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Robert Lepage
'Routledge Performance Practitioners' is a series of introductory guides to the key theatre-makers of the last century. This text looks at Robert Lepage, one of Canada's most foremost playwrights and directors.
The Theatricality of Robert Lepage
Since the 1980s, multimedia and new technologies have had a great impact on theatre, allowing performance to establish its own language of communication with the audience independent of the written text. Robert Lepage is one of the pioneers and main exponents of mixed-media performance, internationally renowned for a notoriously distinct aesthetic. Aleksandar Dundjerovic, in the first book to explore Lepage's practical work, offers a comprehensive analysis of his creative process, his "transformative mise-en-scene."
Robert Lepage
Robert Lepage is one of Canada’s foremost theatre authors and directors. His company, Ex Machina, has toured to international acclaim and he has lent his talents to areas as diverse as opera, film, solo performance and installation art. His most celebrated work blends acute personal narratives with bold global themes through collaborative and multimedia theatricality. This book is the first to combine: • An overview of the key phases in Lepage’s life and career • An examination of the issues and questions pertinent to his work • A discussion of The Dragons’ Trilogy as a paradigm of his working methods • A variety of practical exercises designed to give an insight into Lepage’s creative process. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are of unbeatable value for today’s student.
Trans-Global Readings
This book provides a forum for a wide range of theatre, music and performance artists to talk about where they stand in relation to new technologies, intercultural collaborations, and the making of interdisciplinary work. Looking at how time, space and memory play an active role in shaping different artistic visions, editor Caridad Svich has gathered the voices of unique and dynamic artists including Tim Etchells, Rinde Eckert, Richard Foreman, Peter Gabriel, David Greig, Guillermo Gomez-Peña, Phelim McDermott and Peter Sellars as a way to examine the impact of globalisation on the creation and development of new work.
Making Contemporary Theatre
Making Contemporary Theatre reveals how some of the most significant international contemporary theatre is actually made. The book opens with an introductory chapter which contextualizes recent trends in approaches to theatre-making. In the ensuing eleven chapters, eleven different writer-observers describe, contextualize and analyze the theatre-making practices of eleven different companies and directors, including Japan’s Gekidan Kaitaisha and the Québécois director Robert Lepage. Each chapter is enriched with extensive illustrations as well as boxed-off "asides," giving the reader different perspectives on the work. Chapters usually focus on a single production, such as Complicite’s 2003-04 The Elephant Vanishes, allowing detailed investigations of complex practices to emerge. The book concludes with a brief manifesto for making contemporary theatre by the editors, plus a bibliography suggesting further reading. Making contemporary theatre is a rich resource for the theatre-making student and the theatre--goer alike, full of diverse examples of how the most exciting theatre is actually made.
Contemporary European Theatre Directors
This expanded second edition of Contemporary European Theatre Directors is an ambitious and unprecedented overview of many of the key directors working in European theatre over the past 30 years. This book is a vivid account of the vast range of work undertaken in European theatre during the last three decades, situated lucidly in its artistic, cultural, and political context. Each chapter discusses a particular director, showing the influences on their work, how it has developed over time, its reception, and the complex relation it has with its social and cultural context. The volume includes directors living and working in Italy, Germany, France, Spain, Poland, Russia, Romania, the UK, Belgium, Switzerland, and the Netherlands, offering a broad and international picture of the directing landscape. Now revised and updated, Contemporary European Theatre Directors is an ideal text for both undergraduate and postgraduate directing students, as well as those researching contemporary theatre practices, providing a detailed guide to the generation of directors whose careers were forged and tempered in the changing Europe following the end of the Cold War.
Contemporary European Theatre Directors
'An invaluable book that we shall all be using for a long time to come' - Michael Billington Contemporary European Theatre Directors is an ambitious and unprecedented overview of many of the key directors working in European theatre over the past fifty years. It is a vivid account of the vast range of work undertaken in European theatre during this period, situated lucidly in its artistic, cultural and political context. The resulting study is a detailed guide to the generation of directors whose careers were forged and tempered in the changing Europe of the 1980s and 1990s. The featured directors are: Calixto Bieito, Piotr Borowski, Romeo Castellucci, Frank Castorf, Patrice Chéreau, Lev Do...
Placeness and the Performative Production of Space
How can performance create and transform places of urban renewal and regeneration? What does performance contribute to the creation of community? These are some of the questions addressed in this study of the relationship of performance to urban space. Marrying theory with a series of international case studies of performance practice and interviews with practitioners, this interdisciplinary study examines how space is performatively produced to create a sense of 'placeness'. Offering multiple perspectives on space and place, this book investigates the connections between space and the construction of social and cultural narratives. It focuses on the multiple ways performative actions produc...
The Greatest Shows on Earth
What makes a particular performance 'great'? The Greatest Shows on Earth offers an address that focuses sharply on theatre as performance: as an event that can stir the blood, the spirit and the brain like nothing else. The result is a book about fourteen outstanding theatre events from a dozen countries. In discrete, production-focused chapters, work from Peter Brook's King Lear through to the Sydney Olympics Opening Event is approached by a team of international scholars and practitioners, each describing in print that which existed in time and space and, most significantly, within specific contexts. What binds these chapters together is the conviction that whilst liveness disappears in a ...
The Oxford Handbook of New Audiovisual Aesthetics
Media forms and genres are proliferating as never before, from movies, computer games and iPods to video games and wireless phones. This essay collection by recognized scholars, practitioners and non-academic writers opens discussion in exciting new directions.
