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Sex and Nothing
From its etymological roots, sex is related to a scission, Latin for sectus, secare, meaning "to divide or cut." Therefore, regardless of the various studies applied to defining sex as inscribed by discursive acts, i.e. merely a 'performatively enacted signification,' there is something more to sex than just a social construction or an aprioristic substance. Sex is irreducible to meaning or knowledge. This is why psychoanalysis cannot be formulated as an erotology nor a science of sex (scientia sexualis). In this matter, sex escapes the symbolic restraints of language; however, it is through its failure that it manifests itself through the symbolic, e.g. symptoms or dream life. So, what is sex? Sex and Nothing embarks upon a dialogue between colleagues and friends interested in bridging psychoanalysis and philosophy, linking sex and thought, where what emerges is a greater awareness of the irreducucibility of sex to the discourse of knowledge and meaning: in other words, sex and nothing.
Extimacy
Bringing together theorists and practitioners of psychoanalysis to interrogate Lacan’s notion of extimité In 1960, Jacques Lacan coined the neologism extimité (extimacy) to denote a structure of subjectivity in which the most intimate, internal core is already external, thus complicating the traditional philosophical dualisms and binaries that have informed traditional notions of subjectivity. This collection is the first sustained interrogation of the concept of extimacy, comprising contributions on various topics by leading and emerging philosophers and scholars of psychoanalytic theory from around the world. This international collection also includes key perspectives from practicing psychoanalysts and presents a variety of critical inquiries into the concept of extimacy for application in multiple disciplines beyond philosophy and in an array of methodological and thematic frameworks.
Second Takes
Second Takes presents the history of English language cinema by focusing on cinematic remakes and on how cinema has been replaced by new forms of "media." Remakes, with their innate plurality, offer the most substance for concentrated cultural analysis of how movies reflect and shape American culture. Analyzing the archetypes that recur in this culture reveals how movies are an increasingly dangerous surrogate for the actual. Close readings are presented of such works as popular favorites as Cronenberg's Crash, Disney's The Parent Trap, Ferrara's Bad Lieutenant, Hitchcock's Psycho, Kubrick's A Clockwork Orange, Lynch's Twin Peaks (the film) and Welles' The Magnificent Ambersons, while unearthing pictures ripe for rediscovery such as One More Tomorrow, Strange Illusion and Andy Warhol's Vinyl. Instructors considering this book for use in a course may request an examination copy here.
The Rhetoric of Hiddenness in Traditional Chinese Culture
Considers the role of hiddenness in the history of cultural production in premodern China. This volume brings together fourteen essays that explore the role of hiddennessas both an object and a mode of representationin the history of cultural production in China from the Warring States Period (403221 BCE) to the end of the Qing Dynasty (1911) and beyond. The rhetorical use of various forms of hiddenness makes its appearance in literary, political, philosophical, and religious writings, as well as in the visual arts. Working in fields as disparate as traditional Chinese literature, religion, philosophy, history, medicine, and art, the contributors attempt to characterize one of the fundamental signifying practices in traditional Chinese cultural production. In the process, they not only reveal otherwise obscure patterns connecting longstanding social, political, aesthetic, and epistemological practices, but also contribute to ongoing discussionswell beyond the field of China studiesregarding the representation and communicability of knowledge, as well as the practices controlling its dissemination.
A Touch of Doubt
What can we know about ourselves and the world through the sense of touch and what are the epistemic limits of touch? Scepticism claims that there is always something that slips through the epistemologist’s grasp. A Touch of Doubt explores the significance of touch for the history of philosophical scepticism as well as for scepticism as an embodied form of subversive political, religious, and artistic practice. Drawing on the tradition of scepticism within nineteenth- and twentieth-century continental philosophy and psychoanalysis, this volume discusses how the sense of touch uncovers contradictions within our knowledge of ourselves and the world. It questions 1) what we can know through touch, 2) what we can know about touch itself, and 3) how our experience of touching the other and ourselves throws us into a state of doubt. This volume is intended for students and scholars who wish to reconsider the experience of touching in intersections of philosophy, religion, art, and social and political practice.
El Siglo del Prejuicio Confrontado
This book questions whether 'autonomy' is a pivotal psychotherapeutic value. Basing his discussion upon the key Kleinian concept of 'projective identification', the author argues that 'integration' should be the aim of psychoanalysis, and - furthermore - that actions can be judged ethical or unethical according to whether they foster or hinder integration.
The Marx Through Lacan Vocabulary
This text explores a set of key concepts in Marxist theory as developed and read by Lacan, demonstrating links and connections between Marxist thought and Lacanian practice. The book examines the complexity of these encounters through the structure of a comprehensive vocabulary which covers diverse areas, from capitalism and communism to history, ideology, politics, work, and family. Offering new perspectives on these concepts in psychoanalysis, as well as in the fields of political and critical theory, the book brings together contributions from a range of international experts to demonstrate the dynamic relationship between Marx and Lacan, as well as illuminating "untranslatable points" wh...
American Modernist Fiction
American Modernist Fiction: Psychoanalytic Recitations of Identity addresses five American Modernist novels in light of Lacanian psychoanalytic theory: Nathanael West's Miss Lonelyhearts, Kay Boyle's Process, Djuna Barnes's Nightwood, Thornton Wilder's The Cabala, and F. Scott Fitzgerald's Tender Is the Night. Dolis's dynamic readings constitute a spirited "performance" of the narrative, deploying his own innovative form of literary analysis, what he calls "performance criticism". These psychoanalytic studies simultaneously stage the narrative and re-enact its putative significance, provoke and question its intent, thereby establishing a dialectics of desire—what both affects the body of the narrative and, equally, the critic's subjectivity.
Philippe Lacoue-Labarthe's Phrase
This book presents an interpretation of a volume of poetry and theoretical reflections (Phrase) by the late Philippe Lacoue-Labarthe, who is widely known as one of the major contributors to thinking about the relation between philosophy and literature in the continental tradition. His work has shaped the deconstructive approach to the question of the subject and has opened important paths of research relating to the topic of literary mimesis. Along with Jean-Luc Nancy, he made very important contributions in the areas of romantic literary theory and psychoanalytic theory. Christopher Fynsk's analysis of Phrase focuses principally on two of its key motifs. Fynsk first deals with the theme of infancy and draws forth the deep relation to Blanchot that is revealed in this text. The second motif which organizes the narrative of the autobiographical component of Phrase (which Lacoue-Labarthe entitles "a history of renunciation") names the condition of modern poetic speech. Thus, Fynsk interprets the history of renunciation and elucidates the meaning of what Lacoue-Labarthe terms "literature."
