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Contempt is a brilliant and unsettling work by one of the revolutionary masters of modern European literature. All the qualities for which Alberto Moravia is justly famous—his cool clarity of expression, his exacting attention to psychological complexity and social pretension, his still-striking openness about sex—are evident in this story of a failing marriage. Contempt (which was to inspire Jean-Luc Godard’s no-less-celebrated film) is an unflinching examination of desperation and self-deception in the emotional vacuum of modern consumer society.
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Thirteen-year-old Agostino is spending the summer at a Tuscan seaside resort with his beautiful widowed mother. When she takes up with a cocksure new companion, Agostino, feeling ignored and unloved, begins hanging around with a group of local young toughs. Though repelled by their squalor and brutality, and repeatedly humiliated for his weakness and ignorance when it comes to women and sex, the boy is increasingly, masochistically drawn to the gang and its rough games. He finds himself unable to make sense of his troubled feelings. Hoping to be full of manly calm, he is instead beset by guilty curiosity and an urgent desire to sever, at any cost, the thread of troubled sensuality that binds him to his mother. Alberto Moravia’s classic, startling portrait of innocence lost was written in 1942 but rejected by Fascist censors and not published until 1944, when it became a best seller and secured the author the first literary prize of his career. Revived here in a new translation by Michael F. Moore, Agostino is poised to captivate a twenty-first-century audience.
To begin with I’d like to talk about my wife. To love means, in addition to many other things, to delight in gazing upon and observing the beloved. --From Conjugal Love When Silvio, a rich Italian dilettante, and his beautiful wife agree to move to the country and forgo sex so that he will have the energy to write a successful novel, something is bound to go wrong: Silvio’s literary ambitions are far too big for his second-rate talent, and his wife Leda is a passionate woman. This dangerously combustible situation is set off when Leda accuses Antonio, the local barber who comes every morning to shave Silvio, of trying to molest her. Silvio obstinately refuses to dismiss him, and the quarrel and its shattering consequences put the couple’s love to the test.
Secrecy and silence are second nature to Marcello Clerici, the hero of The Conformist. He's a man with everything under control - a wife who loves him, colleagues who respect him, and the hidden power that comes with his secret work for the Italian political police during the Mussolini years. But his perfect life becomes a nightmare when he's ordered to kill his former professor to demonstrate his loyalty to the Fascist state. When he also falls in love with a strange woman, a chain of events occur whose repercussions none could foresee. First published in 1951, The Conformist equates the rise of Italian Fascism with the psychosexual life of a man for whom conformity becomes an obsession after a traumatic experience in his youth. In 1970, director Bernardo Bertolucci turned Moravia's classic into an acclaimed film starring Jean-Louis Tritignant.
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A daughter and her mother fight to survive in Rome during the Second World War. Cesira, a widowed Roman shopkeeper, and Rosetta, a naive teenager of beauty and devout faith.