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The Passion Story
"The incidence of Passion imagery in diverse media is fundamental to the histories of Christian piety, church politics, and art in European and American societies. At the same time, the visualization and reenactment of Christ's suffering has for centuries been the principal engine generating popular perceptions of Jews and Judaism. The essays collected in this book, written by eminent scholars with an eye toward the nonspecialist reader, broadly survey the depiction and dramatization of the Passion and consider the significance of this representational focus for both Christians and Jews. This anthology provides a unique, multifaceted overview of a subject of enduring importance in today's religiously pluralistic societies."--BOOK JACKET.
Leonardo’s Fables
An exploration of the compositional methods and sources of Leonardo’s fables to investigate their relationship with illustrations and scientific studies.
The Book of the Wind
InThe Book of the WindAlessandro Nova has selected texts and images to create a history of the wind that illustrates his belief that the artistic representation of the invisible, The metaphorical nature of the phenomenon, And The challenge that it presents for perception require increasing our inner world through an expansion of our perceptual horizon. The wind - a natural phenomenon both salutary and injurious - has inspired myths, literary texts, and works of art in every era and place.The Book of the Windoffers a contemporary and original reflection on one of the most intriguing questions in art history - how can the immaterial be depicted?
Raphael and the Redefinition of Art in Renaissance Italy
A comprehensive re-assessment of Raphael's artistic achievement and the ways in which it transformed the idea of what art is.
A Companion to Anticlassicisms in the Cinquecento
‘Anticlassicisms,’ as a plural, react to the many possible forms of ‘classicisms.’ In the sixteenth century, classicist tendencies range from humanist traditions focusing on Horace and the teachings of rhetoric, via Pietro Bembo’s canonization of a ‘second antiquity’ in the works of the fourteenth-century classics, Petrarch and Boccaccio, to the Aristotelianism of the second half of the century. Correspondingly, the various tendencies to destabilize or to subvert or contradict these manifold and historically dynamic ‘classicisms’ need to be distinguished as so many ‘anticlassicisms’. This volume, after discussing the history and possible implications of the label ‘ant...
Vincenzo Scamozzi and the Chorography of Early Modern Architecture
The first English-language overview of the contributions to Renaissance architectural culture of northern Italian architect Vincenzo Scamozzi (1548-1616), this book introduces Anglophone architects and historians to a little-known figure from a period that is recognized as one of the most productive and influential in the Western architectural tradition. Ann Marie Borys presents Vincenzo Scamozzi as a traveler and an observer, the first Western architect to respond to the changing shape of the world in the Age of Discovery. Pointing out his familiarity with the expansion of knowledge in both natural history and geography, she highlights that his truly unique contribution was to make geography and cartography central to the knowledge of the architect. In so doing, she argues that he articulated the first fully realized theory of place. Showing how geographic thinking influences his output, Borys demonstrates that although Scamozzi's work was conceived within an established tradition, it was also influenced by major cultural changes occurring in the late 16th century.
Architecture and Dystopia
A homage to the 1973 publication of Architecture and Utopia by Manfredo Tafuri—echoed in the title—this book is devoted to the radical experiences of the 1960s and to their consequences for the most recent developments in contemporary architecture. As a response to the profound crisis of Western culture the emerged in the 1960s, radical artists from Italy, Austria, England and Japan called into question the foundations of modernist utopias. They transmuted the difficulties of capitalism into a repertory of startling images that revealed the disturbing realities of consumer society, even in those places still resistant to the penetration of modern architecture, such as Superstudio and Arc...
Hidden Faces: Covered Portraits of the Renaissance
Many small Renaissance portraits were richly adorned with covers or backs bearing allegorical figures, mythological scenes, or emblems that celebrated the sitter and invited the viewer to decipher their meaning. Hidden Faces includes seventy objects, ranging in format from covered paintings to miniature boxes, that illuminate the symbiotic relationship between the portrait and its pair. Texts by thirteen distinguished scholars vividly illustrate that the other “faces” of these portraits represent some of the most innovative images of the Renaissance, created by masters such as Hans Memling and Titian. Uniting works that have in some cases been separated for centuries, this fascinating volume shows how the multifaceted format unveiled the sitter’s identity, both by physically revealing the portrait and reading the significance behind its cover.
The Cambridge Companion to Raphael
This book examines all facets of the High Renaissance painter Raphael.
Siting Michelangelo
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