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Explores a wide range of affects, affect theory, and literature to consolidate a fresh understanding of literary affect.
Poetry. A beautiful, formidably intelligent yet profoundly inviting book, Alex Houen's much-anticipated RING CYCLE brilliantly orchestrates its many motifs across poems that move from the metaphysical to the intimate to the droll sometimes within one poem. Houen is a poet of lavish linguistic sensuality, his poems vibrating with his attunement to fissures within the self, between lovers; salutes to friends; romantic skirmish; the ambient dread of our moment. Houen's brilliantly mash-upping mind encompasses pirated DVDs, Dryden and Alexander McQueen, conceits poetic and contemporary and untimely and unheimlich. A book of enormous range, simultaneously lush and austere, RING CYCLE tracks the perversities of erotic and filial suspension alongside questions of conscience and aesthetics.
By outlining a novel concept of literary practice 'potentialism', this text shows how opening up literary possibilities enabled writers such as Allen Ginsberg, LeRoi Jones/Amiri Baraka, William S. Burroughs, Kathy Acker, and Lyn Hejinian to tackle matters of power and politics.
This book explores how writers from the early nineteenth century to the present have addressed the intimacy of sacrifice and war. Each chapter presents fresh insights into the literature of a particular conflict. The range of literature examined complements the rich array of topics related to wartime sacrifice that the contributors discuss.
Is terrorism's violence essentially symbolic? Does it impact on culture primarily through the media? What kinds of performative effect do the various discourses surrounding terrorism have? Such questions have not only become increasingly important in terrorism studies, they have also been concerns for many literary writers. This book is the first extensive study of modern literature's engagement with terrorism. Ranging from the 1880s to the 1980s, the terrorism examined is as diverseas the literary writings on it: chapters include discussions of Joseph Conrad's novels on Anarchism and Russian Nihilism; Wyndham Lewis's avant-garde responses to Syndicalism and the militant Suffragettes; Ezra P...
Ranging from analyses of contemporary culture, postcolonial writing, political rhetoric and postimperial memory after 9/11, this collection demonstrates that far from being parochial and self-involved, the question of Englishness offers an important avenue for thinking about the politics of national identity.
The Affects of Pedagogy in Literary Studies considers the ways in which teachers and students are affected by our encounters with literature and other cultural texts in the higher education classroom. The essays consider the range of emotions and affects elicited by teaching settings and practices: those moments when we in the university are caught off-guard and made uncomfortable, or experience joy, anger, boredom, and surprise. Featuring writing by teachers at different stages in their career, institutions, and national or cultural settings, the book is an innovative and necessary addition to both the study of affect, theories of learning and teaching, and the fields of literary and cultural studies.
This collection examines the intersection of historical recollection, strategies of representation, and reading practices in historical fiction from the eighteenth century to today. In shifting focus to the agency of the reader and taking a long historical view, the collection brings a new perspective to the field of historical representation.
As the events of 11 September 2001 and their aftermath influence new developments in spy fiction as a popular genre, an examination of these literary narratives concerned with espionage and terrorism can reshape our approach to non-fictive representations of the same concerns. Post-9/11 Espionage Fiction in the US and Pakistan examines post-9/11 American spy fictions alongside Pakistani novels that draw upon many of the same figures, tropes, and conventions. As the Pakistani texts re-place spy fiction’s conventions, they offer another vantage point from which to view the affective appeals common to these conventions’ usual deployment in American texts. This book argues that the appropria...
Terrorist's Creed casts a penetrating beam of empathetic understanding into the disturbing and murky psychological world of fanatical violence, explaining how the fanaticism it demands stems from the profoundly human need to imbue existence with meaning and transcendence.