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Entertaining Lisbon
Entertaining Lisbon explores Portuguese entertainment as a form of negotiation between local, national, and transnational influences on identity. Connecting gender, class, ethnicity, and technology with theatrical repertoires, street sounds, and domestic music making, author João Silva investigates popular entertainment in Portugal and its connections with modern life and the rise of nationalism. An essential contribution to the literature on Portuguese music written in the English language, Entertaining Lisbon is a critical study for scholars and students of musicology interested in Portugal, and popular and theatrical musics, as well as historical ethnomusicologists, cultural historians, and urban planning researchers interested in the development of material culture.
Catalogue
None
I was born Mother of Saint
This is the English version of the original in Portuguese (2017): “Nasci Mãe de Santo - A maravilhosa história da Yalorixá Mãe Senhora de Umbanda, Sacerdotisa de Z A M B Y” (ISBN 978-85-924121-0-4). The book is a tribute to Mãe Senhora de Umbanda, in her extremely rare condition as Yalorixá Priestess of Z A M B Y, Consecrated by the Most High, Daughter of Ogum Quebramar and Yansã Guaracyara, Leaders Orixás of the Tenda de Umbanda Morada dos Orixás. It describes her beautiful trajectory in Umbanda in this reincarnation (1930-2015), preceded that was by her Consecration by the HIGHEST - hence the title “I was born Mother of Saint”, with emphasis on her total adoration to the C...
Working At Night
The night represents almost universally a special, liminal or "out of the ordinary" temporal zone with its own meanings, possibilities and dangers, and political, cultural, religious and social implications. Only in the modern era was the night systematically "colonised" and nocturnal activity "normalised," in terms of (industrial) labour and production processes. Although the globalised 24/7 economy is usually seen as the outcome of capitalist modernisation, development and expansion starting in the late nineteenth century, other consecutive and more recent political and economic systems adopted perpetual production systems as well, extending work into the night and forcing workers to work ...
Current Catalog
First multi-year cumulation covers six years: 1965-70.
Fado and the Place of Longing
Fado, often described as 'urban folk music', emerged from the streets of Lisbon in the mid-nineteenth century and went on to become Portugal's 'national' music during the twentieth. It is known for its strong emphasis on loss, memory and nostalgia within its song texts, which often refer to absent people and places. One of the main lyrical themes of fado is the city itself. Fado music has played a significant role in the interlacing of mythology, history, memory and regionalism in Portugal in the second half of the twentieth century. Richard Elliott considers the ways in which fado songs bear witness to the city of Lisbon, in relation to the construction and maintenance of the local. Elliott explores the ways in which fado acts as a cultural product reaffirming local identity via recourse to social memory and an imagined community, while also providing a distinctive cultural export for the dissemination of a 'remembered Portugal' on the global stage.
Intonations
Intonations tells the story of how Angola's urban residents in the late colonial period (roughly 1945-74) used music to talk back to their colonial oppressors and, more importantly, to define what it meant to be Angolan and what they hoped to gain from independence. A compilation of Angolan music is included in CD format. Marissa J. Moorman presents a social and cultural history of the relationship between Angolan culture and politics. She argues that it was in and through popular urban music, produced mainly in the musseques (urban shantytowns) of the capital city, Luanda, that Angolans forged the nation and developed expectations about nationalism. Through careful archival work and extensi...
The Literary Institution in Portugal Since the Thirties
Despite the numerous studies of the politics, economy, culture, and society of the Estado Novo, the relations established between publishers, authors, and governmental institutions and their contribution to the making of the literary canon are still marginal subjects of analysis. Based on the systems theories developed by Bourdieu, Dubois and Even-Zohar, this study focuses on the cultural production produced during the Estado Novo (1933-1974) and after the Revolution (1974-2004), within their political, economic and social framework. The chapters on José Saramago and José Luís Peixoto show them as examples of literary consecration that confirm the systemic relations in the Portuguese literary field. This research makes use of a survey on habits of purchase of Portuguese fiction, interviews with publishers, original statistical analyses, and takes a new approach to the study of Portuguese literature.
The Making of Modern Portugal
This book can be read in two different ways: as an introductory synthesis on Modern Portugal, or as a collection of twelve studies focusing on familiar aspects of the State formation of any modern nation throughout the nineteenth and twentieth centuries. In this second reading, each chapter opens comparative perspectives on specific topics within some key fields of studies and international debates on modernity, including population, police, empire, technology, bureaucracy, social sciences, rural life, education, religion, nationalism, communism, and economy. Such a wide range of subjects, however, proves comprehensive enough to create a narrative where the reader may also locate the chief t...
