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Suffit-il de savoir aimer pour réussir une recomposition familiale ? Quelles sont les tensions et les souffrances ? Les pères peuvent-ils exercer à distance leur autorité alors qu'ils n'ont que des contacts intermittents avec leurs enfants ? Le beau-parent doit-il vraiment se sentir obligé de traiter son bel-enfant comme s'il était le sien ? Qu'en disent les enfants concernés ? Qui constitue, à leurs yeux, leur vraie famille ? Plus d'un million d'enfants en France vivent avec un beau-parent. Voici la première enquête qui donne la parole aux parents comme aux enfants. Sylvie Cadolle enseigne la philosophie et la sociologie de l’éducation à l’IUFM de Créteil.
A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. A Jewish Childhood in the Muslim Mediterranean brings together the fascinating personal stories of Jewish writers, scholars, and intellectuals who came of age in lands where Islam was the dominant religion and everyday life was infused with the politics of the French imperial project. Prompted by novelist Leïla Sebbar to reflect on their childhoods, these writers offer literary portraits that gesture to a universal condition while also shedding light on the exceptional nature of certain experiences. The childhoods captured...
At Terezín, many children sang for the Nazi officials and the Red Cross. They were used as propaganda tools, between 1943 and 1944, to make the world believe that Hitler had given a "paradise" to the Jews. Only around 100 of the 15,000 innocent people who passed through this transit camp survived. Ela Stein Weissberger, deported at the age of 11, is one of the few survivors. In Hans Krása's opera Brundibár (The Bumblebee) performed at the camp, she played the role of the Cat, the rebellious animal who attacks the mustached monster in the hope of winning the war! Her poignant testimony gives voice once again to the courageous, hopeful children who left 4,500 drawings, diaries and poems at Terezín. Like an internal road movie, the author offers a parallel narrative—she looks back on her own family history, her search for Ela, her anecdotes from the shooting of a documentary film, and she speaks up for all children targeted by hatred. Writer, journalist, director and stage director, Henriette Chardak has written biographies of Kepler, Pythagoras, Leonardo da Vinci... and an investigation into the health effects of sweeteners (Le light c'est du lourd, Max Milo, 2018).
While only one book-length memoir recounting the sojourn of an Australian in France was published in the 1990s, well over 40 have been published since 2000, overwhelmingly written by women. Although we might expect a focus on travel, intercultural adjustment and communication in these texts, this is the case only in a minority of accounts. More frequently, France serves as a backdrop to a project of self-renovation in which transplantation to another country is incidental, hence the question ‘What’s France got to do with it?’ The book delves into what France represents in the various narratives, its role in the self-transformation, and the reasons for the seemingly insatiable demand among readers and publishers for these stories. It asks why these memoirs have gained such traction among Australian women at the dawn of the twenty-first century and what is at stake in the fascination with France.
First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
Mothers have been both idealized and demonized in Western cultures. With Simone de Beauvoir's feminist analysis of motherhood in The Second Sex as her point of departure, Rye (Germanic and Romance studies, U. of London) studies how French autobiographical and fictional narratives of mothering since 1990 differ from those told about them. In the context of societal changes, she explores themes including loss and trauma related to childbirth literally and figuratively, ambivalence and guilt, power and powerlessness, and lesbian and single parenting in the works of Christine Angot, Genevieve Brisac, Marie Darrieussecq, Camille Laurens, Leila Marouane, and Marie Ndiaye among others.
Published in 2001, Women is a valuable contribution to the field of Performance.
This provocative book stands our sixties' liberation on its head, taking an inventory of its unintended side-effects.--Le Nouvel Quotidien. (Philosophy)
Rituals have always been a focus of ethnographies of Melanesia, providing a ground for important theorizing in anthropology. This is especially true of the male initiation rituals that until recently were held in Papua New Guinea. For the most part, these rituals have been understood as all-male institutions, intended to maintain and legitimate male domination. Women's exclusion from the forest space where men conducted most such rites has been taken as a sign of their exclusion from the entire ritual process. Women as Unseen Characters is the first book to examine the role of females in Papua New Guinea male rituals, and the first systematic treatment of this issue for any part of the world...