Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Maritime Risk Management
Insurance is a legal, an actuarial and a financial product, and it is one out of many risk management strategies. It follows that its history can only be studied in the broader context of the development of such strategies, applying an interdisciplinary approach. The theme of the present volume is maritime risk management. After an overview over the history of insurance, the contributions to the present volume examine different maritime risk management strategies by adopting a variety of methodological approaches. Some contributions focus on normative provisions, others contrast practice with legal scholarship, or focus on the emergence of insurance companies as opposed to individual insurers. Again, other contributions give insights in marine insurance practice in specific cities or analyse insurance practice through the lens of specific insurance litigation. As to the time frame, the different contributions span from antiquity to the nineteenth century.
Neo-Impressionism and the Dream of Realities
A beautifully illustrated investigation of Neo-Impressionism in late 19th-century Paris and Brussels This stunning catalogue explores the creative exchange between Neo-Impressionist painters and Symbolist writers and composers in the late 1880s and early 1890s. Symbolism, with its emphasis on subjectivity, dream worlds, and spirituality, has often been considered at odds with Neo-Impressionism's approach to portraying color and light. This book repositions the relationship between these movements and looks at how Neo-Impressionist artists such as Maximilien Luce, Georges Seurat, Paul Signac, and Henry van de Velde created evocative landscape and figural scenes by depicting emptiness, contemplative moods, Arcadia, and other themes. Beautifully illustrated with 130 color images, this book reveals the vibrancy and depth of the Neo-Impressionist movement in Paris and Brussels in the late 19th century.
Advertising Empire
David Ciarlo offers an innovative visual history of each of these transformations. Tracing commercial imagery across different products and media, Ciarlo shows how and why the "African native" had emerged by 1900 to become a familiar figure in the German landscape, selling everything from soap to shirts to coffee. The racialization of black figures, first associated with the American minstrel shows that toured Germany, found ever greater purchase in German advertising up to and after 1905, when Germany waged war against the Herero in Southwest Africa. The new reach of advertising not only expanded the domestic audience for German colonialism, but transformed colonialism's political and cultural meaning as well as, by infusing it with a simplified racial cast.
Pioneering Participatory Art Practices
Participatory art practices allow members of an audience to actively contribute to the creation of art. Annemarie Kok provides a detailed analysis and explanation of the use of participatory strategies in art in the so-called ›long sixties‹ (starting around 1958 and ending around 1974) in Western Europe. Drawing on extensive archival materials and with the help of the toolbox of the actor-network theory, she maps out the various actors of three case studies of participatory projects by John Dugger and David Medalla, Piotr Kowalski, and telewissen, all of which were part of documenta 5 (Kassel, 1972).
Working Conditions
Texts by Hans Haacke that range from straightforward descriptions of his artworks to wide-ranging reflections on the relationship between art and politics. Hans Haacke's art articulates the interdependence of multiple elements. An artwork is not merely an object but is also its context—the economic, social, and political conditions of the art world and the world at large. Among his best-known works are MoMA-Poll (1970), which polled museumgoers on their opinions about Nelson Rockefeller and the Nixon administration's Indochina policy; Gallery-Goers' Birthplace and Residence Profile (1969), which canvassed visitors to the Howard Wise Gallery in Manhattan; and the famously canceled 1971 solo...
Make It New
What was Modernism, and why does it still matter? The term itself first gained currency in the 1930s, describing a kind of art that already may have peaked, some would say as early as 1922. Whatever its ups and downs in its own time, as the novelist Julian Barnes claims in one of the twenty essays commissioned for the present volume, Modernism never vanished. It remains our immovable feast. Modernism was international in scope; it left its mark on all genres, from literature and painting to opera, dance, and architecture; it pushed the boundaries of what was artistically possible and aesthetically important; and finally, for all its destructive urges which it shared with the century itself, ...
Refresh the Book
Refresh the Book discusses the changing perceptions, functions, forms, as well as literary and artistic potential of the book in the digital age.
Manson-Rattray Genealogy and History
Andrew Manson (1802-1877) was born in Torthorwald, Scotland and married Elizabeth Milligan Manson (1806-1851) in 1823 in Dumfries, Scotland. Their son, Walter (1831-1916), was married in 1854 in Dubuque, Iowa to Jane Rattray Manson. Both Walter and Jane are buried in Kansas. Charles Rattray (1801-1857), son of James and Elizabeth Rattray Hutton, was born near Stockport, England. He married Jean Williams in 1823 in Glasgow, Scotland. Charles died in Dubuque, Iowa, after immigrating there in 1851. Family members lived in Iowa, Kansas, and elsewhere.
Chemnitzer Adreßbuch
None
