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Personification and the Feminine in Roman Philosophy
While the central ideal of Roman philosophy exemplified by Lucretius, Cicero and Seneca appears to be the masculine values of self-sufficiency and domination, this book argues, through close attention to metaphor and figures, that the Romans also recognized, as constitutive parts of human experience, what for them were feminine concepts such as embodiment, vulnerability and dependency. Expressed especially in the personification of grammatically feminine nouns such as Nature and Philosophy 'herself', the Roman's recognition of this private 'feminine' part of himself presents a contrast with his acknowledged, public self and challenges the common philosophical narrative of the emergence of subjectivity and individuality with modernity. To meet this challenge, Alex Dressler offers both theoretical exposition and case studies, developing robust typologies of personification and personhood that will be useable for a variety of subjects beyond classics, including rhetoric, comparative literature, gender studies, political theory and the history of ideas.
Selections from the Poems of Paulinus of Nola, including the Correspondence with Ausonius
This volume offers a broad introduction to one of the most exciting chapters of Late Antiquity through direct testimony from one of the last representatives of Roman Antiquity, Ausonius of Bordeaux, and his radical Christian protégé, the populist bishop and experimental poet Paulinus of Nola. The first comprehensive volume in English dedicated to these works in over a century, this book also offers representative selections from Paulinus’ vast poetic output, from the publicly performed poems that mark his contribution to the emerging cult of the saints to his experimental Christianization of a wide range of Classical genres. Preceded by a substantial introduction discussing the modern si...
The Death Maze
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The Complete Tragedies, Volume 2
Volume 2 comprises the following tragedies attributed to Seneca: Oedipus, Hercules Mad, Hercules on Oeta, Thyestes, Agamemnon--the guys.
The Complete Tragedies, Volume 1
The first of two volumes collecting the complete tragedies of Seneca. Edited by world-renowned classicists Elizabeth Asmis, Shadi Bartsch, and Martha C. Nussbaum, the Complete Works of Lucius Annaeus Seneca series offers authoritative, modern English translations of the writings of the Stoic philosopher and playwright (4 BCE–65 CE). The two volumes of The Complete Tragedies present all of his dramas, expertly rendered by preeminent scholars and translators. This first volume contains Medea, The Phoenician Women, Phaedra, The Trojan Women, and Octavia, the last of which was written in emulation of Senecan tragedies and serves as a unique example of political tragedy. The second volume inclu...
The Complete Tragedies, Volume 1
Volume 1 contains the following plays attributed to Seneca: Medea, The Phoenician Women, Phaedra, The Trojan Women, Octavia--obviously it has a slightly female spin.
The Ruler's House
Examining political culture and thought in early imperial Rome, The Ruler's House confronts the fragility of one-man rule.
Propertius' Cynthia
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A Companion to Sophocles
A Companion to Sophocles presents the first comprehensive collection of essays in decades to address all aspects of the life, works, and critical reception of Sophocles. First collection of its kind to provide introductory essays to the fragments of his lost plays and to the remaining fragments of one satyr-play, the Ichneutae, in addition to each of his extant tragedies Features new essays on Sophoclean drama that go well beyond the current state of scholarship on Sophocles Presents readings that historicize Sophocles in relation to the social, cultural, and intellectual world of fifth century Athens Seeks to place later interpretations and adaptations of Sophocles in their historical context Includes essays dedicated to issues of gender and sexuality; significant moments in the history of interpreting Sophocles; and reception of Sophocles by both ancient and modern playwrights
Imitate Anacreon!
Despite their rich tradition, the Carmina Anacreontea transmitted in the Palatine Anthology have received little scholarly attention. This neglect is linked to questions concerning their authenticity. Long read as poems by the ancient lyricist Anacreon, they are now regarded instead as imitations of Anacreontic lyricism. This volume presents the latest findings on the language, poetology, tradition, and reception of this lyrical collection.
