post-post apocalyptic story that overflows with pure creative talent. Imagine a perfect world where everything is known, where everything is open, where there can be no doubt, no hatred, no poverty, no greed. Imagine a System which both nurtures and protects. A Community which nourishes and sustains. An infinite world. A world without sickness, without death. A world without God. A world without fear. Could you...might you be happy there? H(A)PPY is a post-post apocalyptic Alice in Wonderland, a story which tells itself and then consumes itself. It's a place where language glows, where words buzz and sparkle and finally implode. It's a novel which twists and writhes with all the terrifying precision of a tiny fish in an Escher lithograph – a book where the mere telling of a story is the end of certainty.
"Worldwide harmonisation of migration statistics is something international bodies dream of. And yet, attempts by organisations needing comparative data have not proven very successful thus far. More than just problematising the incomparability of migrati
The deployment of a large number of soldiers, police officers and civilian personnel inevitably has various effects on the host society and economy, not all of which are in keeping with the peacekeeping mandate and intent or are easily discernible prior to the intervention. This book is one of the first attempts to improve our understanding of unintended consequences of peacekeeping operations, by bringing together field experiences and academic analysis. The aim of the book is not to discredit peace operations but rather to improve the way in which such operations are planned and managed.